SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord Treasurer Danby"/1) | (@(roleclean,performerclean) "Lord Treasurer Danby")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2031 matches on Event Comments, 1737 matches on Performance Comments, 141 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Lord Ogleby Actor: King

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Event Comment: Benefit for Miss Young and Mr Rooker. House charges #65 1s. Paid for two practices for Alexander #1 16s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for Bensley. House charges #66 2s. 6d. Mr Calthorpe's last payment #157 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Fairy Tale

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for Cautherley. House Charges #66 2s. 6d. [Afterpiece advertised as not acted for 3 years, but see 29 March 1764.] Paid J. Johnston by order #12 12s. (Treasurer's Book). Linco's Travels by particular Desire

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Edgar and Emmeline

Entertainment: End: Linco's Travels-King [, as17670406

Dance: HHearts of Oak, as17670212

Event Comment: Benefit for the Author of mainpiece. House Charges #76 19s. 6d. Mrs Yates' last appearance here until the 1774-75 season (Winston MS 9). Tickets deliver'd for the 9th of April and 7th of May will be taken. Paid Burney Jr 2 weeks' salary #2 10s., and Printer's Bill #9 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Afterpiece Title: The Register Office

Cast
Role: Lord Brilliant Actor: Fawcett

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Benefit for Duquesney. House Charges #68 8s. Paid chorus singers #2 10s. 6d. (Treasurer's Book). [Neville went to first gallery to see this play, but could not hear well. He noted the entr'acte dances.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Register Office

Cast
Role: Lord Brilliant Actor: Fawcett

Dance: I: Masquerade Dance-; with a Minuet-Duquesney, Mrs King; II: A New Dance call'd The Gallant Shepherd-Duquesney, Miss Madden (his scholar, being her first appearance on this stage); End: A New Comic Dance, The Catalonian Peasants-Duquesney, Tassoni, Mrs King

Event Comment: Benefit for Dickinson (1st Gallery Office Keeper). House charges #84. [Deficit #54 14s.] Went at 5 to see King Lear...oblig'd to stand in a corner of ye Pit. It is said that Powell does Lear as well as Garrick...Mrs Palmer-Cordelia. This is Mrs Yates's part, but she is become a great woman and refuses to play for many of ye Benefits (Neville MS Diary). Receipts: #29 6s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Register Office

Cast
Role: Lord Brilliant Actor: Fawcett

Dance: End: A Double Hornpipe, as17670511

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Event Comment: Benefit for Jewell, Treasurer. Afterpiece: A Farce (for that Night only) taken from Congreve's Play of the Old Batchelour. Neville MS Diary: Half past six went to the Haymarket...out could not get into the Pit, Boxes or Galleries

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fondlewife and Laetitia

Song: II: DuBellamy

Dance: IV: Fingalian-; End: Italian Peasants, as17670805

Entertainment: PPost@Haste Observations from his Journay to Paris-Shuter (for that Night only)

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Event Comment: Benefit for Evans (sub treasurer) and Miss Rogers

Performances

Mainpiece Title: The English Merchant

Cast
Role: Lord Falbridge Actor: Reddish, 1st time

Afterpiece Title: Thomasand Sally

Dance: III: The Wake, as17680220

Entertainment: End: Bucks Have at Ye All-J. Palmer

Event Comment: Benefit for Garton (treasurer). Charges #66 15s. 6d. Deficit to Garton #9 11s. 6d. but covered by #107 19s. from tickets (Box 225; Pit 274; Gallery 106). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Amelia

Dance: III: The Provenzales, as17680301

Event Comment: Benefit for Jewell (treasurer). Afterpiece: Reviv'd, a Pastoral Ballad of one act. By Particular Desire

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: Damon and Phillida

Dance: I: By Desire, Double Hornpipe-Vandermere, Miss Street

Event Comment: Benefit for Garton (treasurer) Died this night at Kensington Gravel Pits where she went for the recovery of her health, Miss Morris, the young lady who appeared this season with so much applause at Covent Garden (Public Advertiser). Charges #67 15s. Balance to Garton #20 11s. plus #98 from tickets (Box 186; Pit 258; Gallery 128) (Account Book). Receipts: #88 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin Dr Faustus

Entertainment: IV: THE CRIES OF LONDON-Shuter; End: Post Haste OBSERVATIONS on a Journey to Paris-Shuter

Event Comment: Benefit for Jewell, Treasurer

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diversions of the Morning

Dance: TThe Sailor's Return-Tassoni, Vandermere, Summers, Miss Street

Song: II: Cara Sposa-Mrs Jewell; IV: A Favourite Air in the Captive-Mrs Jewell

Event Comment: Benefit for Garton (treasurer). Charges #69 15s. Balance to Garton #35 13s. plus #116 10s. from tickets (Box 222; Pit 312; Gallery 142) (Account Book). Receipts: #105 8s

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Rape of Proserpine

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Piguenit, Treasurer. Price 3s. [No vocalists in concert, but musical imitations by Bannister.]

Performances

Mainpiece Title: La Serva Padrona

Music: First violin and Solo, and some favourite songs by Barthelemon

Event Comment: hay Benefit for Jewell, Treasurer. September 1770

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: hay The Citizen

Dance: hay End of Play: The Cowkeeper, as17700521

Song: hay II: A favorite song from The Captive; III: An Italian Song-Mrs Jewell

Event Comment: Benefit for Garton (Treasurer). Afterpiece: Not acted these 12 years. [See 11 May 1762.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: True Blue

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Event Comment: Benefit for Evans (sub treasurer) and Mrs Dorman. [Afterpiece, never performed there, The Noble Pedlar; or, The Fortune Hunter, by George Saville Carey. Music Compos'd by Barthelemon.

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Noble Pedlar or The Fortune Hunter

Dance: II: Comic Dance, as17710416

Entertainment: End: A Burlesque Cantata, as17710504

Event Comment: Benefit for Jewell, Treasurer

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: The Captive

Entertainment: End: Scrub's Trip to the Jubilee-Weston

Dance: Double Hornpipe, as17710724

Event Comment: Benefit for Piguenit (treasurer). Price 3s

Performances

Mainpiece Title: The Magnet

Entertainment: The Favourite Scots Air of last season in Love in a Village-; Soldier Tir'd of War's Alarms, The Wanton God who Pierces Hearts, Sweet Echo from Comus,-Miss Catley; Musical Imitations-Bannister

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Mainpiece: By Particular Desire. Paid for Properties #2 2s. (Tresaurer's Book). [This expense averaged #3 5s. per week amounting to #118 for the season. It will not be further itemized.] Receipts: #153 6s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequins Invasion

Dance: II: Comic Dance, as17710921

Event Comment: Paid Mr French on Acct #30; Paid Supernumeraries in Institution of the Garter 10 Nights (7th inst. incl.) #44 10s. (Treasurer's Book). [N.B. at the rate of 2s. 6d. a night for walking in a procession, this afterpiece would seem to have required about 35 supers for each performance.] Receipts: #243 9s. 6d. (Treasruer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Miss in Her Teens

Dance: V: Comic Dance, as17710921