SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Charles Cavendish"/1) | (@(roleclean,performerclean) "Lord Charles Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2701 matches on Performance Comments, 2549 matches on Author, 858 matches on Event Comments, 194 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Performances

Mainpiece Title: Everyone Has His Fault

Cast
Role: Lord Norland Actor: Farren

Afterpiece Title: THE SAILOR'S FESTIVAL

Cast
Role: Lord of the Manor Actor: Evatt

Afterpiece Title: THE TWO MISERS

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Event Comment: By Particular Desire of the Mirza, Prince of Broach. 2nd piece [1st time; M. INT 1, by Charles Dibdin; music by the author. MS: Larpent 1030; not published]: The Words of the Songs, &c. will be given at the different Doors of the Theatre. Tickets delivered for THE BEGGAR'S OPERA [Account-Book: by Heathcote, Bayzand, Egan, Pitt, Masters, Dick, Hall (carpenter), Doe, Goodwin] will be admitted. Receipts: #238 14s. 6d. (26/4/0; 3/17/6; tickets: 208/13/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Related Works
Related Work: A Loyal Effusion Author(s): Charles Dibdin

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Related Works
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): Charles Farley

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Related Works
Related Work: The Merry Wives of Broad Street Author(s): Charles Shadwell
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Related Works
Related Work: Hannah Hewit; or, The Female Crusoe Author(s): Charles Dibdin

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]
Cast
Role: Landlord Actor: Thompson

Afterpiece Title: A Day at Rome

Related Works
Related Work: A Day at Rome Author(s): Charles Smith
Event Comment: 1st piece: In one Act; 1st time at this Theatre [acted 19 June 1784]. 2nd piece [1st time; D 3, by Charles Kemble, based on Le Deserteur, by Louis Sebastien Mercier. Authors of Prougue and Ephlogue unknown]. Morning Chronicle, 1 Aug. 1800: This day is published The Point of Honour (2s.)

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: The Flitch of Bacon

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Performance Comment: Charles XII-Usher; Prince of Wurtemburg-Jackson; Count Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Prince Dolguruki-Paget; Prince Menzikoif-Jones; Iwan-Shawford; Princess Ellimira-Mrs Cross.
Cast
Role: Charles XII Actor: Usher

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Performances

Mainpiece Title: The Chesire Comicks; Or, The Amours Of Lord Flame

Performance Comment: Lord Flame-Johnson; other parts-Mullart, Wells, Stopler, Jones, Hallam, Marshall, Mrs Mullart, Mrs Martin, Mrs Nokes, Mrs Hill, Miss Wood, Miss Palms.
Cast
Role: Lord Flame Actor: Johnson
Event Comment: Mainpiece: A new Tragi-Comedy. Benefit the Author. [Author unknown. Apparently not published.] Boxes 5s. pit 3s. Gallery 2s. There's none Sir Courtly, can my Lord Beau call, He's a bold-Fop, and represents you all

Performances

Mainpiece Title: The Miseries Of Love

Performance Comment: Lord Valerius-Machin; Sir Ustice Trueman-Nowland; Lord Beaux-Pullen; Serainger-Allen; Father Pedro-Hicks; Davy, a Welshman-Sanders; Cassandra-Mrs Palmer; Olinda-Mrs Pullen; Lucy-Miss Horriban; Maria-Miss Jones.
Cast
Role: Lord Valerius Actor: Machin
Role: Lord Beaux Actor: Pullen

Afterpiece Title: Damon and Phillida

Song:

Music:

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Performance Comment: Lord George Brilliant-Woodward; Lord Wronglove-Palmer; Sir Friendly Moral-Berry; Lady Gentle-Mrs Pritchard; Mrs Conquest-Mrs Davies; Miss Notable-Miss Macklin; Heartshorn-Miss Minors; Lady Wronglove-Mrs Clive(, being the first time of their appearance in those characters).

Afterpiece Title: Lethe

Performance Comment: With a new scene-Garrick; New Mimic Italian Song-Mrs Clive; Lord Chalkstone-Garrick; Mercury-Beard; Fine Gentleman-Woodward; Mrs Riot, Fine Lady-Mrs Clive; Aesop-Bransby; Charon-W. Vaughan; Drunken Man-Yates; Frenchman, Old Man-Blakes; Tatoo-Marr; Mrs Tatoo-Miss Minors (Edition of 1756).
Cast
Role: Lord Chalkstone Actor: Garrick

Dance: IV: New Sailor's Dance, as17560217

Event Comment: Mainpiece: Not acted these 4 years. [See 22 Oct. 1760.] Lord Townly by Mr Powell, 1st time great applause. Mr Castle hiss'd in Count Basset (Hopkins). Mr Powell's first appearance in Lord Townly-The last scene he felt greatly, and in a few times performing will play the part well (+Hopkins Diary-MacMillan). Receipts: #231 19s. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Powell, first time; Sir Francis Wronghead-Yates; Manly-Havard; Squire Richard-Mas. Burton; Count Basset-Castle; Lady Wronghead-Mrs Hopkins; Lady Grace-Miss Plym; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Lee; Poundage-Clough; Trusty-Mrs Bennet; John Moody-Burton; Lady Townly-Mrs Yates.
Cast
Role: Lord Townly Actor: Powell, first time

Afterpiece Title: The Fairy Tale

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Lisley, late Miss Barsanti. T. Davis's benefit, which was intended for Tuesday next, is obliged to be deferred till a Future Day, of which Proper Notice will be given. [Digges's 1st recorded appearance as Lord Townly was at Edinburgh, 6 Mar. 1756.

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Digges (1st appearance in that character [in London]); Manly-Aickin; Count Basset-Davies; Squire Richard-R. Palmer; John Moody-Jackson; Sir Francis Wronghead-Parsons; Lady Wronghead-Mrs Love; Miss Jenny-Mrs Davies; Lady Grace-Mrs Colles; Myrtilla-Miss Platt; Trusty-Mrs W. Palmer; Mrs Motherly-Mrs Poussin; Lady Townly-Mrs Lisley (1st appearance in that character).
Cast
Role: Lord Townly Actor: Digges

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.
Cast
Role: Charles IX Actor: Cushing

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.
Cast
Role: Charles XII Actor: Usher

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and his Friend Strap

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone-Garrick; Drunken Man-Yates; Fine Gentleman-Dodd; Old Man-Parsons; Frenchman-King; Charon-Moody; Fine Lady-Mrs Clive; Aesop-Bransby; Bowman-Ackman; Mercury-Vernon.
Cast
Role: Lord Chalkstone Actor: Garrick

Dance: End: New Tambourine-Aldridge, Miss Baker

Event Comment: MMr Reddish played Lord Townly, being his first appearance in London, --was well received and met with Applause, --but an indifferent figure, --will be useful (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Reddish, 1st appearance there; Manly-Jefferson; Count Basset-Dodd; Sir Francis Wronghead-Love; John Moddy-Burton; Squire Richard-a young gentleman, [1st appearance [Mr Wingfield]; Lady Grace-Mrs Barry; Mrs Motherly-Mrs Cross; Lady Wronghead-Mrs Hopkins; Myrtilla-Mrs Lee; Miss Jenny-Miss Pope; Mrs Trusty-Mrs Johnston; Lady Townly-Mrs Abington[, 1st time., 1st time.

Afterpiece Title: Daphne and Amintor

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Powell; Manly-Clarke; Richard-Dibdin; Moody-Dunstall; Basset-Dyer; Sir Francis-Yates; Poundage-Bates; Servant-Holtom; Constable-Wignell; James-R. Smith; Lady Grace-Mrs Dyer; Lady Wronghead-Mrs Pitt; Mrs Motherly-Mrs Ferguson; Myrtilla-Miss Pearce; Trusty-Miss Mills; Miss Jenny-Mrs Mattocks, 1st time; Lady Townly-Mrs Yates.
Cast
Role: Lord Townly Actor: Powell

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for the Westminster New Lying-In Hospital

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-Hertford (1st appearance); Sterling-Massey; Sir John Melvil-West; Lovewell-Cooke; Brush-Creswick; Canton-Holtom; Miss Sterling-Mrs Robinson; Fanny-Mrs Dawes; Betty-Mrs West; Mrs Heidelberg-Mrs Roach; Prologue by Hertford-West; Epilogue-Creswick [as17780323 .as17780323 .
Cast
Role: Lord Ogleby Actor: Hertford
Role: Charles Actor: Swindall
Role: Lord Trinket Actor: Creswick

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The out-standing Tickets of Jewell's, for September the 2d, will be admitted

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Digges; Manly-Usher; Count Basset-Taylor; Squire Richard-Everard; John Moody-Massey; James-Davis; Poundage-Brownsmith; Constable-Summers; Sir Francis Wronghead-Blissett; Lady Grace-Mrs Hitchcock; Lady Wronghead-Mrs Standen; Miss Jenny-A Young Lady (5th appearance on any stage [unidentified]); Mrs Motherly-Mrs Everard; Trusty-Mrs W?. Palmer; Lady Townly-Miss Farren.
Cast
Role: Lord Townly Actor: Digges

Afterpiece Title: Piety in Pattens

Event Comment: By Permission [of the Lord Chamberlain]. By Desire of the Most Noble Order of Bucks. Benefit for Griffith. [Author of Epilogue unknown.] Tickets delivered for November 22 and for The West Indian will be admitted. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-A Gentleman [unidentified]; Duke of Gloucester-Gardner; Belmour-Griffith; Ratcliff-Dennis; Catesby-Scott; Earl of Derby-Squire; Dumont-Cresswick; Jane Shore-A Young Lady unidentified]; Alicia-Mrs Lefevre; Epilogue, [including a parody of Shakespeare's Seven Ages-Cresswick.
Cast
Role: Lord Hastings Actor: A Gentleman

Afterpiece Title: Wrangling Lovers; or, Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby (for that night only)-Thornton (of the Theatre-Royal Windsor; 1st appearance in London); Canton-Everard (late of the Theatre-Royal Drury-Lane); Miss Sterling-A Young Lady (1st appearance on any stage [unidentified]); Mrs Heidelberg-Mrs Gardner (1st appearance since her return from the West Indies).
Cast
Role: Lord Ogleby Actor: Thornton

Afterpiece Title: The Author

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.
Cast
Role: Lord Gayville Actor: Palmer
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Quaker

Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Quaker Author(s): Charles Dibdin

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Heiress

Performance Comment: Sir Clement Flint-King; Clifford-Bensley; Alscrip-Parsons; Rightly-Aickin; Chignon-Baddeley; Blandish-Bannister Jun.; Prompt-R. Palmer; Servants-Swords, Lyons, Gaudry, Painter; Lord Gayville-Palmer; Miss Alscrip (1st time)-Mrs Smith; Miss Alton-Mrs Bannister; Mrs Blandish-Mrs Bates; Mrs Sagely-Mrs Poussin; Tiffany-Miss Brangin; Lady Emily-Miss Farren .
Cast
Role: Lord Gayville Actor: Palmer
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: A Beggar on Horseback

Dance: As17860706

Performances

Mainpiece Title: The Heiress

Performance Comment: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Chairman-Chaplin; William-Wilson; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Mrs Sagely-Mrs Booth; Tiffany-Miss Tidswell; Lady Emily-Miss Farren.
Cast
Role: Lord Gayville Actor: Palmer
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.