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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Charles Cavendish"/1) | (@(roleclean,performerclean) "Lord Charles Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5706 results for: Keyword - Lord Charles Cavendish
We found 2701 matches on Performance Comments, 2549 matches on Author, 858 matches on Event Comments, 194 matches on Performance Title, and 0 matches on Roles/Actors.

5176
03 May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

5177
09 July 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

5178
March 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

5179
18 June 1701 @ York Buildings

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

5180
23 August 1701 @ Drury Lane Theatre

Event Comment: Not acted these 25 years. As it was several times presented at court by persons of Quality, for the Entertainment of his late Majesty King Charles the 2d. The Company will continue Acting three times a week, during the term of Bartholomew Fair. [No further performances at Drury Lane during the summer are known.

Performances

Mainpiece Title: The Empress Of Morocco

Music: With the original Mask set to new Musick-

5181
01 May 1704 @ May Fair

Performances

Mainpiece Title: Entertainments

Performance Comment: By a compleat Company of near 20 of the best Rope/Dancers, Vaulters, Tumblers in Europe, who are all excellent in their several Performances, and do such wonderful and surprizing things as the whole World cannot parallel; where , who gave that extraordinary satisfaction before Charles III, King of Spain on Board the Royal Katherine, performs several new Entertainments-Finley; and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World. and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World.

5182
02 August 1704 @ Drury Lane Theatre

Event Comment: As it was perform'd several times at court, by Persons of Great Quality, before his late Majesty King Charles II. With all the Scenes Which were originally Presented in it when acted at the Theatre, particularly the Fleet of Shipsv and the Hell Scenev, in which the Masquerade was perform'd

Performances

Mainpiece Title: The Empress Of Morocco

Song:

Dance:

5183
08 June 1705 @ Queen's Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: The Principal Parts to be perform'd by those who play'd them when 'twas reviv'd in King Charles the Second's time.

5184
08 April 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17080217, but Sir Charles-_; Lady Bountiful-Mrs Powell; Cherry-Mrs Bicknell; A New Epilogue upon an Ass-Pinkeman written by Estcourt.

5185
10 July 1708 @ Drury Lane Theatre

Event Comment: Which was Acted several Times At Court in the Reign of King Charles the 2d by People of Quality

Performances

Mainpiece Title: The Empress Of Morocco

5186
24 May 1711 @ York Buildings

Event Comment: At Clayton's House in York Buildings. At 8 p.m. Tickets 5s. No Money receiv'd or Tickets given out at the House; [available at Charles Lillier's, Corner of Beauford Buildings, and at Eliot's St. James's Coffeehouse]

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (Written by Mr Harison), The Feast of Alexander (Written by Mr Dryden)-Mr ThomasClayton (Author of Arsinoe)

5187
26 December 1711 @ Queen's Theatre

Event Comment: Admission as 24 Nov., but stage boxes omitted. At 6 p.m. The Spectator, 26 Dec., has a letter from Thomas Clayton, Nicolino Haym, and Charles Dieupart, who state that they have joined together to offer entertainments of music in the future at Clayton's house in York Buildings

Performances

Mainpiece Title: Hydaspes

5188
18 December 1714 @ Lincoln's Inn Fields

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

5189
16 February 1715 @ Lincoln's Inn Fields

Event Comment: [By Charles Molloy.] Never Acted before. [The Preface states that at the premiere it was roundly attacked and that its enemies gave out that it had failed, but it made a recovery.] Receipts: #76 12s. 6d

Performances

Mainpiece Title: The Perplex'd Couple; Or, Mistake Upon Mistake

5190
28 September 1717 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. At 6 p.m. Post Boy, 28 Sept.: We hear that last Week Mr Rich made an Assignment of the New Theatre in Lincoln's-Inn-Fields, and his Patent granted by King Charles II to Mr Keene and Mr Bullock jun. and that they open on Saturday next, with a celebrated Play of Shakespear's call'd, Cimbiline, which will be entirely new dress'd

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

5191
30 July 1718 @ no theater listed

Event Comment: Original Weekly Journal, 2 Aug.: On Wednesday last, the Deceas'd Mr Keene was carried from his House in Cook's Court, by Lincoln's-Inn-Fields, to the Parish Church of St. Clement Danes; the Pall was held up by 3 Gentlemen from each Theatre, viz. Mr Booth, Mr Mills, and Mr Johnson, from the Old House; and Mr Bullock, Sen. Mr Spiller, and Mr Corey: Mr Charles Bullock appear'd as chief Mourner, the rest of the Actors from both Houses follow'd the Corpse to the Church, where was sung a very fine Anthem. 'Tis said Mr Walker, a Gentleman of that Profession, has made a very Pretty Elegy in Blank Verse upon the Occasion

Performances

5192
29 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

5193
13 December 1727 @ Drury Lane Theatre

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood; Or, The Distrest Lovers

5194
14 March 1729 @ Stationer's Hall

Event Comment: Benefit Charles Weideman. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Music by Handel for Their Majesties' Coronation-; Other pieces-performers from the Opera

5195
13 June 1729 @ Drury Lane Theatre

Event Comment: Mainpiece: Not Acted these Nine Years. At the Desire of several Persons of Quality. With the Original Songs set to Musick by Mr H. Purcell, and Scenes, Habits, and other Decorations proper to the Play. Afterpiece: [By Charles Coffey.] An Opera of one Act. N.B. By Reason of the Length of the Days, the Doors will be open'd till four o'Clock; the Play will begin exactly at Seven, and particular Care is taken to keep the House Cool. Printed Books of the Opera will be sold at the Theatre

Performances

Mainpiece Title: The History Of Bonduca; Or, The British Heroine: With The Humours Of Corporal Macer

Afterpiece Title: Phebe; or, The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey

5196
08 October 1730 @ Southwark

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Mrs Lee's Great Booth on the Bowling-Green. At 6 p.m

Performances

Mainpiece Title: The Recruiting Officer

5197
28 January 1731 @ Drury Lane Theatre

Event Comment: UUniversal Spectator, 6 Feb.: Dy'd, after a lingering Illness in the 38th Year of his Age, Mr Charles? Williams, a celebrated Tragedian belonging to...Drury-Lane

Performances

Mainpiece Title: The Lover

Related Works
Related Work: The Humourous Lovers Author(s): William Cavendish, Duke of Newcastle
Related Work: The Humorous Lovers Author(s): William Cavendish, Duke of Newcastle
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Cephalus and Procris

5198
29 January 1733 @ Drury Lane Theatre

Event Comment: Afterpiece: [By Charles Coffey. For an extended comment on this performance, see The Auditor, 6 Feb. 1733.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Boarding School Romps; or, The Sham Captain

Related Works
Related Work: The Boarding School; or, The Sham Captain Author(s): Charles Coffey

5199
18 October 1733 @ Southwark

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Mrs Lee's Booth on the Bowling Green

Performances

Mainpiece Title: Oroonoko

5200
02 February 1734 @ Inner Temple

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love