SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lincolns inn fields"/1) | (@(roleclean,performerclean) "Lincolns inn fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 480 matches on Event Comments, 140 matches on Performance Comments, 28 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Dissipation

Afterpiece Title: The Recruiting Serjeant

Afterpiece Title: A Trip to Scotland

Dance: In afterpiece a Postilion Dance incident to the piece; to conclude with a Country Dance

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Catherine and Petruchio

Monologue: 1782 09 18 End of Act II of mainpiece, as 17 Sept

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Divorce

Monologue: 1782 09 24 As 17 Sept

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: All the World's a Stage

Dance: In Act I of mainpiece a Country Dance incident to the Piece; End of Act II the Devonshire Minuet by the Miss Stageldoirs

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performances

Mainpiece Title: The Confederacy

Performance Comment: Brass-Palmer; Gripe-Moody; Money-Trap-Parsons; Clip-Wrighten; Jessamy-Burton; Dick-Staunton (1st appearance on that stage); Flippanta-Miss Pope; Corinna (1st time)-Miss Field; Araminta-Mrs Ward; Mrs Amlet-Mrs Hopkins; Mrs Clogget-Mrs Love; Clarissa-Miss Farren .
Cast
Role: Corinna Actor: Miss Field

Afterpiece Title: Too Civil by Half

Dance: End of mainpiece, as17821005

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Rival Candidates

Dance: End of mainpiece The Butterfly, as17830426

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Lyar

Dance: End of Act I of mainpiece The Pastoral Lovers by Ferrere and Miss Stageldoir

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies' Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Duke and No Duke

Dance: End of mainpiece The Minuet de la Cour by the Miss Stageldoirs

Song: Between the Acts of mainpiece Gramacbree Molly, as17840503

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece The Sportsmen's Return, as17840916

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece The Irish Fair by Williamson and Miss M. Stageldoir. [This was danced, as here assigned, at all subsequent performances.]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior