SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Leveridge"/1) | (@(roleclean,performerclean) "Leveridge")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2065 matches on Roles/Actors, 428 matches on Performance Title, 252 matches on Performance Comments, 59 matches on Event Comments, and 50 matches on Author.

Performances

Mainpiece Title: Macbeth

Music: With the Original Musick-; Vocal Parts-Leveridge, Salway, Roberts, Thompson, Stoppelaer, Mrs Lampe, Miss Young, Mrs Chambers, Mrs James, Mrs Vincent

Dance: Dancing-Villeneuve, Richardson, Delagarde, Dupre, Bencraft, Master Oates

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Devil to Pay

Dance: II: Comic Dance-Richardson, Mlle Ozanne; III: Tambourine-Mlle Mechell; IV: Pierots-Richardson, Delagarde

Song: BBritons Strike Home-Leveridge, Salway

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Roberts; IV: Britons Strike Home (by Desire of the Brethren)-Leveridge, Salway; V: The Gregorian Song-

Dance: III: Comic Dance-Richardson, Mlle Ozanne

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Tanner of York

Dance: As17410505, but I, III, V: dances

Song: IV: Roast Beef Song (by Desire)-Leveridge

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The School Boy

Song: AA Chacon a Boire-Leveridge

Dance: TTwo Pierrots-Lalauze, Delagarde

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The School Boy

Dance: II: Two Pierrots, as17411027

Song: III: A Chacun a Boire-Leveridge

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice

Song: OOld England forever , with chorus-Leveridge

Dance: New Comic Dance between Pantaloon and his Enamorata,-Picq, Mlle Bonneval; Chacone, as17411230; concluding with: La Provencale, as17420212

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The King and Miller of Mansfield

Dance: II: Comic Dance, as17420510; V: The Peasants, as17420210

Song: IV: Song-Leveridge

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: II: New Song by Handel-Beard; IV: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Dance: III: Scotch Dance, as17431124; V: Ballet-Cooke, Mlle Domitilla

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Devil to Pay

Dance: SScotch Dance, as17431124

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Song: Song-Beard; To Arms, Britons Strike Home-Leveridge, Reinhold, Bencraft

Dance: SScotch Dance, as17431124; Dance-Cooke

Performances

Mainpiece Title: Othello

Afterpiece Title: Old Man Taught Wisdom or The Virgin Unmaskd

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: (BBy Desire) To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft; Favourite Duette My Faith and Truth, from oratorio Sampson,-Mrs Clive, Miss Edwards

Performances

Mainpiece Title: Henry Viii

Song: Cantata-Beard; To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Dance: NNew Serious Dance, as17440404

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lottery

Dance: Several entertainments-LaLauze (being his first attempt of that kind these two years); particularly: II: The Amorous Swain; or The Rival Nimphs-Lalauze, Mlle Bonneval, Mrs Delagarde; III: Serious Dance-Cooke; IV: Les Jardiniers Suedois-Lalauze, Mlle Domitilla, Cooke, Mlle Bonneval; (By Desire) after Farce:, a Ball Dance call'd The Louvre,concluding with a Minuet-Lalauze, Lalauze's a boy scholar, Mlle Bonneval

Song: V: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Virgin Unmaskd

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Orpheus and Eurydice

Song: Beard; particularly a New English Ballad call'd The English Hero's Welcome Home-Leveridge, Reinhold, Roberts, Thompson, Mrs Lampe, Mrs Wright, Miss Faulkener; The Music-Lampe

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 22-24 Dec. 1696, suggests that it was probably first given not later than November 1696. A song, If Celia you had youth and all, the music possibly composed by Leveridge, was published in A New Book of Songs by Mr Leveridge (advertised in the London Gazette, No. 3293, 3 June 1697). Gildon, English Dramatick Poets, p. 176: This Play was our Author's first; and as it was writ in a Month,...so it had the Fate of those untimely Births, as hasty a Death....If the Voice of the Town had not been influenc'd by the Ill Representation, it must have met with a less rigorous Censure. A Comparison Between the Two Stages (1702): Damn'd

Performances

Mainpiece Title: The Roman Brides Revenge

Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Womans Wit Or The Lady In Fashion

Event Comment: Benefit Leveridge. Afterpiece: [Author unknown.] A new Interlude of Musick. Tickets to be had at Leveridge's Coffee-House in Tavistock Street

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Love and a Bumper

Song: As17171226