SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Les Damoiselles Anne and Janneton Auretti"/1) | (@(roleclean,performerclean) "Les Damoiselles Anne and Janneton Auretti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 912 matches on Performance Title, 492 matches on Performance Comments, 99 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Burton

Afterpiece Title: The Hue and Cry

Performance Comment: Characters-Whitfield Hollingsworth, Bland, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alfred, Webb, Miss Collins, Mrs Williames; Larpent MS lists the parts: Count Abeville, Don Lewis, Don Juan, Perroquet, Fabio, Sanchez, Corregidore, Jailor, Grim, Donna Leonora, Inis. Prologue-Bannister Jun.

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Performance Comment: Songs, Catch, and Vocal Parts As17910602 but Vocal Parts-_Albertarelli.

Dance: End I: La Fete Provencale, as17910514; with The Devonshire Minuet-Vestris Sen., Mlle Dorival; End II: Les Folies d'Espagne-Victor, Mlle Mozon, Vermilly, Mlle Dorival, Mlle Hilligsberg

Performance Comment: , Mlle Dorival; End II: Les Folies d'Espagne-Victor, Mlle Mozon, Vermilly, Mlle Dorival, Mlle Hilligsberg.
Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Cast
Role: , King of Scotland Actor: Bensley

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.
Cast
Role: Michael Actor: Bland
Event Comment: The Ballet of Les Trois Sultanes [advertised in Morning Chronicle, 12 Feb.] is unavoidably deferred to Saturday next

Performances

Mainpiece Title: Piramo E Tisbe

Dance: As17960209

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Event Comment: Benefit for Kelly. Mainpiece: Not acted these 2 years. Ballets: With appropriate Scenery, Dresses, and Decorations. True Briton, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #681 11s. (360.19.6; 47.5.0; 4.1.0; tickets: 269.5.6) (charge: #221 10s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Caulfield; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Whitfield; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela (by Permission of the Proprietor of the Opera House)-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Baron of Oakland Actor: Hollingsworth
Role: Charles Actor: Sedgwick
Role: Cicely Actor: Mrs Bland

Afterpiece Title: Sylvester Daggerwood

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Performance Comment: e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only.will appear, positively for that night only.
Event Comment: In consequence of Mme Hilligsberg not being sufficiently recovered from her late Accident, the Dances intended to have been performed this Evening [A Divertisement (i.e. Les Delassemens Militaires) and Cupid and Psyche, both advertised on playbill of 26 Oct.] are unavoidably obliged to be postponed till Tuesday. "Towards the conclusion of Peggy's Love on Tuesday Madame Hilligsberg fell upon the stage, and was so much stunned that she was obliged to be carried off by Didelot" (True Briton, 28 Oct.). Receipts: #252 14s. 6d. (249.3.6; 3.11.0)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Divertisement

Related Works
Related Work: A Divertisement Author(s): Charles Dibdin

Dance: In 2nd piece: Ballet, as17971013

Event Comment: The Opera Dances [Les Delassemens Militaires and Cupid and Psyche, both advertised on playbill of 30 Oct.] are obliged to be deferred till Saturday, on account of Mme Hilligsberg not being sufficiently recovered from her late accident [see 28 Oct.] to perform. [Miss Wheatley, who had 1st appeared at dl, 16 Feb. 1795, is identified in European Magazine, Nov. 1797, p. 339.] Receipts: #119 4s. 6d. (113.7.6; 5.17.0)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Irishman in London

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performance Comment: Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward.
Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Delane; Clodio-Cibber; Lewis-Hippisley; Duart-Ryan; Elvira-Mrs Stevens; Antonio-Mullart; Charino-Arthur; Manuel-Hale; Governor-Rosco; Sancho-James; Monsieur-Salway; Jaquez-Anderson; Louisa-Mrs Horton; Honoria-Miss Horsington; Angelina-Mrs Hale, the first time of her appearance on this stage.
Cast
Role: Jaquez Actor: Anderson

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Glover; Nymphs-Miss Oates, Miss Rogers, Mrs LeBrun, Mlle Ozanne; Daphne-Mlle Anne Roland; Huntsmen-Leveridge, Villeneuve, Desse, Richardson, Delegard, L'Estrade; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Kilby; Scaramouch-Bencraft; Harlequin-Phillips; Peasants-Bencraft, Delegard, Dupre, Mrs Horsington, Miss Dancey, Mrs Villeneuve; Bacchus-Salway; Venus-Mrs Wright; Diana-Mrs Chambers; Silenus-Leveridge; Pan-Roberts; Zephyrus-Glover; Spaniard-Richardson; Polonese-Delegarde; Frenchman-Desse; Spanish Woman-Miss Rogers; Polonese Woman-Mrs LeBrun; French Woman-Miss Oates; Flora-Mlle Anne Roland.

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Stephens; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Catherine-Mrs Pritchard; With a Representation of the Coronation of Anne Bullen-; the Military Ceremony of the Champion-in Westminster Hall; all other decorations proper to the play. all other decorations proper to the play.
Cast
Role: Lord Sands Actor: Woodward
Role: Abergavenny Actor: Anderson
Role: Anne Bullen Actor: Mrs Stevens

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry VIII-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Katherine-Mrs Pritchard A Representation of the Coronation of Anne Bullenv, the Military Ceremony of the Champion in Westminster Hallv; all other decorations to the play. all other decorations to the play.
Event Comment: Play by Command of their Royal highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, Lady Augusta and Lady Elizabeth

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Delane; Norfolk-Sparkes; Cromwell-Ridout; Suffolk-Arthur; Surrey-Gibson; Abergavenny-Oates; Guilford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Lord Sands-Collins; Sir T. Lovell-Holtham; Lord Chamberlain-Anderson; Dr Butts-Stoppelaer; Patience-Miss Allen; Archbp. Cranmer-Bridgwater; Gardiner-Cibber; Anne Bullen-Miss Bellamy; Queen Katherine-Mrs Woffington 1st time; With the repersentation of the Coronation of Anne Bulldn. Vocal parts-Leveridge, Lowe, Courtney, Roberts, Mrs Dunstall, Miss Young, Miss Falkner, Miss Norris. Also the Military Ceremony of the Champion in Westminster Hallv. And all other Decorations proper to the play.
Event Comment: Benefit for Arthur and Mrs Vincent. Mainpiece: Not acted these two years [See 5 May 1749]

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Quin; Wolsey-Ryan; Buckingham-Lacey; Norfolk-Sparks; Cromwell-Ridout; Suffolk-Usher; Capucious-Bransby; Abergavenny-Elrington; Guildford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Sands-Collins; Lovell-Holtham; Lord Chamberlain-Anderson; Butts-Redman; Old Lady-Mrs Bambridge; Patience-Miss Allen; Cranmer-Bridgwater; Gardiner-Arthur; Anne Bullen-Mrs Vincent; Queen Katherina-Mrs Woffington; With the Representation of the Coronation of Anne Bullen-; The Vocal Parts in the Procession-Leveridge, Lowe, Courtney, Roberts, Dunstall, Miss Young, Miss Falkner, Miss Davis. Also the Military Ceremony of the Champion in Westminster Hallv and other Decorations proper to the play.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: As17500926

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Love; Ford-Havard; Sir Hugh Evans-Yates; Dr Caius-Baddeley; Slender-Obrien; Mrs Ford-Mrs Pritchard; Page-Packer; Shallow-Weston; Rugby-Marr; Nym-Watkins; Anne Page-Mrs Hippisley; Mrs Page-Miss Haughton; Fenton-Jackson; Host-Bransby; Simple-Vaughan; Pistol-Ackman; Bardolph-Clough; Mrs Quickly-Mrs Bradshaw; Anne Page-Miss Rogers.
Cast
Role: Anne Page Actor: Mrs Hippisley
Role: Anne Page Actor: Miss Rogers.

Afterpiece Title: The Rites of Hecate

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Bensley; Surry-Dyer; Norfolk-Perry; Suffolk-Owenson; Capucius-DuBellamy; Butts-Stoppelaer; Surveyor-Thompson; Brandon-Fox; Old Lady-Mrs Pitt; Ld Chamberlain-Lewes; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Sands-Kniveton; Guilford-R. Smith; Lovell-Davis; Campeius-Morris; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Mrs Baker; Queen Catherine-Mrs Hartley; In Act I, The Banquet-; with Dancing-Fishar, Aldridge, Sga Manesiere, Miss Twist Act IV, The Procession in the Abbeyv at the Coronation of Anne Bullenv.

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.
Cast
Role: Sands Actor: Kniveton
Role: Anne Bullen Actor: Mrs Baker

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Buckingham-Wroughton; Cranmer-Hull; Cromwell-Whitefield; Sands-Quick; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Miss Dayes; Queen Catherine-Mrs Hartley; In I, The Banquet-; Dancing-Daguville, Helm, Sga Vidini; IV the Procession from the Abbey-at the Coronation of Anne Bullen.

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Lee (first time); Buckingham-Wroughton; Cranmer-Hull; Cromwell-Young; Gardiner-Wilson (first time); Sands-Quick; Anne Bullen-Miss Ambrose; Patience (with song)-Miss Brown; Queen Catherine-Mrs Jackson (first time); In Act I, The Banquet-; with Dancing-Dagueville, Sga Vidini; in Act IV, The Procession from the Abbey at the Coronation of Anne Bullen-.
Cast
Role: Sands Actor: Quick
Role: Anne Bullen Actor: Miss Ambrose

Afterpiece Title: The Englishman in Paris

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Role: Lucia Actor: Mrs Anne Gibbs
Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Downes (Roscius Anglicanus, p. 3): King-Wintersel; Demetrius-Hart; Seleucus-Burt; Leontius-Mohun; Lieutenant-Clun; Celia-Mrs Anne? Marshal.
Cast
Role: Celia Actor: Mrs Anne? Marshal.
Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Performance Comment: Edition of 1665 has a Prologue-Montezuma; Epilogue-Montezuma but no actors' names; However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4). However, Anne Marshall played a role (see Pepys, 1 Feb. 1663@4).
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: Princess Anne Actor: Mrs Davis