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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Les Damoiselles Anne and Janneton Auretti"/1) | (@(roleclean,performerclean) "Les Damoiselles Anne and Janneton Auretti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1443 results for: Keyword - Les Damoiselles Anne and Janneton Auretti
We found 912 matches on Performance Title, 492 matches on Performance Comments, 99 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

876
12 May 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: L'Amant Statue, as17960423; in which will introduce a new Pas Seul-Mlle Parisot; End Opera: an entire new Ballet by Onorati La Villageoise Enlevee; ou, Les Corsaires-Mme Rose, Mme Bossi, Mme Hilligsberg, Mlle Barre, Didelot, Lahante, Gentili, Fialon, Mlle Parisot

877
17 January 1797 @ King's Theatre

Event Comment: 1st ballet [1st time; composed by Gallet, with music by Bossi and Mazzinghi. Marcadet was from the Opera, St. Petersburg.

Performances

Mainpiece Title: Evelina

Dance: End I: Les Delassements Militaires-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet (1st appearance)

Ballet: End Opera: L'Amour et Psiche. As17961213, but Tisiphone (1st time)-Marcadet

878
24 January 1797 @ King's Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Les Delassements Militaires- [see17970117]; End Opera: L'Amour et Psiche, as17961220

879
31 January 1797 @ King's Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Les Delassements Militaires, as17970124; End Opera: Apollon Berger, as17961227

880
07 February 1797 @ King's Theatre

Event Comment: 2nd ballet: With entirely new Scenery, Dresses, and Decorations. The Scenes painted by Greenwood, and under his direction. "Magnificent, perhaps beyond parallel on a British stage, but it is considerably too long, as it was past twelve before it was concluded" (True Briton, 8 Feb.)

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- As17970124

Ballet: End 2nd piece: Pizarre; ou, La Conquete du Perou (1st time; composed by Gallet [with music by Mazzinghi]). Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili

881
11 February 1797 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- as17970124; End 2nd piece: Pizarre [see17970207]-

882
01 April 1797 @ King's Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Les Delassements Militaires- as17970124; End Opera: L'Heureux Retour- see17970328

883
25 May 1797 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Rendez@vous, as17970511; End Opera: an entire new ballet in 2 acts, composed by Barre, Le Triomphe de Cupido,; ou, Les Nymphes Vaincues par l'Amour-Mme Hilligsberg, Mme Rose, Didelot, Gentili, Mlle Parisot

884
27 May 1797 @ King's Theatre

Performances

Mainpiece Title: L'albero Di Diana

Dance: End I: Les Delassements Militaires, as17970124

Ballet: End Opera: Sapho et Phaon. As17970406

885
15 July 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617 but _Gentili

886
22 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

887
21 October 1797 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Betterton; Stockwell-Murray; Major O'Flaherty-Johnstone; Capt. Dudley-Hull; Charles-Wheatley; Fulmer-Thompson; Stukely-Powel; Varland-Quick; Louisa-Mrs Mountain; Lady Rusport-Mrs Davenport; Mrs Fulmer-Mrs Gilbert; Lucy-Miss Leserve; Charlotte Rusport-Miss Betterton. [No afterpiece.]No afterpiece.]
Cast
Role: Charles Actor: Wheatley
Role: Varland Actor: Quick
Role: Lucy Actor: Miss Leserve
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Dance: End II: Les Delassemens Militaires-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon; End: Peggy's Love-Mrs Wild, Mme Rose, Mlle DeLaCroix, Mme Hilligsberg, Didelot, Fialon

888
24 October 1797 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Sir Charles Racket Actor: Knight

Afterpiece Title: England's Glory

Performance Comment: As17971020, but retained in Scene IV: With pride we steer'd for England's Coast-Townsend.
Cast
Role: With pride we steer'd for England's Coast Actor: Townsend.
Role: Farmer Giles Actor: Townsend
Role: We've bade the restless Seas adieu Actor: Townsend, _Incledon
Role: Sir Charles Racket Actor: Knight

Dance: End II : Les Delassemens Militaires, as17971021; End 2nd piece: Peggy's Love, as17971021

889
04 November 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson

Afterpiece Title: England's Glory

Cast
Role: Sir Charles Racket Actor: Knight
Role: With pride we steer'd for England's Coast Actor: Townsend.
Role: Farmer Giles Actor: Townsend
Role: We've bade the restless Seas adieu Actor: Townsend, _Incledon

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

Performance Comment: Amand, Mme D'Egville, Mlle Philips.

890
07 November 1797 @ Covent Garden

Event Comment: Afterpiece [acted in place of England's Glory, advertised on playbill of 6 Nov.]: In one Act. Receipts: #322 9s. (320.0; 2.7)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Ghost

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche, as17971104

891
06 March 1798 @ King's Theatre

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: End I: a new Military Divertisement, composed by Gallet, Les Rivaux Genereux-; End Opera: Constante et Alcidonis, as17980206

892
13 March 1798 @ King's Theatre

Performances

Mainpiece Title: La Cifra

Dance: End I: Les Rivaux Genereux, as17980306End Opera: Ariadne et Bacchus, as17971216

893
15 May 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Les Rivaux Genereux, as17980306End 2nd piece: Elisa- [see17980510]

894
16 June 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Cast
Role: Orgando Actor: Rovedino

Dance: End I: Les Rivaux Genereux, as17980306

Ballet: End Opera: Le Deserteur. As17980614

895
02 February 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Les Deux Jumelles, as17990129

896
11 January 1800 @ King's Theatre

Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: Principal Characters-Viganoni, Rovedino, Morelli, Sga Bolla (1st appearance in this country) [Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

897
11 February 1800 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End I: A New Divertisement, as18000204; End Opera: Les Jeux d'Egle, as18000111, but _D'Egville, Mrs _D'Egville, Mme Rose _Didelot; With new Dances-

898
18 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot

899
22 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire, as18000218; End Opera: Les Jeux d'Egle, as18000211

900
25 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: a new Divertissement Ballet (composed by D'Egville) Le Mariage Mexicain-Principal Dancers see18000301 End Opera: Les Jeux d'Egle, as18000211