SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Les Damoiselles Anne and Janneton Auretti"/1) | (@(roleclean,performerclean) "Les Damoiselles Anne and Janneton Auretti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 912 matches on Performance Title, 492 matches on Performance Comments, 99 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Related Works
Related Work: Ifigenia in Aulide Author(s): Ferdinando Moretti

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

Performances

Mainpiece Title: Ifigenia In Aulide

Related Works
Related Work: Ifigenia in Aulide Author(s): Ferdinando Moretti

Dance: End I: New Divertissement, as17890210, but Mlle _Normand; End Opera: Les Fetes Provencales, as17890210

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890310End Opera: a new Grand Ballet (composed by Noverre), Les Jalousies du Serail-Didelot, Beaupre, Duquesney, Nivelon, Mlle Emilie Colombe, Mlle Adelaide, Mlle Saulnier (1st appearance in England)

Performances

Mainpiece Title: Il Disertore

Dance: End I: La Nymphe et le Chasseur, as17890303but the two Miss _Simonets, _Sala, _Saulnier; End Opera: Les Jalousies du Serail, as17890317

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890110; End Opera: Les Jalousies du Serail, as17890317

Performances

Mainpiece Title: The Sultan

Related Works
Related Work: The Sultan; or, A Peep into the Seraglio Author(s): Charles Dibdin

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Rosina

Dance: 1st piece conclude with: Grand Dance, as17890219

Dance: End Opera: Les Jalousies du Serail-[See17890317 After which: Admete-[See17890331

Song: I: a new song-Sga Giuliani; II: a new song-Marchesi; [By particular desire the favourite duet in [The Deserter-[i.e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430]

Performance Comment: e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430].the Mme Krumpholtz [and see17890430].

Performances

Mainpiece Title: L'olimpiade

Related Works
Related Work: L'Olimpiade Author(s): Francesco Vanneschi

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Admete, as17890331

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: Les Jalousies du Serail, as17890317but Mlle Guimard; in which the favourite +Pas de Deux Russe-[See17890507]; End Opera: Admete-[, as17890428

Performances

Mainpiece Title: La Villana Riconosciuta

Dance: End I: Admete, as17890331End Opera: Les Jalousies du Serail, as17890502

Performances

Mainpiece Title: L'olimpiade

Related Works
Related Work: L'Olimpiade Author(s): Francesco Vanneschi

Dance: End I: Admete, as17890428; Pas de Deux Russe-Mlle Guimard, Nivelon; End Opera: an entire new Ballet, composed on purpose in Paris for Mlle Guimard by Noverre, Les Caprices de Galatee- [See17890526]

Event Comment: By Command of Her Majesty

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete-, as17890428; End Opera: Les Caprices de Galatee, as17890507

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-

Performances

Mainpiece Title: La Vendemmia

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee-. Galatee-Mlle Guimard

Performances

Mainpiece Title: L'olimpiade

Related Works
Related Work: L'Olimpiade Author(s): Francesco Vanneschi

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee, as17890523, but the other Characters- Didelot, +Beaupre, +Duquesney, Mlle Emilie +Colombe, Mlle +Adelaide, the two Mlles +Simonet

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Benucci, Fineschi, Balelli, Borselli, Mme Pieltain, Sga Borselli, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

Performances

Mainpiece Title: La Generosita D'alessandro

Cast
Role: Alessandro Actor: Giuseppe Forlivesi
Role: Gandarte Actor: Balelli

Dance: End I: La Nymphe et le Chasseur-Didelot, Mlle Adelaide; End Opera: Les Caprices de Galatee, as17890523

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: New Divertissement, as17890528; End Opera: Le Tuteur Trompe (not acted these 3 years [not acted since 24 Feb, 1785]; composed by Lepicq)-Didelot, Mlle Guimard, Zuchelli (for that night only); in which Minuet de la Cour-Mlle Guimard, Didelot; [and Les Folies d'Espagne [as originally danced by Lepicq, and now performed-Didelot, Mlle Guimard, Duquesney; accompanied on the harp-Meyer Jun

Performances

Mainpiece Title: La Generosita D'alessandro

Cast
Role: Annette Actor: Miss Stuart

Dance: End I: New Divertissement, as17890310at king's%; End Opera: Les Fetes Provencales, as17890207, but Mlle _Normand, Mlle Emilie Colombe

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Cast
Role: Ferdinand Actor: Johnstone

Dance: End I: New Divertissement, as17890310at king's%, but _Saulnier; End Opera: Les Fetes Provencales, as17890630 but _Saulnier

Performances

Mainpiece Title: I Due Castellani Burlati

Dance: End I: La Bergere des Alpes, as17900107; End Opera: an entire new ballet, Les Mariages Flamands(composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro

Performances

Mainpiece Title: I Due Castellani Burlati

Dance: End I: La Bergere des Alpes, as17900206; End Opera: Les Mariages Flamands, as17900213

Performances

Mainpiece Title: La Villanella Rapita

Performance Comment: Principal Characters-Mussini (1st appearance), Neri, Borselli, Costa, Sga Borselli, Sga Storace. Cast from libretto (H. Reynell, 1790): Conte-Mussini; Biagio-Neri; Pippo-Borselli; Paolino-Costa; Giannina-Sga Borselli; Mandina-Sga Storace.
Cast
Role: Mandina Actor: Sga Storace.

Dance: End I: La Bergere des Alpes, as17900107; End Opera: Les Mariages Flamands, as17900213, but Mlle Dorival

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]