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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lady Temple"/1) | (@(roleclean,performerclean) "Lady Temple")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7363 results for: Keyword - Lady Temple
We found 4937 matches on Performance Comments, 2602 matches on Event Comments, 533 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

976
06 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Cast
Role: Lady Sarah Savage Actor: Mrs Mattocks

Afterpiece Title: Windsor Castle

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.
Cast
Role: Lady Blanche Actor: Miss Hopkins

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: the Temple of Jupiter Actor:

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

977
24 April 1795 @ Covent Garden

Performances

Mainpiece Title: Bonduca Queen Of The Britons

Afterpiece Title: He Woud be a Soldier

Performance Comment: As17950204, but Charlotte-A Young Lady (1st appearance on any stage [unidentified]); song-_.
Cast
Role: Charlotte Actor: A Young Lady

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.
Cast
Role: in the Temple of the Druids Britons Stri Actor:

978
11 April 1796 @ Covent Garden

Performances

Mainpiece Title: The Lad Of The Hills

Afterpiece Title: Harlequins Treasure 0

Performance Comment: As17960319but Gambler-_; Glees and Chorusses-_ ; omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev. omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev.

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

979
31 October 1796 @ Covent Garden

Performances

Mainpiece Title: Fortunes Fool

Cast
Role: Lady Danvers Actor: Miss Wallis

Afterpiece Title: Harlequins Treasure

Performance Comment: As17961024, but Glees and Chorusses-_ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Cast
Role: Glees and Chorusses Actor: _ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Music: Afterpiece: Harp to be played-Weippert

980
February 1660 @ Middle Temple

Event Comment: 6 Feb. 1659@60: Music, three nights, and acting The Clown #6 (A Calendar of the Middle Temple Records, ed. Hopwood, p. 168)

Performances

Mainpiece Title: The Countryman Or Clown

981
01 November 1661 @ Middle Temple

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

982
01 November 1662 @ Inner Temple

Event Comment: A play, unidentified, was given by the Duke's Company at this time. The customary fee of #20 was paid. See A Calendar of the Inner Temple Records, ed. Inderwick, III, II

Performances

983
02 November 1663 @ Inner Temple

Event Comment: By the King's Company. The fee paid the players was the customary #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 16: To Drake, the upholsterer, for a serge Curtain and for hire of a screen on All Hallows day, #1

Performances

Mainpiece Title: The Brothers

984
02 February 1664 @ Inner Temple

Event Comment: The King's Company. The players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 25

Performances

Mainpiece Title: Epicoene

985
01 November 1664 @ Inner Temple

Event Comment: The King's Players. The company received the usual fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 25

Performances

Mainpiece Title: The Night Walker Or The Little Thief

986
01 November 1664 @ Middle Temple

Event Comment: An unnamed play was given by the Duke's Company, with the usual fee of #20 received by Thomas Crosse. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 171

Performances

987
02 February 1665 @ Inner Temple

Event Comment: The King's Company. The players receided the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 38

Performances

Mainpiece Title: The Changes Or Love In A Maze

988
25 December 1666 @ no theater listed

Event Comment: Pepys, Diary: Then out and walked alone on foot to the Temple, it being a fine frost, thinking to have seen a play all alone; but there, missing of any bills, concluded there was none, and so back home

Performances

989
February 1668 @ no theater listed

Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

990
02 February 1669 @ Inner Temple

Event Comment: The Duke's Company. The entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, is somewhat ambiguous as to the date of this performance, but as 2 Feb. fell on Sunday in 1667@8, the performance has been assigned to 2 Feb. 1668@9. The play was reprinted in 1669

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

991
01 November 1669 @ Inner Temple

Event Comment: This entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, follows one for a play on 2 Feb. 1668@9, suggesting that this play fell on All Hallows Day. The customary fee of #20 was paid the actors

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

992
02 February 1670 @ Inner Temple

Event Comment: This play is not certainly indicated as the one given on this day in A Calendar of Inner Temple Records, ed. Inderwick, III, 73; but the sequence of performances listed there suggests that this may have been the play offered on Candlemas Day. The actors received the customary fee of #20

Performances

Mainpiece Title: The Little French Lawyer

993
01 November 1670 @ Inner Temple

Event Comment: The Duke's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 73

Performances

Mainpiece Title: The Feignd Innocence Or Sir Martin Marall

994
02 February 1671 @ Inner Temple

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 81

Performances

Mainpiece Title: The Committee

995
01 November 1671 @ Inner Temple

Event Comment: It is uncertain what play was acted on this day. In A Calendar of the Inner Temple Records, ed. Inderwick, III, 81, there is an unnamed play in the accounts for 6 Nov. 1670 to 29 Oct. 1671, with Philaster as the next play in the sequence. Philaster has been assigned to 1 Nov. 1672, laaving the play for this day unknown. The King's Company

Performances

996
01 November 1671 @ Middle Temple

Event Comment: An entry in A Calendar of the Middle Temple Records, ed. Hopwood, p. 174, indicates a performance but does not name the play. The Duke's Company

Performances

997
02 February 1672 @ Middle Temple

Event Comment: The Duke's Company gave an unnamed play. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 174

Performances

998
01 November 1672 @ Inner Temple

Event Comment: The King's Company. This play is listed in A Calendar of Inner Temple Records, ed. Inderwick, III, 89, for the period 29 Oct. 1671 to 3 Nov. 1672. In view of the previous sequence of performances it seems more likely that Philaster was acted in 1672 than in 1671

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

999
02 February 1674 @ Inner Temple

Event Comment: A play was probably acted on this day, but the accounts do not name the drama. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 98

Performances

1000
02 February 1675 @ Inner Temple

Event Comment: An unnamed play was acted, and the Company is not named. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 104

Performances