Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Temple"/1) | (@(roleclean,performerclean) "Lady Temple")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7362 results for: Keyword - Lady Temple
We found 4937 matches on Performance Comments, 2602 matches on Event Comments, 533 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

976
11 April 1796 @ Covent Garden

Performances

Mainpiece Title: The Lad Of The Hills

Afterpiece Title: Harlequin's Treasure 0

Performance Comment: As17960319but Gambler-_; Glees and Chorusses-_ ; omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev. omitted: entire synopsis of action except for The Telegraphev and The Temple of Virtuev.

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

977
31 October 1796 @ Covent Garden

Performances

Mainpiece Title: Fortune's Fool

Cast
Role: Lady Danvers Actor: Miss Wallis

Afterpiece Title: Harlequin's Treasure

Performance Comment: As17961024, but Glees and Chorusses-_ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Cast
Role: Glees and Chorusses Actor: _ omit entire synopsis except for the Telegraphev and the Temple of Virtuev.
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Music: Afterpiece: Harp to be played-Weippert

978
22 April 1742 @ Goodman's Fields

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

979
18 December 1756 @ Drury Lane Theatre

Event Comment: Benefit for the General Lying-In Hospital for married and unmarried Women, in Duke's St., Grosvenor Square. Ladies desired to send servants by 3 o'clock. Tickets to be had at Arthur's, the Bedford, and the Temple Exchange Coffee Houses and also at the aforesaid Hospital. Tickets delivered for The Revenge will be taken. Next Week will be publish'd a Key to Lilliput in a letter to the Author of the Dramatic Entertainment. "Open Locks, whoever Knocks." Receipts: #266 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

980
February 1660 @ Middle Temple

Event Comment: 6 Feb. 1659@60: Music, three nights, and acting The Clown #6 (A Calendar of the Middle Temple Records, ed. Hopwood, p. 168)

Performances

Mainpiece Title: The Countryman Or Clown

981
01 November 1661 @ Middle Temple

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

982
01 November 1662 @ Inner Temple

Event Comment: A play, unidentified, was given by the Duke's Company at this time. The customary fee of #20 was paid. See A Calendar of the Inner Temple Records, ed. Inderwick, III, II

Performances

983
02 November 1663 @ Inner Temple

Event Comment: By the King's Company. The fee paid the players was the customary #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 16: To Drake, the upholsterer, for a serge Curtain and for hire of a screen on All Hallows day, #1

Performances

Mainpiece Title: The Brothers

984
02 February 1664 @ Inner Temple

Event Comment: The King's Company. The players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 25

Performances

Mainpiece Title: Epicoene

985
01 November 1664 @ Inner Temple

Event Comment: The King's Players. The company received the usual fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 25

Performances

Mainpiece Title: The Night Walker; Or, The Little Thief

986
01 November 1664 @ Middle Temple

Event Comment: An unnamed play was given by the Duke's Company, with the usual fee of #20 received by Thomas Crosse. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 171

Performances

987
02 February 1665 @ Inner Temple

Event Comment: The King's Company. The players receided the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 38

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

988
25 December 1666 @ no theater listed

Event Comment: Pepys, Diary: Then out and walked alone on foot to the Temple, it being a fine frost, thinking to have seen a play all alone; but there, missing of any bills, concluded there was none, and so back home

Performances

989
February 1668 @ no theater listed

Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

990
02 February 1669 @ Inner Temple

Event Comment: The Duke's Company. The entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, is somewhat ambiguous as to the date of this performance, but as 2 Feb. fell on Sunday in 1667@8, the performance has been assigned to 2 Feb. 1668@9. The play was reprinted in 1669

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

991
01 November 1669 @ Inner Temple

Event Comment: This entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, follows one for a play on 2 Feb. 1668@9, suggesting that this play fell on All Hallows Day. The customary fee of #20 was paid the actors

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

992
02 February 1670 @ Inner Temple

Event Comment: This play is not certainly indicated as the one given on this day in A Calendar of Inner Temple Records, ed. Inderwick, III, 73; but the sequence of performances listed there suggests that this may have been the play offered on Candlemas Day. The actors received the customary fee of #20

Performances

Mainpiece Title: The Little French Lawyer

993
01 November 1670 @ Inner Temple

Event Comment: The Duke's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 73

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

994
02 February 1671 @ Inner Temple

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 81

Performances

Mainpiece Title: The Committee

995
01 November 1671 @ Inner Temple

Event Comment: It is uncertain what play was acted on this day. In A Calendar of the Inner Temple Records, ed. Inderwick, III, 81, there is an unnamed play in the accounts for 6 Nov. 1670 to 29 Oct. 1671, with Philaster as the next play in the sequence. Philaster has been assigned to 1 Nov. 1672, laaving the play for this day unknown. The King's Company

Performances

996
01 November 1671 @ Middle Temple

Event Comment: An entry in A Calendar of the Middle Temple Records, ed. Hopwood, p. 174, indicates a performance but does not name the play. The Duke's Company

Performances

997
02 February 1672 @ Middle Temple

Event Comment: The Duke's Company gave an unnamed play. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 174

Performances

998
01 November 1672 @ Inner Temple

Event Comment: The King's Company. This play is listed in A Calendar of Inner Temple Records, ed. Inderwick, III, 89, for the period 29 Oct. 1671 to 3 Nov. 1672. In view of the previous sequence of performances it seems more likely that Philaster was acted in 1672 than in 1671

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

999
02 February 1674 @ Inner Temple

Event Comment: A play was probably acted on this day, but the accounts do not name the drama. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 98

Performances

1000
02 February 1675 @ Inner Temple

Event Comment: An unnamed play was acted, and the Company is not named. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 104

Performances