SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Susan Strangeways"/1) | (@(roleclean,performerclean) "Lady Susan Strangeways")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5014 matches on Performance Comments, 2474 matches on Event Comments, 546 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Lady Dorset attended a play. See Peregrine Bertie to the Countess of Rutland, 9 Jan. 1685@6 (HMC, 12th Report, Appendix, Rutland MSS., Part V, II, 101)

Performances

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Performances

Mainpiece Title: The Fair Penitent

Performances

Mainpiece Title: The Fair Penitent

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: The Suspicious Husband

Performances

Mainpiece Title: Artaxerxes

Performances

Mainpiece Title: Artaxerxes

Dance: I: The Tyrolese Peasants, as17641212; II: Rural Love, as17641212

Performances

Mainpiece Title: Artaxerxes

Dance: I: La Femme Maitresse, as17641004; II: Rural Love, as17641212

Performances

Mainpiece Title: Love In The City

Performances

Mainpiece Title: The Patron

Afterpiece Title: Taste; or, Tragedy a-la-Mode

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmine-Aickin; Townly-Vandermere; Manly-Robson; Alderman Pentweazle-F. Gentleman; Project-Dancer; Prompter-Griffith; Boy-Cornelys; Caleb-Weston; Lindamire-Pierce.

Dance: The Shoemaker, as17710517

Performances

Mainpiece Title: The Commissary

Afterpiece Title: Taste; or, Tragedy a la Mode

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmine-Aickin; Townly-Fearon; Pentweazle-F. Gentleman; Project-Dancer; Prompter-Griffith; Lindamira-Pierce; Caleb-Weston; Manly-Robson.

Dance: As17720518

Performances

Mainpiece Title: The Orators

Afterpiece Title: Taste; or The Diversions of the Morning

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmjne-Aickin; Townly-Whitefield; Manly-Fearon; Project-L'Estrange; Prompter-Griffith; Caleb-Jackson; Alderman Pentweazle-Lloyd.

Monologue: A Modern, Operatical, Sentimental, Crying, Tragedy call'd Purity [sic] in Pattens. Butler-Parsons; Squire-Fearon; Candy-Mrs W. Palmer; Polly-Mrs Jewell

Dance: The Haymakers-

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Follies of a Day

Cast
Role: Susan Actor: Mrs Pope.

Performances

Mainpiece Title: The Rover

Song: A Song-Miss Thornowets; Susan's Complaint-Miss Mountfort

Dance: PPierrots-; Shepherds and Shepherdesses-

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: III: Highlander and his Mistress-Salle, Mrs Laguerre; V: Grand Dance of Momus-Nivelon, Mrs Laguerre, Salle, Dupre, Glover, Pelling, Newhouse, Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour

Dance: II: A Dialogue of Ballad@Tunes-Leveridge, Mrs Wright; IV: Chancon a Boire-Leveridge, Laguerre; Black@Ey'd Susan, in the Character of a Sailor,-Laguerre (by Desire)

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Vintner in the Suds

Dance: I: Minuet, Louvre-Desnoyer, Mlle Chateauneuf; II: A new dance-Muilment; III: Russian Sailor-Desnoyer; V: Tambourine-Mlle Chateauneuf

Song: IV: Black@ey'd Susan, disposed into a Cantata, with Recitatives and Airs adapted to the different Expressions in that celebrated Ballad, the Musick New by Mr Arne-Beard, Mrs Arne; V: English Captain (as17400325-Beard; End Afterpiece: The Eccho Song (Comus)-Mrs Arne

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Song: Probably at end: Black Eyed Susan-Incledon; Wine cannot cure the Pain I endure for my Chloe-Johnstone, Incledon

Music: Between Acts afterpiece: the favourite air of Moggy Lauder (on the Union Pipes)-the celebrated Courtney

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Beauchamp-Lewis; Fitzherbert-Aickin; Belville-A Young Gentleman (1st appearance on any stage [unidentified]); Lord Sparkle-Bernard; Bobby Pendragon-Quick; Miss Pendragon-Mrs Mattocks; Julia Manners-Mrs Bernard; Clarinda-Mrs Rock; Kitty-Mrs Lewis; Tiffany-Mrs Davenett; Lady Bell Bloomer-Mrs Pope.
Cast
Role: Lady Bell Bloomer Actor: Mrs Pope.
Related Works
Related Work: The Man's Bewitch'd; or, The Devil to do about Her Author(s): Susanna Centlivre

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performance Comment: End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard.

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Performance Comment: English Colonel-Byrne; Lieutenant-Farley; Old Corporal-Rayner; General-Cranfield; Tippoo Saib-Follett; Ghazidy Cawn-Ratchford; Indian (with a song in character)-Bannister; Colonel's Lady-Miss Francis; Indian Women-Mrs Watts, Mrs Ratchford, Mrs Invill; Orra (with a song in character)-Mrs Mountain.
Cast
Role: Colonel's Lady Actor: Miss Francis

Afterpiece Title: Barnaby Brittle

Performance Comment: Barnaby Brittle-Quick; Clodpole-Cross; Sir Peter Pride-Cubitt; Lovemore-Davies; Jeremy (1st time)-Blanchard; Lady Pride-Mrs Pitt; Damaris-Miss Stuart; Mrs Brittle-Mrs Mattocks.
Cast
Role: Lady Pride Actor: Mrs Pitt

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell