Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Suffolke"/1) | (@(roleclean,performerclean) "Lady Suffolke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7173 results for: Keyword - Lady Suffolke
We found 4889 matches on Performance Comments, 2470 matches on Event Comments, 498 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

6526
12 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

6527
17 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

6528
21 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Momus, as17331231

6529
24 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

6530
26 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne

6531
06 February 1734 @ Goodman's Fields

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Damon and Phillida

6532
11 February 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

6533
28 February 1734 @ Covent Garden

Performances

Mainpiece Title: Achilles

Afterpiece Title: The Necromancer

6534
04 March 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Britannia

6535
11 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lottery

Music: V: Handel's Water Musick, in which Poitier will beat the Kettle Drum

Dance: I: A new Dutch Dance by Le Brun and Mrs Walter. II: Two Pierrots by Poitier and Davenport. III: English Maggot by Lally Jr and Mrs Walter. IV: La Badine by Lally, Mlle Grognet, Lally Jr, Mrs Walter

6536
19 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: English Maggot by Lally and Mrs Walter. Dutch Woman by Miss Robinson. Revellers by Essex, Miss Latour, Lally, Holt, Miss Mann, Miss Brett. Pierrots by Poitier and Nivelon. Polonese, as17340318

6537
26 March 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Britannia

6538
27 March 1734 @ York Buildings

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Friendly Impert1nent

6539
30 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Country House

Music: A Comic Medley Overture composed by Charke

Dance: I: A new Maggot by Le Brun. In II: Polonese, as17340325 V: Pierrots by Poitier and Nivelon. End I of Afterpiece: English Maggot by Lally and Mrs Walter. End Afterpiece: Grand Dance in Momus, as17340316

Song: III: Was ever Nymph like Rosamond by Miss Arne. IV: Bella Sorge L'Esperanza (from Ariadne) by Miss Arne

6540
02 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

6541
02 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

6542
08 April 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Don Quixote In England

6543
15 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Cupid and Psyche

6544
19 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Cupid and Psyche

6545
22 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Intriguing Chambermaid

Dance: English Maggot by S. Lally and Mrs Walter. Dutchman and his Wife by Le Brun and Mrs Walter. Revellers by Essex, Miss Latour, S. Lally, &c

6546
23 April 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Britannia

6547
26 April 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Phebe

Dance: II: Friendly Lass by Miss Wherrit and Miss Sandham. III: Scots Dance by Vallois and Mrs Bullock. V: Milk Pail Dance

6548
29 April 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Don Quixote In England

Afterpiece Title: The Covent Garden Tragedy

Dance:

6549
08 July 1734 @ York Buildings

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Disappointment

6550
21 August 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones