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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Henrietta Herbert"/1) | (@(roleclean,performerclean) "Lady Henrietta Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4912 matches on Performance Comments, 2565 matches on Event Comments, 498 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Liviez and Mrs Furnival. At the Desire of several Ladies of Quality. [Tickets at Liviez' Lodgings, next Door to the Golden Boar's Head, Henrietta Street, or at Mrs Furnival's, next Door to the Blackmoor's Head in Exeter Street near the Strand.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Virgin Unmask'd

Dance: I: Punches Dance-Master Ferg, Miss Morrison (Scholars to Liviez); I: Saraband, Tambourine-Miss Morrison; III: French Peasants-Poitier, Mlle Roland; V: Two Pierots-Leviez, Pelling

Song: TThe Protestation-Beard

Event Comment: It is Humbly desir'd that Ladies who have taken Places, will please to send for their Tickets to Mrs Cibber's Lodgings, at Mr Salt's, at Henrietta St., Covent Garden. Benefit Mrs Cibber. By Command of their Royal Highness the Prince and Princess of Wales. Stage formed into an amphitheatre, and to prevent the ladies's catching cold ciel'd after the manner of the Oratorios. Tickets sold at the door will not be admitted

Performances

Mainpiece Title: The Fair Penitent

Dance: DDutch Skipper, as17421025; Characters of Dancing, as17421025; Grand Ballet, as17421108

Event Comment: Benefit for Mrs Barry. Mainpiece [1st time; T 5, as altered by Thomas Hull]. Translated from [Iphigenie en aulide, by] Racine by Boyer. Part of the Pit will be laid into the Boxes. Ladies are desired to send their Servants by Four o'Clock. Public Advertiser, 18 Mar.: Tickets to be had of Mrs Barry, No. 26, Henrietta-street, Covent Garden. Receipts: #273 19s. 6d. (157.18.6; tickets: 116.1.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Iphigenia; Or, The Victim

Afterpiece Title: Poor Vulcan

Dance: As17771222

Song: V: will be introduced a Sacrifice-;, with new Music by Fisher-; the vocal parts and chorus-Miss Brown, others

Event Comment: Benefit for Kemble. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Who's the Dupe?, announced on playbill of 12 Apr.] Public Advertiser, 22 Mar.: Tickets to be had of Kemble, No. 25, Henrietta-street, Covent Garden. Receipts: #290 15s. (164/0/0; 11/2/0; 1/18/0; tickets: 113/15/0) (charge: #106 17s. 7d.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Gentle Shepherd

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Traitor

Event Comment: See Herbert, Dramatic Records, p. 116. An edition, without actors' names, appeared in 1661

Performances

Mainpiece Title: The Beggar's Bush

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (Killigrew's), now removed from the red bull to Gibbons' Tennis Court in Vere Street. Probably Clun acted Falstaff. (See An Elegy Upon the Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31.

Performances

Mainpiece Title: Henry The Fourthe Part I

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to John Dennis, in the Dedication to The Comical Gallant (1702), when this play was revived in the times of Charles II, Wintershall acted Slender

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Silent Woman

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: Love Lies A Bleeding

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to Wright, Historia Histrionica, 1699, Mohun played Bellamante shortly after the Restoration

Performances

Mainpiece Title: Love's Cruelty

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Widow

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. An edition of this play, published in 1661, lists no cast, no prologue, no epilogue

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggar's Bush

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: I to the new playhouse and saw part of the Traitor, a very good Tragedy; Mr Moon [Mohun] did act the Traitor very well

Performances

Mainpiece Title: The Traitor

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Elder Brother

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Chances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Opportunity

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: Claricilla

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: A Kinge And No Kinge