SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Anne"/1) | (@(roleclean,performerclean) "Lady Anne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5059 matches on Performance Comments, 2521 matches on Event Comments, 591 matches on Performance Title, 404 matches on Roles/Actors, and 1 matches on Author.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Colombine Courtezan

Dance: II: Dutchman and Frow by Le Brun and Miss Brett. III: Revellers by Essex, Mrs Walter, &c. IV: By Mlle Anne Roland

Performance Comment: III: Revellers by Essex, Mrs Walter, &c. IV: By Mlle Anne Roland .

Song: In I: An English Cantata by Mrs Clive

Performances

Mainpiece Title: Greenwich Park

Cast
Role: Lady Hazard Actor: Mrs Cantrell

Afterpiece Title: Colombine Courtezan

Dance: I: Black and White Joak; or, The Merry Sailor and the Lively Lass by Le Brun and Miss Mann. II: English Maggot by Villeneuve and Mrs Walter. III: By Mlle Anne Roland

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. III: By Mlle Anne Roland .

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Pritchard

Dance: I: Revellers by Essex, Mrs Walter, &c. III: Tambourine by Mlle Roland. V: Venetian Gondolier and Courtezan by Denoyer, Mlle Anne Roland, &c

Performance Comment: III: Tambourine by Mlle Roland. V: Venetian Gondolier and Courtezan by Denoyer, Mlle Anne Roland, &c .

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: III: Tambourine by Mlle Roland. IV: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c

Performance Comment: IV: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c .

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Violin Solo by Charke

Dance: I: English Maggot by Villeneuve, Mrs Walter, &c. II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c

Performance Comment: II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c .

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Restor'd

Dance: I: English Maggot by Villeneuve and Mrs Walter. III: Grand Serious Ballet by Denoyer, Mlle Anne Roland, Denoyer's Apprentice, &c

Performance Comment: III: Grand Serious Ballet by Denoyer, Mlle Anne Roland, Denoyer's Apprentice, &c .

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Harlequin Restor'd

Dance: I: Black Joak by Phillips and Miss Mann. II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Damon and Phillida, as17360430 IV: Shepherd's Mount by Essex, Mrs Walter, Mrs Anderson, &c. V: By Mlle Anne Roland

Performance Comment: II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Damon and Phillida, as17360430 IV: Shepherd's Mount by Essex, Mrs Walter, Mrs Anderson, &c. V: By Mlle Anne Roland .

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Colombine Courtezan

Dance: I: By Denoyer's Prentice. II: Grand Serious Ballet by Denoyer, &c. IV: Minuet in Modern Habits by Denoyer and Mlle Anne Roland

Performance Comment: II: Grand Serious Ballet by Denoyer, &c. IV: Minuet in Modern Habits by Denoyer and Mlle Anne Roland .

Ballet:

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Anne Actor: Mrs Cross

Afterpiece Title: The Lottery

Dance: III: By Denoyer's Apprentice. IV: By Mlle Anne Roland. V: Revellers by Essex, Mrs Walter, &c

Performance Comment: IV: By Mlle Anne Roland. V: Revellers by Essex, Mrs Walter, &c .
Event Comment: Benefit Mlle Anne Roland. Tickets at Hippisley's, Playhouse Passage

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Kilby

Dance: I: Peasants-French Boy and Girl; II: A new Grand Dance-Mlle Roland; III: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; IV: Kilkenny-Glover, Mlle Roland; V: Scotch Dance-Glover, Mlle Roland

Performances

Mainpiece Title: The Fair Penitent

Dance: Mr Cook; being the 1st time of his performance since his arrival from the Opera at Paris. Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage

Performance Comment: Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The School Boy

Music: I: Scots Sonato on Flute-the Child; IV: A Piece of Music on Flute-the Child

Dance: II: L'Entree de Flore, as17481027; III: The Savoyards, as17480920

Ballet: V: Vertumnus and Pomona. Cooke, Anne Auretti

Performance Comment: Cooke, Anne Auretti.

Performances

Mainpiece Title: The Refusal

Performance Comment: As17510110, but Mrs Anne not listed.

Afterpiece Title: The Mock Doctor

Event Comment: [The horror of the piece seemed too much for the sensibilities of Mrs Bellamy, so the part of Eurydice given to Mrs Vincent. See Genest, IV, 420. See also Apology for the Life of George Anne Bellamy, written by herself (4th ed., 1786), III, 30.]. This day publish'd at 2s. 6d. Coriolanus; or, The Roman Matron, taken partly from Shakespear and partly from Thomson, as it is now performing at Covent Garden. To which is added the Order of the Ovation. Printed for A. Miller in the Strand

Performances

Mainpiece Title: Oedipus

Afterpiece Title: The Cheats of Scapin

Dance: CComic Entertainment, as17541203

Event Comment: 22 M2 March Died at his lodgings in High Holborn Leveridge in his 88th year sung d[uring] reigns of William, Anne, George I. Retired about 8 years ago, lived with daughters (Winston MS 8). [See Cross' note, 4 Feb. 1755.

Performances

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Performances

Mainpiece Title: None

Cast
Role: Lady Alton Actor: Mrs Reddish.

Afterpiece Title: None

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Benefit for Mme Mara. Morning Chronicle, 4 June; Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #233 5s. 6d. (170.5.6; 56.9.0; 6.11.0; tickets: none listed) (charge: #161 10s.)

Performances

Mainpiece Title: Dido Queen Of Carthage

Afterpiece Title: The Citizen

Event Comment: Benefit for Mme Mara. Public Advertiser 22 Apr.: Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #216 4s. 6d. (114.17.6; 28.11.0; 2.18.0; tickets: 69.18.0) (charge: #163 17s. 6d.)

Performances

Mainpiece Title: At King's Artaxerxes

Afterpiece Title: The Pannel

Song: the favourite Harp Song-Mme Mara [Ah che nel petto io sento]; accompanied-Meyer Jun

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; Macduff-Ryan; Malcolm-Chapman; Banquo-Cashell; Lady Macduff-Miss Haughton; Lenox-Marr; Seyton-Philips; Seyward-Oates; Donalbaine-Kennedy; Fleance-Miss Morrison; Lady Macbeth's Lady-Miss Ferguson; Hecate-Paget; Witches-Marten, Morgan, Master Shuter; 1st murderer-Stoppelaer; Lady Macbeth-Mrs Horton; Vocal Parts-Leveridge, Thomson, Mrs Lampe, Miss Young, Mrs Vincent.
Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Love

Dance: II: A Dance, as17730506

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Gibbons; Manly-Smith; Squire Richard-Benson; Count Basset-Wilson; John Moody-Watts; Poundage-Sadler; Sir Francis Wronghead-Waldron; Lady Grace-Mrs Chambers; Miss Jenny (with songs in character)-Mrs Benson; Lady Wronghead-Mrs Johnston; Mrs Motherly-Miss Williams; Myrtilla-Mrs Clarke; Trusty-Mrs Harlowe; Lady Townly-A Young Lady (1st appearance on this stage [unidentified]) .unidentified]) .

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances