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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "La Signora Spiletta"/1) | (@(roleclean,performerclean) "La Signora Spiletta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3130 results for: Keyword - La Signora Spiletta
We found 2474 matches on Performance Title, 686 matches on Performance Comments, 281 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.

76
25 March 1713 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbett. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with the Echo Flute-Paisible; accompanied on the Harpsichord-Babel Jr; Vocal music-Signora Lodi

77
27 March 1718 @ York Buildings

Event Comment: Benefit Signora Mons. At 7 p.m. By Subscription

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; The Vocal-Signora Mons

78
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

79
05 July 1721 @ King's Theatre

Event Comment: Benefit Signora Durastanti. At 7 p.m. Admission as 14 June

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Particularly, Two new Cantatas by Mr Hendel and Sig Sandoni-; Four Songs, Six Duettos by the famous Signor Stefan-Signora Durastanti, Signor Senesino

80
16 March 1727 @ King's Theatre

Event Comment: [Benefit +Harlequin and Signora Constantini. By His Majesty's Command

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

81
18 June 1757 @ King's Theatre

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

82
10 March 1760 @ King's Theatre

Event Comment: Benefit for Signora Asselin

Performances

Mainpiece Title: Arminio

Dance: II: Signora Asselin (a New Dance of her own composing), Miss Polly (a child of seven years and a Scholar of Sga Asselin), who appeared in the Opera of Farnace will also dance

83
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

84
20 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

85
06 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End II: La Capricieuse-Mlle Aime will perform one principal Character; Pas de Trois, as17910526; the harp-Meyer? Jun; End III: Ninette a la Cour-(composed by Vestris Sen.) Vestris Sen.; will perform the principal Character and dance the Minuet de la Cour-Mlle Dorival, Vestris Sen

Ballet: End I: L'Amadriade. As17910517

86
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

87
31 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Dance: I: La Folette s'cest ravisee by Nivelon and Miss Mann. III: La Bagetelle by Essex and Miss La Tour. V: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Les Plaisirs-Essex and Miss Robinson; Sailor and Nymph-F. Tench and Miss Latour

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

88
12 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restor'd; or, Taste a la Mode

89
13 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Colombine Courtezan

Afterpiece Title: Taste a la Mode

Dance: II: Double Jealousy, as17360327but Mrs Villeneuve replaces Miss Brett

90
18 January 1754 @ Covent Garden

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

91
05 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

92
28 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: La Fete du Seigneur. Le Seigneur-Vestris Sen.; Colin-Vestris Jun.; Tomas, pere de Colin-Casali; Paysiens-Victor, Vermilly; La Dame-Mlle Dorival; Colette-Mlle Hilligsberg; Cateau, mere de Colette-Mlle DeLaCroix; Paysiennes-Mlle Mozon, Mlle St.Amand

93
29 January 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

94
14 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Damaseiles A La Mode

95
15 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Ladies A La Mode

96
23 April 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

97
04 February 1707 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

98
06 February 1710 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode

99
07 March 1719 @ King's Theatre

Performances

Mainpiece Title: Arlequin Empereur Dans La Lune; Or, Harlequin Emperor In The Moon

Entertainment: A new leap over 14 Men-the Tumblers

100
27 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne