SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "L Leo"/1) | (@(roleclean,performerclean) "L Leo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 457 matches on Event Comments, 139 matches on Performance Comments, 24 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: Catiline

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Doctor Faustus

Performances

Mainpiece Title: The Alchymist

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Committee

Performances

Mainpiece Title: Aureng-zebe

Performances

Mainpiece Title: Aureng-zebe

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Country Wit