The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "L A Ein Schweitzer"/1) | (@(roleclean,performerclean) "L A Ein Schweitzer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 451 matches on Event Comments, 139 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tyrant Of Sicily

Performances

Mainpiece Title: The Soldier's Fortune

Performances

Mainpiece Title: The Rover, Part Ii

Performances

Mainpiece Title: The Soldier's Fortune

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The Royalist

Performances

Mainpiece Title: Venice Preserv'd

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: The Souldier's Fortune

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The London Cuckolds

Event Comment: The United Company. This performance is on the L. C. list, 5@145, p. 120: with Ye Q: & a box for ye Maides of honor. See also Nicoll, Restoration Drama, p. 349. This play was reprinted in 1682, but without actors' names. Langbaine (English Dramatick Poets, 1691, p. 207) may refer to a performance around this period: Being acted with extraordinary applause at the Theatre in Dorset-Garden, and printed with the Alterations London. 40 1682

Performances

Mainpiece Title: The Chances

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Spanish Fryar

Performances

Mainpiece Title: A Duke And No Duke