The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "L A Ein Schweitzer"/1) | (@(roleclean,performerclean) "L A Ein Schweitzer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 451 matches on Event Comments, 139 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Wit

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Volpone; Or, The Fox

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: The Man Of Mode

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. Nell Gwyn's attendance again on Friday 9 June suggests that she attended the premiere. On that assumption, this Calendar lists the probable ten performances which Downes (Roscius Anglicanus, p. 36) alludes to: And all the Parts being admirably Acted, it lasted successively 10 Days; it got more Money than any preceding Modern Tragedy

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performances

Mainpiece Title: No Fool Like Ye Old Fool

Performances

Mainpiece Title: The Fool Turn'd Critick

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: A Shoemaker A Gent

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Performances

Mainpiece Title: Antony And Cleopatra