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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of the Cherokees"/1) | (@(roleclean,performerclean) "King of the Cherokees")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5898 results for: Keyword - King of the Cherokees
We found 2655 matches on Performance Title, 2620 matches on Performance Comments, 1627 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

5851
06 June 1795 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17941003, but Antonio-Munden; The Page (with a song)-Mrs Clendining (1st appearance in that character); Marcelina-_; Agnes-_.
Cast
Role: The Page Actor: Mrs Clendining

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Performance Comment: Principal Musical Characters-Townsend, Linton, Street, Williamson, Miss Kirton, Mrs Castelle, Mrs Arnold, Miss Stuart, Mrs Norton, Miss Leserve, Mrs Masters, Mrs Clendining. [Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Rock

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

5852
20 February 1796 @ King's Theatre

Event Comment: The Company will be apprised at the doors as soon as the audience part of the Theatre is full. "When the curtain drew up for the new ballet, ladies [were] at the wings sitting...[and] several hundred gentlemen occupied the back of the stage, so that the beautiful scenery which had been prepared for the ballet lost all its effect" (Oracle, 22 Feb., which also states that the part of Roxalana was danced by Mme Hilligsberg). [Didelot and 1st appeared at the former king's theatre on 8 Dec. 1787.

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

5853
26 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].
Cast
Role: Then round about Actor: Chorus
Role: The Mighty power Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Gentle airs-Nield (Athalia); Ye men of Gaza-Miss Leak (Samson); The trumpet's loud-Kelly, Chorus [Dryden's Ode]; Sweet bird-Miss Parke; accompanied on the violin-G. Ashley (L'Allegro); Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); Lord remember David-Mme Mara (Redemption); Gird on thy sword-Chorus (Saul).
Cast
Role: The trumpet's loud Actor: Kelly, Chorus
Role: accompanied on the violin Actor: G. Ashley

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: From mighty Kings Actor: Miss Parke
Role: accompanied on the bassoon Actor: Parkinson
Role: Ye southern breezes Actor: Chorus
Role: The horse and his rider Actor: Double Chorus

Music: As17960219

Cast
Role: concerto on the Piano Forte Actor: Dussek.

5854
10 March 1796 @ King's Theatre

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

5855
15 March 1796 @ King's Theatre

Event Comment: A New Opera (1st time [in London; 1st performed at Florence, 1793, as La Confusione nata dalla Somiglianza; ossiano, I Due Gobbi]); the music by Portogallo. [Viganoni had 1st appeared at the former king's Theatre throughout the seasons of 1781-82 and 1782-83.

Performances

Mainpiece Title: I Due Gobbi

Performance Comment: Principal Characters-Viganoni (1st appearance at this theatre), Morelli, Sga Fabrizzi. [Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305

5856
16 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17960302but Principal Vocal Performers-another Miss Fletcher (from +Birmingham).
Cast
Role: 960302but Principal Vocal Performers Actor: another Miss Fletcher

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: From the censer Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Sound an alarm-Kelly (Judas Maccabaeus); How willing-Bartleman (Samson); See the conqu'ring hero-Chorus; March (Judas Maccabaeus)-; What tho' I trace-Miss Parke [Solomon]; O God who in thy heavenly hand-Chorus [Joseph]; Happy Iphis-Master Elliot [Jephtha]; Mad Bess-Mme Mara (Purcell); Kings shall be thy nursing fathers-Chorus [Coronation Anthems].Coronation Anthems].
Cast
Role: See the conqu'ring hero Actor: Chorus
Role: Kings shall be thy nursing fathers Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March (Saul)-; Joys in gentle strains-the Miss Fletchers [Athalia]; Awful pleasing being-Miss Leak [Joshua]; From harmony-Chorus [Dryden's Ode]; Let the bright Seraphim-Miss Parke [Samson]; O liberty-Kelly; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); The Soldier tir'd-Mme Mara [Dr Arne]; Gloria Patri-Grand Chorus [Jubilate].Jubilate].
Cast
Role: Joys in gentle strains Actor: the Miss Fletchers
Role: Let the bright Seraphim Actor: Miss Parke
Role: accompanied on the violoncello Actor: C. Ashley
Role: The Soldier tir'd Actor: Mme Mara

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

5857
28 March 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.
Cast
Role: 's Ode on the Passions Actor: Wilkinson.

5858
18 May 1796 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 3rd piece: To conclude as 15 Apr. Morning Herald, 16 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #238 4s. (100.15; 15.4; tickets: 122.5)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Young Standen; Grizzle-Powel; Ghost-Bowden; Doodle-Haymes; Noodle-Townsend; Arthur-Munden; Huncamunca-Mrs Clendining; Glumdalca-Mr Richardson; Dollalolla-Mrs Martyr.

Afterpiece Title: The Point at Herqui

Cast
Role: Captain of the Diamond Actor: Incledon

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

Performance Comment: ] [from The Days of Yore-Mrs Clendining; Harp-Weippert.
Cast
Role: from The Days of Yore Actor: Mrs Clendining

5859
07 July 1796 @ Haymarket Theatre

Event Comment: 3rd piece: Taken from New Hay at the Old Market [by George Colman, ynger; i.e. its 1st scene, with alterations]. "Caulfield's imitations of Aickin, Suett, King and Dignum are exact even to astonishment -of the rest we do not think much" (Monthly Mirror, July 1796, p. 185)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Bannister Jun.; Young Random-Caulfield; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk (1st time)-Wathen; Carney-Burton; Peery-Usher; Tiptoe-R. Palmer; Lady Dunder-Mrs Hopkins; Mrs Peery-Mrs Booth; Harriet-Mrs Kemble; Kitty-Mrs Gibbs.
Cast
Role: Quirk Actor: Wathen
Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

5860
29 October 1796 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 28 Oct.] Ballet: (1st time), composed by Giacomo? Gentili [with music by Giuseppe Capelletti]. Receipts: #325 19s 6d. (222.15.6; 101.11.0; 1.13.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey

Performance Comment: The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey.
Cast
Role: The Lady of Dunblain Actor: Mlle Parisot

5861
04 March 1797 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: Dances Incidental, as17970225; End Opera: Apollon Berger, as17961227

Song: Between I and II: upon the Present happy Occasion [the naval victory off Cape St. Vincent, 14 Feb. 1797,] God save the King, Rule Britannia-Mme Banti

Performance Comment: Vincent=, 14 Feb. 1797,] God save the King, Rule Britannia-Mme Banti.

5862
31 March 1797 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Cast
Role: Who is in her Seventy Actor: Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741.

Afterpiece Title: A Grand Selection of Sacred Music 1

Performance Comment: Part I. Overture and March- (Ptolemy); Tear such as tender father-Bartleman [Deborah]; When his loud voice-Chorus [Jephtha]; From mighty Kings-Miss Poole [Judas Maccabaeus]; His mighty arm-Braham [Jephtha]; See the conquering hero comes, [with the March-Chorus; Pious orgies-Mme Mara [Judas Maccabaeus]; The Trumpet's loud clangour-Chorus [Dryden's Ode].Dryden's Ode].
Cast
Role: Tear such as tender father Actor: Bartleman
Role: From mighty Kings Actor: Miss Poole
Role: with the March Actor: Chorus
Role: The Trumpet's loud clangour Actor: Chorus

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Father of heaven Actor: Sga Galli
Role: Behold the nations Actor:

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Part III. [Select Parts of the Water Music-; Wave from wave-Bartleman [Israel in Egypt]; Tyrants would-Miss Poole; Tyrants ye in vain conspire-Chorus [Athalia]; O Liberty-Braham; [accompanied on the violoncello-C. Ashley; Come ever smiling Liberty-Master Elliot; Disdainful of danger- [Judas Maccabaeus]; Mad Bess-Mme Mara (Purcell); Rule Britannia-Chorus.
Cast
Role: Select Parts of the Water Music Actor:
Role: accompanied on the violoncello Actor: C. Ashley

Music: As17970315

5863
07 April 1797 @ Covent Garden

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Cast
Role: Who is in her Seventy Actor: Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741.

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: As17970310but Why does the God of Israel?-Braham [Samson]; Total eclipse-_; O first created beam-_.
Cast
Role: The mighty power Actor: Chorus
Role: For all these mercies Actor: Chorus
Role: He gave them hailstones Actor: Chorus
Role: accompanied on the violoncello Actor: C. Ashley
Role: Fallen is the Foe Actor: Chorus
Role: O magnify the Lord Actor: Miss Poole
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mme Mara
Role: The Horse and his Rider Actor: Double Chorus

Afterpiece Title: A Grand Sacred Selection 2

Cast
Role: The mighty power Actor: Chorus
Role: For all these mercies Actor: Chorus
Role: He gave them hailstones Actor: Chorus
Role: accompanied on the violoncello Actor: C. Ashley
Role: Fallen is the Foe Actor: Chorus
Role: O magnify the Lord Actor: Miss Poole
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mme Mara
Role: The Horse and his Rider Actor: Double Chorus

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: As17970310but Happy Iphis-Master Elliot [Jephtha]; Great Jehovah's awful-_; Conclude with Rule Britannia-; Britons strike home-; God save the King-.
Cast
Role: God save the King Actor: .
Role: The mighty power Actor: Chorus
Role: For all these mercies Actor: Chorus
Role: He gave them hailstones Actor: Chorus
Role: accompanied on the violoncello Actor: C. Ashley
Role: Fallen is the Foe Actor: Chorus
Role: O magnify the Lord Actor: Miss Poole
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mme Mara
Role: The Horse and his Rider Actor: Double Chorus

Music: End II: concerto on Piano Forte-Miss MacArthur

5864
13 May 1797 @ Drury Lane Theatre

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Performance Comment: Oberon (King of the Fairies)-Miss Granger; Puck-Miss Wheatley; Beamlet-Master Welsh; Titania (Queen of the Fairies)-Miss Wentworth; Dewlip-Mrs Bland; Redstar-Miss Leak; Groups of Fairies, Sylphs-.

Afterpiece Title: Lodoiska

Performance Comment: As17970216, but Captives-_; Tamuri-_; Camazin-_; The Horde-_.
Cast
Role: The Horde Actor: Wentworth, Maddocks, Welsh, Evans, Annereau.

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

5865
18 May 1797 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Ledger, Claremont, Goostree. Mrs Dick, Mrs Egan will be admitted. 2nd piece [1st time; M. INT 1, by Richard Cumberland. Larpent MS 1111; not published]: To conclude with an Illumination, Transparency, and a Rural Procession. The Music partly selected, and partly composed, by Shield. The Harp by Weippert. The Bells by Lawrence. With appropriate Scenery, Dresses, and Decorations. [Written in honour of the Royal Marriage" [see dl, 13 May] (Morning Herald, 19 May). "If we are to have these repeated Congratulations, let them be written by men of spirit and invention. The public are miserably placed, in cases like the present: between a respect for their King and a respect for their own understandings, they know not how to act" (Monthly Visitor, May 1797, pp. 454-55, which also includes a brief synopsis of the plot). Receipts: #254 9s. 6d. (84.0.0; 11.2.6; tickets: 159.7.0)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Village Fete

Performance Comment: Principal Characters by Quick, Incledon, Munden, Townsend, Bowden, Haymes, Linton, Street, Gray, Mrs Mountain, Mrs Clendining, Mrs Martyr. [Cast from Larpent MS: Sir Martin Marygold-Quick; Fairlove-Incledon; Nicholas-Munden; Peter the Preacher-Townsend [in MS: Fawcett]; Kate-Mrs Mountain [in MS: Mrs Henley]; Peggy-Mrs Clendining; Lady Marygold-Mrs Martyr [in MS: Mrs Gilbert]; unassigned-Bowden, Haymes, Linton, Street, Gray.
Cast
Role: Peter the Preacher Actor: Townsend

Afterpiece Title: Peeping Tom

Cast
Role: The Story of Lord Hoppergollop's Cook and Garde Actor: Munden

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

5866
20 May 1797 @ Covent Garden

Event Comment: Benefit for Bowden. [1st piece in place of The Duenna, advertised on playbill of 19 May.] 2nd piece [1st time; M. INT 1]. True Briton, 8 May: Tickets to be had of Bowden, No. 6, Lower Brook-street, Grosvenor-square. Receipts: #236 12s. (101.14.6; 8.5.0;tickets: 126.12.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Performance Comment: Jack at the Windlass-Fawcett; Admiral Benbow-Incledon; Beauty at her levee-Munden; O! bring me Wine-Bowden; Thursday in the morn-Incledon; [Our] Laws, Constitution and King-Incledon, Bowden; Oh why to be happy-Incledon, Bowden, Linton; Rule Britannia- [singer not listed].singer not listed].
Cast
Role: Jack at the Windlass Actor: Fawcett
Role: Thursday in the morn Actor: Incledon
Role: Constitution and King Actor: Incledon, Bowden

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; End II: Shakespeare's Loadsters (1st time in public; composed by Shield)-Incledon, Gray, Bowden; In 3rd piece: the Planxty, descriptive of Ireland, In my Father's Mud Cabin-Johnstone; End I 3rd piece: Old Towler-Incledon

5867
24 May 1797 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. [1st piece in place of The Travellers in Switzerland, advertised on playbill of 23 May.] Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #157 18s. (55.10; 3.19; tickets: 98.9)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: An Harmonic Festival

Performance Comment: Sally in our Alley-Incledon; The Minstrel's Song [Where is that towering spirit fled?] , from The Days of Yore-Mrs Clendining; accompanied on the harp-Weippert; The Disconsolate Sailor-Mrs Martyr; Admiral Benbow-Incledon; The Soldier tir'd of Wars alarms-Mrs Clendining.
Cast
Role: from The Days of Yore Actor: Mrs Clendining
Role: accompanied on the harp Actor: Weippert
Role: The Disconsolate Sailor Actor: Mrs Martyr
Role: The Soldier tir'd of Wars alarms Actor: Mrs Clendining.

Afterpiece Title: Lovers' Quarrels

Dance: End I: The Statute Dance-

5868
16 October 1797 @ Drury Lane Theatre

Event Comment: [In mainpiece Marcellus is omitted, but for Dignum see 27 Nov.]. Account-Book: Paid Taylor for Alterations to the Theatre #200. Receipts: #369 3s. 6d. (311.7.0; 55.15.6; 2.1.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Ghost of Hamlet's Father Actor: Wroughton
Role: Grave@diggers Actor: King, Hollingsworth

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-C. Kemble; Woodly-Sedgwick; Gossip-Suett; Soufrance-Wewitzer; Charlotte-Miss Wentworth; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Entertainment: Entertainment. End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-

Performance Comment: End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-.
Cast
Role: A Representation of the English and Dutch Fleet Actor:
Role: God save the King Actor: .
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

5869
19 October 1797 @ Drury Lane Theatre

Event Comment: [Miss Dufour's 1st appearance in public was in a concert at king's 11 Feb. 1796.] Receipts: #329 10s. 6d. (236.17.0; 88.12.6; 4.1.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Holland; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela-Miss Dufour (1st appearance on any stage [i.e. in a speaking part]); Cicely-Mrs Bland; Maud-Mrs Maddocks.
Cast
Role: Martin Actor: Wathen

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Performance Comment: Sir Solomon Swallow-Suett; Atall-Bannister Jun.; Marall-Caulfield; Cook-Hollingsworth; Toby-Wathen; Lady Swallow-Miss Pope; Camilla-Miss DeCamp; Lydia-Miss Heard; Susan-Miss Tidswell.
Cast
Role: Toby Actor: Wathen

Entertainment: Entertainment.End afterpiece: As17971016

Cast
Role: A Representation of the English and Dutch Fleet Actor:
Role: God save the King Actor: .
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

5870
21 October 1797 @ Covent Garden

Event Comment: Ballets: By Permission of the Proprietor of the King's Theatre. 1st ballet: Composed by Didelot. Receipts: #269 0s. 6d. (267.19.6; 1.1.0)

Performances

Mainpiece Title: The West Indian

Dance: End II: Les Delassemens Militaires-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon; End: Peggy's Love-Mrs Wild, Mme Rose, Mlle DeLaCroix, Mme Hilligsberg, Didelot, Fialon

5871
09 November 1797 @ Drury Lane Theatre

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

5872
15 January 1798 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

5873
16 February 1798 @ Covent Garden

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Music: As17980214

5874
17 April 1798 @ Covent Garden

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.
Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Afterpiece Title: Lock and Key

5875
16 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.
Cast
Role: when the mode of attack and defence in street Actor: firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.
Role: To conclude with God save the King Actor: .

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton