SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of Shweden"/1) | (@(roleclean,performerclean) "King of Shweden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: My wife, and Deb., and I, to the King's house again, coming too late yesterday to hear the prologue, and do like the play better now than before; and, indeed, there is a good deal of true wit in it, more than in the common sort of plays

Performances

Mainpiece Title: The Old Troop; Or, Monsieur Raggou

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Love's Mistresse revived, the thing pretty good, but full of variety of divertisement

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Masque

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, to see a new play, acted but yesterday, a translation out of French by Dryden [see 14 Sept. 1668], called The Ladys a la Mode; so mean a thing as, when they come to say it would be acted again to-morrow, both he that said it, Beeson [Beeston], and the pit fell a-laughing, there being this day not a quarter of the pit full

Performances

Mainpiece Title: The Ladies A La Mode

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: The King's Company. Pepys, Diary: To the King's house, and saw a piece of Henry the Fourth; at the end of the play, thinking to have gone abroad with Knepp, but it was too late, and she to get her part against to-morrow, in The Silent Woman

Performances

Mainpiece Title: Henry The Fourth

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

Event Comment: [The King's Company. Pepys, Diary: My wife and Mercer, and W. Hewer and Deb., to the King's playhouse, and I afterwards by water with them, and there we did hear the Eunuch (who, it seems, is a Frenchman, but long bred in Italy) sing, which I seemed to take as new to me, though I saw him on Saturday last [see 10 Oct. 1668], but said nothing of it; but such action and singing I could never have imagined to have heard, and do make good whatever Tom Hill used to tell me. [The Eunuch may be Baldassare Ferri.

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Faithful Shepherdess again, that we might hear the French Eunuch sing, which we did, to our great content; though I do admire his action as much as his singing, being both beyond all I ever saw or heard

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: The King's Company. Pepys, Diary: So she [Mrs Pepys] and I to the King's playhouse, and there sat to avoid seeing Knepp in box above where Mrs Williams happened to be, and there saw The Usurper; a pretty good play, in all but what is designed to resemble Cromwell and Hugh Peters, which is mighty silly

Performances

Mainpiece Title: The Usurper

Event Comment: The King's Company. This performance is on the L. C. list 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Usurper

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. The play was reprinted in 1669. Pepys, Diary: My wife and I with our coach to the King's playhouse, and there in a box saw The Mayden Queene. Knepp looked upon us, but I durst not shew her any countenance; and, as well as I could carry myself, I found my wife uneasy there, poor wretch; therefore, I shall avoid that house as much as I can

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Catilines Conspiracie. King & Queene here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I to the King's playhouse, and there saw The Island Princesse, the first time I ever saw it; and it is a pretty good play, many good things being in it, and a good scene of a town on fire. We sat in an upper box, and the jade Nell come and sat in the next box; a bold merry slut, who lay laughing there upon people; and with a comrade of hers of the Duke's house, that come in to see the play

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse, and there saw The Joviall Crew; but ill acted to what it was heretofore, in Clun's time, and when Lacy could dance

Performances

Mainpiece Title: The Jovial Crew

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: Horace, with a farce and dances between every act, composed by Lacy and played by him and Nell, which takes (John Evelyn, Diary and Correspondence, ed. William Bray, IV, 14). See 19 Jan. 1668@9

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. Pepys, Diary: To the King's house, to see Horace; this the third day of its acting--a silly tragedy; but Lacy hath made a farce of several dances--between each act, one: but his words are but silly, and invention not extraordinary, as to the dances; only some Dutchmen come out of the mouth and tail of a Hamburgh sow. Thence, not much pleased with the play

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The King & Queene. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there,--in an upper box...did see The Moor of Venice: but ill-acted in most parts; Mohun, which did a little surprise me, not acting Iago's part by much so well as Clun used to do; nor another Hart's, which was Cassio's; nor, indeed, Burt doing the Moor's so well as I once thought he did

Performances

Mainpiece Title: The Moor Of Venice

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Island Princesse, which I like mighty well, as an excellent play; and here we find Kinaston to be well enough to act again, which he do very well, after his beating by Sir Charles Sedley's appointment

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. This play is on the L. C. list, 5@12., p. 17. See also Nicoll, Restoration Drama, p. 344. Pepys, Diary: And in the evening I do carry them to White Hall, and there did without much trouble get into the playhouse, there in a good place among the Ladies of Honour, and myself also sat in the pit; and there by and by come the King and Queen, and they begun Bartholomew Fayre. But I like no play here so well as at the common playhouse; besides that, my eyes being very ill since last Sunday and this day se'nnight, with the light of the candles, I was in mighty pain to defend myself now from the light of the candles

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse...and there saw The Faithfull Shepherdesse. But, Lord! what an empty house, there not being, as I could tell the people, so many as to make up above #10 in the whole house! The being of a new play at the other house, I suppose, being the cause, though it be so silly a play that I wonder how there should be enough people to go thither two days together, and not leave more to fill this house. The emptiness of the house took away our pleasure a great deal, though I liked it the better; for that I plainly discern the musick is the better, by how much the house the emptier

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances