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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of Persia"/1) | (@(roleclean,performerclean) "King of Persia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2656 matches on Performance Title, 2611 matches on Performance Comments, 1593 matches on Event Comments, 23 matches on Author, and 2 matches on Roles/Actors.

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman; Haswell-Pope; Sultan-Farren; Lord Flint-Davies; Meanwright-Macready; Zadan-Powel; 1st Keeper-Cubitt; Prisoner-Thompson; Lady Tremor-Mrs Mattocks; Aurelia-Miss Grist; Female Prisoner (for that night only)-Mrs Powell (of king's); Original Epilogue-Mrs Mattocks.

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: In which How stands the Glass around? (General Wolfe's favorite Song)-Incledon; Irish Drinking song [Song [Of the ancients it's speaking]-Johnstone; How merrily we live that soldiers be-Darley, Incledon, Johnstone; To arms Britons strike home (composed by Purcell)-Incledon, Darley, Follett, Blurton, Linton, Rees[; The whole to conclude with a View of Quebec, and the Death of General Wolfe .; The whole to conclude with a View of Quebec, and the Death of General Wolfe .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Performances

Mainpiece Title: At King's The Gamester

Afterpiece Title: The Romp

Performances

Mainpiece Title: At King's Macbeth

Afterpiece Title: The Spoil'd Child

Song: As17930416

Performances

Mainpiece Title: At King's All In The Wrong

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The Irish Widow

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Soldier's Festival

Afterpiece Title: The Poor Soldier

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Sultan

Dance: As17930408

Performances

Mainpiece Title: At King's A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

Performances

Mainpiece Title: At King's Artaxerxes

Afterpiece Title: The Pannel

Song: the favourite Harp Song-Mme Mara [Ah che nel petto io sento]; accompanied-Meyer Jun

Performances

Mainpiece Title: At King's Twelfth Night

Afterpiece Title: The Mariners

Song: End II: The Lucky Escape-Dignum; End IV: Primroses deck the banks (composed by Linley? Sen.)-Master Welsh; End: Fair Rosale-Master Welsh

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Mariners

Dance: As17930408

Song: End II: a New Song composed by Percy-Master Welsh

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: The Deaf Lover

Dance: End: Le Pas Russe-Master and Miss Menage; End I afterpiece: Dance-Whitmell

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Humourist

Dance: As17930408

Performances

Mainpiece Title: At King's The West Indian

Afterpiece Title: The Virgin Unmask'd

Dance: End: Hornpipe-Keys

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The First Floor

Performances

Mainpiece Title: At King's The Beaux Stratagem

Afterpiece Title: The Cheats of Scapin

Dance: End IV: Le Pas Russe, as17930531; End: a New Comic Dance composed by D'Egville-the young D'Egvilles, Miss Phillips

Performances

Mainpiece Title: At King's The Foundling

Afterpiece Title: The Quaker

Dance: End: New Comic Dance, as17930607 but Miss _Phillips

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Tom Thumb

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: GUY FAWKES

Afterpiece Title: THE PADLOCK

Song: 2nd piece: To conclude with God save the King, and a new Grand Emblematick Transparency

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT; or, Harlequin's Museum

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Dodd; Belville-C. Kemble//Alithea-Mrs Kemble; Miss Peggy-Mrs Jordan; Lucy-Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan .
Cast
Role: Moody Actor: King

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood