SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of France"/1) | (@(roleclean,performerclean) "King of France")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2672 matches on Performance Title, 2644 matches on Performance Comments, 1622 matches on Event Comments, 156 matches on Roles/Actors, and 23 matches on Author.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Kind Henry-Aickin; Richard III-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Lord Mayor-Griffith; Catesby-Whitfield; Ratcliff-Wright; Lieutenant-Fawcett; Lady Anne-Mrs Greville; Queen-Mrs Hopkins; Duchess of York-Mrs Johnston; Prince Edward-Mas. Blanchard; Duke of York-Mas. Pulley.
Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Theatrical Candidates

Cast
Role: King Actor: J. Aickin

Afterpiece Title: The Irish Widow

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Lee (first time); Buckingham-Wroughton; Cranmer-Hull; Cromwell-Young; Gardiner-Wilson (first time); Sands-Quick; Anne Bullen-Miss Ambrose; Patience (with song)-Miss Brown; Queen Catherine-Mrs Jackson (first time); In Act I, The Banquet-; with Dancing-Dagueville, Sga Vidini; in Act IV, The Procession from the Abbey at the Coronation of Anne Bullen-.
Cast
Role: Buckingham Actor: Wroughton

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performance Comment: Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. Sga Crespi, Mrs Sutton.
Cast
Role: Elmira Actor: Mrs King

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Cast
Role: Rubrick Actor: King
Role: Laetitia Actor: Mrs King

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Cast
Role: Prattle Actor: King
Role: Emily Actor: Mrs King, first time

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Afterpiece Title: The Irish Widow

Entertainment: End: Bucks Have at Ye All-Palmer

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Royal Chace

Dance: As17771001

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Apprentice

Dance: As17771001

Performances

Mainpiece Title: King Lear

Afterpiece Title: Comus

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17771125, but _Aldridge, Langrish

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Poor Vulcan

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Romp

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performance Comment: End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-.
Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Performance Comment: As17890602at king's.

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's
[i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Village Lawyer