SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King and the Queen of Bohemia"/1) | (@(roleclean,performerclean) "King and the Queen of Bohemia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3386 matches on Performance Title, 3187 matches on Performance Comments, 1889 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene & a Box for ye Maydes of Honor. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: King And No King

Event Comment: May Fair. At Miller's Loyal Association Booth at the upper end of the market near Hyde Park Corner. [See Rosenfeld, The Theatre of the London Fairs, p. 108.

Performances

Mainpiece Title: King William's Happy Deliverance And Glorious Triumph Over His Enemies; Or, The Consultation Of The Pope, Devil, French King And The Grand Turk , With The Whole Form Of The siege Of Namurv, And The Humours Of A renegade French-man And brandy Jean, With The Conceits Of A scaramouch And harlequin

Related Works
Related Work: Merlin; or, The Devil of Stone-Henge Author(s): Lewis Theobald
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Related Work: Blue Devils Author(s): George Colman, the younger

Performances

Mainpiece Title: King And No King

Performance Comment: King/and/no/King-Wilks.
Cast
Role: KingandnoKing Actor: Wilks.

Dance: As17040613 particularly a French Peasant and his Wife-

Event Comment: At Spiller and Lee Booth. Weekly Journal or Saturday's Post, 20 Aug.: On Tuesday Night about Ten [25 Aug.]...His Royal Highness came thither incognito, with only one Nobleman and a Footman attending; he was well pleased with the Performance, and was very liberal to the Actors

Performances

Mainpiece Title: King Egbert, King Of Kent And Monarch Of England; Or, The Union Of The Seven Kingdoms

Event Comment: Mainpiece: Written by the late Sir Richard Steele. With an entire new Sett of Scenes, particularly a view of Stocks-Market. Afterpiece: A new Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Funeral

Cast
Role: Trim Actor: R. Wetherilt

Afterpiece Title: King and no King; or, The Polish Squabble

Dance: IV: A new Scots Dance by Miss Wherrit. V: Two Pierrots by D'Vallois and J. Delagarde

Performance Comment: V: Two Pierrots by D'Vallois and J. Delagarde .

Performances

Mainpiece Title: The Funeral

Cast
Role: Trim Actor: R. Wetherilt

Afterpiece Title: King and no King

Dance: IV: Scot's Dance by Miss Wherrit. V: Amorous Couple by D'Vallois and Mlle D'Vallois

Performance Comment: V: Amorous Couple by D'Vallois and Mlle D'Vallois .
Event Comment: Benefit for Winstone and King. Tickets at Stage Door. Rec'd Cash #62 18s. 6d., plus #71 17s. from tickets. Total #134 15s. 6d. Paid King's Tax (Land) Windsor's House #10; Paid Mrs Swift for a suit of women's cloaths #12 14s. 6d.; Paid Knight (Lampman) month bill #7 8s. 6d.; Mrs Hobson a bill 16s. 6d. (Treasurer's Book). Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17491223, but Count Basset-King; Miss Jenny-Miss Cole; Myrtilla-_.
Cast
Role: Count Basset Actor: King
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: Miss in Her Teens

Performance Comment: As17500409 but Fribble-King; Puff-James.
Cast
Role: Fribble Actor: King

Dance: Grandchamps, Mlle Auretti

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-and Nymphs. $J. P. Kemble">Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holland, first time; Shore-Powell, first time; Gloster-Love; Alicia-Mrs Palmer, first time; Jane Shore-Mrs Davies; Catesby-Mozeen; Bellmour-Packer; Derby-Fox; Ratcliff-Ackman.
Cast
Role: Hastings Actor: Holland, first time

Afterpiece Title: The Register Office

Performance Comment: Le Brush-King; Gulwell-Packer; Frankly-J. Palmer; Scotchman-Love; Frenchman-Baddeley; Trickit-Fox; Irishman-Moody; Harwood-Lee; Williams-Ackman; Brilliant-Castle; Maria-Miss Mills; Margery-Mrs Love; Original Prologue-King.
Cast
Role: Le Brush Actor: King
Role: Original Prologue Actor: King.

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: [The title alone had a certain startling appeal. The General Advertiser reminded its readers twenty years before (11 Nov. 1748) "Clandestine marriages are illegal and punishable by the Statute of the 7th and 8th of King William, Chap. 35 under which Law the Parson shall forfeit One Hundred Pounds; and every man married without Banns or Licence shall forfeit ten Pounds, to be recovered with costs, by any Person that shall inform."

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Parts by: Holland, Powell, Yates; King, Palmer, Love, Lee, Baddeley, Aickin, Strange, Miss Pope, Mrs Palmer, Mrs Abington, Miss Plym, Mrs Clive. Lord Ogleby-King; Sterling-Yates; Lovewell-Powell; Sir John Melvil-Holland; Canton-Baddeley; Brush-Palmer; Serjeant Flower-Love; Traverse-Lee; Trueman-Aikin; Mrs Heidelberg-Mrs Clive; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Chambermaid-Miss Plym; Betty-Mrs Abington; Crochet in the Epilogue-Mrs Abington; Strange; Prologue-Havard; Epilogue-Several; Trusty-Miss Mills (Winston MS 9).
Event Comment: Benefit for King. Afterpiece, Not acted in 14 years. [But see 1 Feb. 1758.

Performances

Afterpiece Title: The Author

Performance Comment: Cadwallader-King, first time that stage; Mrs Cadwallader-Mrs Abington; first time that stage; Vamp-Moody, first time that stage; Young Cape-J. Aickin; Sprightly-Packer; Poet-Parsons; Robin-Keen; Printer's Devil-J. Burton; Arabella-Miss Burton; Governor Cape-Bransby; Original Prologue-King, By Desire.
Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Duel

Performance Comment: Parts by Barry, King, Reddish, Weston, Moody, Brereton, Davies, Wright, W. Palmer, Griffith, Mrs Hopkins, Miss Jarratt, Mrs Bradshaw, Miss Younge, Mrs Barry. Prologue-; Epilogue-; Melville-Barry; Hargrave-King; Young Melville-Reddish; Servant to Sir Dermont-Weston; Sir Dermot O'Leinster-Moody; Barfort-Brereton; Servant to Young Melville-Wright; other servants (?)-Davies, W. Palmer, Griffith; Lady Margaret Sinclair-Miss Younge; Mrs Melville-Mrs Hopkins; Miss Melville-Miss Jarratt; Mrs Jones-Mrs Bradshaw; Maria-Mrs Barry (Genest, V, 342, MacMillan.)
Cast
Role: Hargrave Actor: King
Role: other servants Actor: Davies, W. Palmer, Griffith

Afterpiece Title: The Old Maid

Cast
Role: Clerimont Actor: Cautherly
Event Comment: Mr Reddish who has to perform the part of Alonzo was not come to begin the 3d Act, which put us in great Confusion, at Length Mr J. Aickin consented to read the part, & we Cut Mr Aickins part quite out-An Apology was made to the Audience that Mr Reddish was not come, nor had he sent any Message-The Play went on;-before the play was finish'd Mr Reddish came to the House when the Play was over Mr King & Mr Reddish went on the Stage Mr King apologis'd the Audience in behalf of Mr Reddish & told them that Mr R. was ready to make oath that he had entirely forgot that it was a play Night, & that it was by meer chance he came to the House at all-his looks were so truely pitiable, the Audience had Compassion & excus'd him (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Genest, V, 353, notes that the rebellion of the audience was quelled by an offer of return of entrance money to those wished to leave. He also notes that Reddish on the eleventh published an affidavit in confirmation of his statement, begging Pardon for disappointing the public.] Paid Mr Wright per order Mr G. G. #13 5s. 2d. Receipts: #143 7s. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Cast
Role: King of Asturia Actor: Aickin

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Lady Fuz-Mrs Hopkins; Glib-King; Macaroni-Dodd; Sir Toby-Bransby; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz (first time)-Mrs Davies; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.
Event Comment: Mainpiece: By Particular Desire. Benefit for King. Part of pit will be laid into Boxes. The Entertainment By Desire and for the only night this season. Receipts: #254 6s. 6d. Charges: #65 12s. Profit to King: #188 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King; Smith-J. Aickin; Johnson-Jefferson; Others-Weston, Mrs W. Palmer, Miss Collett, Baddeley, Palmer, W. Palmer, Hurst, Parsons, Moody, Jacobs, Bransby, Wheeler, Ackman, Kear, Keen, Fawcett, Johnston, Wrighten, Wright, Rooker, Miss Platt, Mrs Davies; With an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Register Office

Performance Comment: As17740106, but LeBrush-King; Harwood-J. Aickin; Lord Brilliant-_.
Cast
Role: LeBrush Actor: King

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Performance Comment: Linco-King; Old Woman-Mrs Bradshaw.
Cast
Role: Linco Actor: King
Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir John Melvil-Brereton; Flower-Bransby; Sterling-Parsons, first time; Lovewell-Cautherly; Traverse-Keen; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Betty-Mrs Love; Chambermaid-Mrs Davies; Mrs Heidelberg-Mrs Hopkins; Fanny-Mrs Baddeley, first time in three years in that character; Miss Sterling-Miss Pope.
Cast
Role: Lord Ogleby Actor: King
Role: Lovewell Actor: Cautherly

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Mungo-Dibdin; Leonora-Mrs Smith; Ursula-Mrs Love; Don Diego-Bannister.
Cast
Role: Leander Actor: Vernon
Event Comment: Mrs King from the York Theatre made her first appearance on this stage in Rosalind. She is very Tall and would look well enough if she did not paint her face so much with white and Red. She has a course Voice-and does not speak very Naturally. She was received with great applause (Hopkins Diary). [Genest, V, 479, suggests Mrs King was used to offset and upset Miss Younge.] Paid Watch tax and Beadle for half a year #18 15s.; Mr Levy Fredrick bill for silks #154 1s. 6d. Receipts: #132 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17750926, but Rosalind-Mrs King; first appearance there. LeBeau-_; Charles-_; Jaques de Bois-_; Corin-_; William-_.
Cast
Role: Rosalind Actor: Mrs King
Role: Orlando Actor: Reddish
Role: Touchstone Actor: King
Role: and a Song Actor: Mrs Scott.

Afterpiece Title: The Theatrical Candidates

Cast
Role: King Actor: J. Aickin

Dance: I: The Irish Fair, as17751003

Event Comment: Benefit for King. Not acted in 10 years. [See 10 May 1762.] Considerable alterations to the mainpiece. Part of Pit laid into Boxes. Receipts: #143 17s.; Charges: #66 10s. 6d.; Profits to King: #77 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Woman Is A Riddle

Performance Comment: Sir Amorous Vainwit-King; Courtwell-Smith; Col. Manly-Reddish; Aspin-Yates; Vulture-Moody; Butler-Bransby; Lady Outside-Miss Younge; Clarinda-Miss Hopkins; Necessary-Mrs Davies; Betty-Mrs Whitfield; Miranda-Mrs Abington.
Cast
Role: Sir Amorous Vainwit Actor: King
Role: Miranda Actor: Mrs Abington.

Afterpiece Title: Bon Ton

Cast
Role: King Actor: J. Aickin
Role: Lady Minikin Actor: Mrs King, first time

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Benefit for Mrs King. Paid Paccini in lieu of benefit #80 (Treasurer's Book). Mainpiece: With a Medley Overture of favourite Sea-Tunes. Receipts: #78 9s. 6d. Charges: #67 16s. Profits to Mrs King: #10 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Performance Comment: Binnacle-A Young Gentleman, first appearance on any stage; Commodore Flip-Moody; Worthy-Usher; Dorcas Zeal-Mrs King, first time; Mizen-Dodd; Sir Charles Pleasant-Brereton; Rovewell-Lamash; Cockswain-Wrighten; Indent-Griffiths; Hatchway (With a song)-Bannister; Arabella Zeal-Mrs Greville; Belinda-Miss Hopkins; Lt. Cribbage-Davies; Lt. Easy-Norris; Jiltup-Mrs Bradshaw; Jenny Private-Miss Platt; Barmaid-Mrs Davies; Advocate-Mrs Millidge; to finish with a Grand Naval Review in which is introduced a Dance of Sailors-Blurton, Mrs Sutton;, and the Favourite song of Rule Britannia-Davies, Fawcett.

Afterpiece Title: Bon Ton

Cast
Role: King Actor: J. Aickin
Role: Lady Minikin Actor: Mrs King, first time
Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Prologue Actor: King

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. In mainpiece the playbill retains King, but "Mr King being ill I acted his Part to-night" (Kemble Mem.).]. Account-Book, 12 May: Author's Charge 3rd night of Fugitive enter'd short by error #12 16s. Receipts: #408 5s. (365.1; 41.0; 2.4; tickets: none listed) (charge: #147)

Performances

Mainpiece Title: The Fugitive

Performance Comment: As17920420, but Admiral Cleveland-Kemble in place of King; O'Donnal-Alfred of Phillimore.

Afterpiece Title: High Life below Stairs

Cast
Role: Kingston Actor: Lyons
Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The }ew

Afterpiece Title: BON TON

Performance Comment: Lord Minikin-Dodd; Sir John Trotley (with the Original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Burton; Davy-Parsons//Lady Minikin-Miss Pope; Miss Tittup-Miss Farren; Gymp-Miss Tidswell .
Cast
Role: Sir John Trotley Actor: King
Event Comment: Benefit for King. [Mrs Siddons's 1st appearance as Gertrude was at Liverpool, 23 July 1777; Mrs Jordan's as Ophelia at Richmond, 19 Aug. 1795.] Morning Herald, 28 Apr.: Tackets to be had of King, No. 56, Store-street, Bedford-square; 30 Apr.: The dresses [in Hamlet] were all modern. Receipts: #498 17s. 6d. (284.11.6; 55.9.0; 2.5.0; tickets: 156.12.0) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: Hamlet

Performance Comment: Claudius-Packer; Hamlet-Wroughton; Polonius-Dodd (1st appearance in that character); Horatio-Whitfield; Laertes-C. Kemble; Rosencrantz-Caulfield; Guildenstern-Trueman; Osrick (for that night only)-Bannister Jun.; Marcellus-Benson; Bernardo-Phillimore; Ghost of Hamlet's father-Bensley; Players-Maddocks, Hollingsworth; 1st Grave@digger-King (1st appearance in that character); 2nd Grave@digger-Burton; Gertrude-Mrs Siddons (1st appearance in that character [in London]); Ophelia-Mrs Jordan (1st appearance in that character in London]); [in which she will introduce an additional Air by Linley-Mrs Jordan; Actress-Miss Tidswell.

Afterpiece Title: The Wedding Day

Cast
Role: Lord Rakeland Actor: Benson
Role: Sir Adam Contest Actor: King

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

Performance Comment: End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King.
Event Comment: By Command of Their Majesties. [On this night an unsuccessful attempt was made to assassinate the King. As he entered his box he was shot at by James Hadfield, who was in the pit. The royal family remained in the theatre throughout the performance, during which God save the King was sung on four different occasions. Hadfield was subsequently adjudged insane. See Gentleman's Magazine, May 1800, pp. 478-80.] Receipts: #438 13s. 6d. (345.15.6; 87.9.0; 5.9.0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: As18000428, but Don Manuel-King.
Cast
Role: Don Manuel Actor: King.
Role: Octavio Actor: Holland
Role: Soto Actor: Wathen

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. An edition of this play, published in 1661, lists no cast, no prologue, no epilogue

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: Downes (Roscius Anglicanus, p. 5) lists a cast which (in part) pertains to this period: King-Wintersel; Melantius-Major Mohun; Amintor-Hart; Calianax-Shatterel.
Cast
Role: King Actor: Wintersel
Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Downes (Roscius Anglicanus, p. 3): King-Wintersel; Demetrius-Hart; Seleucus-Burt; Leontius-Mohun; Lieutenant-Clun; Celia-Mrs Anne? Marshal.
Cast
Role: King Actor: Wintersel
Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: King Richard Actor: Betterton