SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King and the Queen of Bohemia"/1) | (@(roleclean,performerclean) "King and the Queen of Bohemia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3386 matches on Performance Title, 3187 matches on Performance Comments, 1889 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece Marcellus is omitted, but for Dignum see 27 Nov.]. Account-Book: Paid Taylor for Alterations to the Theatre #200. Receipts: #369 3s. 6d. (311.7.0; 55.15.6; 2.1.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17971009, but Horatio-Holland; Marcellus-Dignum?.

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-C. Kemble; Woodly-Sedgwick; Gossip-Suett; Soufrance-Wewitzer; Charlotte-Miss Wentworth; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Entertainment: Entertainment. End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-

Performance Comment: End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-.
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald
Event Comment: [Miss Dufour's 1st appearance in public was in a concert at king's 11 Feb. 1796.] Receipts: #329 10s. 6d. (236.17.0; 88.12.6; 4.1.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Holland; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela-Miss Dufour (1st appearance on any stage [i.e. in a speaking part]); Cicely-Mrs Bland; Maud-Mrs Maddocks.
Cast
Role: Baron of Oakland Actor: Hollingsworth
Role: Baron de Courcy Actor: Holland
Role: Martin Actor: Wathen
Role: Cicely Actor: Mrs Bland

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Performance Comment: Sir Solomon Swallow-Suett; Atall-Bannister Jun.; Marall-Caulfield; Cook-Hollingsworth; Toby-Wathen; Lady Swallow-Miss Pope; Camilla-Miss DeCamp; Lydia-Miss Heard; Susan-Miss Tidswell.
Cast
Role: Toby Actor: Wathen
Related Works
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Entertainment: Entertainment.End afterpiece: As17971016

Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald
Event Comment: Ballets: By Permission of the Proprietor of the King's Theatre. 1st ballet: Composed by Didelot. Receipts: #269 0s. 6d. (267.19.6; 1.1.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Betterton; Stockwell-Murray; Major O'Flaherty-Johnstone; Capt. Dudley-Hull; Charles-Wheatley; Fulmer-Thompson; Stukely-Powel; Varland-Quick; Louisa-Mrs Mountain; Lady Rusport-Mrs Davenport; Mrs Fulmer-Mrs Gilbert; Lucy-Miss Leserve; Charlotte Rusport-Miss Betterton. [No afterpiece.]No afterpiece.]
Cast
Role: Varland Actor: Quick
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Dance: End II: Les Delassemens Militaires-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon; End: Peggy's Love-Mrs Wild, Mme Rose, Mlle DeLaCroix, Mme Hilligsberg, Didelot, Fialon

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Performance Comment: Thoroughgood-Aickin; Barnwell-Maddocks; George Barnwell-C. Kemble; Trueman-Holland; Blunt-Trueman; Maria-Miss Miller; Lucy-Miss Pope; Millwood (for this night only)-Mrs Siddons.
Cast
Role: Trueman Actor: Holland

Afterpiece Title: A Trip to the Nore

Performance Comment: Characters by Suett, Bannister Jun., Hollingsworth, Dignum, Wewitzer, Sedgwick, Davis, Grimaldi, Maddocks, Trueman, Mrs Bland, Mrs Walcot, Miss Tidswell. Cast from text (George Cawthorn, 1797): Mr Cockney-Suett; Ben Bowsprit-Bannister Jun.; Billy Buckram-Hollingsworth; Donald Campbell-Dignum; Hokensloken-Wewitzer; Boatswain-Sedgwick; O'Thunder-Davis; Chimney@Sweeper-Grimaldi; Boatman-Maddocks; Sailors-Trueman, Wentworth, Evans; Mary-Mrs Bland; Mrs Cockney-Mrs Walcot; Mrs Buckram-Miss Tidswell.
Cast
Role: Mary Actor: Mrs Bland
Related Works
Related Work: A Trip to the Nore Author(s): Andrew Franklin

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Goodwill-Packer; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Miss Lucy-Mrs Bland.
Cast
Role: Miss Lucy Actor: Mrs Bland.

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

Music: As17980214

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.
Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Afterpiece Title: Lock and Key

Performance Comment: As17970925, but Laura-Mrs Castelle; Servants and Sailors-_; Selina-_; Dolly-_.
Cast
Role: Servants and Sailors Actor: Gray, Lee, Street
Event Comment: Benefit for Farley, Sloper & Mrs Watts. 2nd piece [1st time; M. INT 1]: Consisting of Song, Catch, Glee, and Dance. With appropriate Scenery analogous to the different subjects. [3rd piece in place of Harlequin and Faustus, advertised on playbill of 2 June.] Receipts: #292 6s. 6d. (51.10.0; 5.1.0; tickets: 235.15.6, of which Farley took #55 9s. 6d.; Sloper #117 13s.; Mrs Watts #62 13s.)

Performances

Mainpiece Title: Wild Oats

Performance Comment: As17980320but Sir George Thunder-Davenport; John Dory (1st time)-Farley; Lady Amaranth-Miss Betterton; Lamp-_; Trap-_; Landlord-_; Zachariah-_; Twitch-_.
Cast
Role: Landlord Actor: Powel

Afterpiece Title: Unanimity; or, War, Love, and Loyalty

Performance Comment: SCENE I. Cottage and Sea View. The sailor's Pledge of Love[, as17980515-Incledon, Mrs Mountain; [SCENE II. View of the Tower. The Wind blew fresh and fair-Townsend; [SCENE III. Rural View. Lowland Festivity. In which will be introduced the celebrated piece of machinery, The Peacockv, by Sloper. Jamie-Bologna Jun.; Croudy-Bologna; Jenny-Miss Cranfield; Moggy-Mrs Watts; [SCENE IV. Romantic View. Duetto-Mrs Martyr, Mrs Mountain; [SCENE V. Mess-house. With a jolly full bottle-Incledon, Townsend, Gray, Linton; Young William was a seaman true-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus; [Conclude with Allegory-; [in honour of his Majesty's Birth-Day [celebrated on this day] [in which a Nautic and Tactic Procession, with Rule Britannia-; God save the King-.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Dance: 3rd piece to conclude with: Dance of Savoyards, as17980430; Ascension of the Bleeding Nun-

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Harry Hawser Actor: Wathen
Role: Sally Shamrock Actor: Mrs Bland
Role: There stood Jonas Actor:
Role: Marguerite sic] Actor: Mrs Bland.

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Event Comment: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley? Sen.. Receipts: #319 4s. (250.16.0; 67.4.6; 1.3.6)

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan (King of Scotland)-Aickin; Malcolm-C. Kemble; Donalbain-Fisher; Macbeth-Kemble; Macduff-Barrymore; Banquo-Packer; Rosse-Holland; Fleance-Master Chatterley; Siward-Sparks; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Evans; Murderers-Wentworth, Webb; Hecate-Sedgwick; Witches-R. Palmer, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Rosse Actor: Holland

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-Russell; Woodly-Sedgwick; Gossip-Suett; Soufrance-Wewitzer; Charlotte-Miss Wentworth; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Song: In: Chorus of Witches and Spirits-Sedgwick, Dignum, Miss Leak, Miss DeCamp, Miss Arne, Miss Wentworth

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: For all these mercies Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performance Comment: , R. and C.] Ashley, W. Parke.

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; The smiling dawn-Mrs Atkins (Jephtha); Then round about the starry-Chorus (Samson); The Lord is a man of war-Bartleman, Sale (Israel in Egypt); Softly rise-Incledon; bassoon obligato-Parkinson; Ye southern breezes-Chorus (Boyce's Solomon); What tho' I trace-Mme Mara (Handel's Solomon); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Performance Comment: Select parts of the Water Music-; Shake the dome-Chorus (Solomon); Thou shalt bring them in-Miss Waters; Wave from wave-Bartleman (Israel in Egypt); Happy Iphis-Miss Capper; Deeper and deeper-Incledon; Waft her angels (Jephtha)-; The soldier tired-Mme Mara (Arne's Artaxerxes); Gloria Patri-Chorus (Jubilate).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; With plaintive notes-Mrs Atkins (Samson); I feel the Deity-Bartleman; Arm arm ye brave, Ee come-Chorus (Judas Maccabaeus); Gentle airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Mad Bess-Mme Mara (Purcell); Rule Britannia, God save the King-Chorus.

Music: As17990213

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).

Music: As17990306

Performances

Mainpiece Title: Ramah Droog

Performance Comment: As17990326but Europeans-_Claremont, King; +Indians-_Clarke, Claremont.

Performances

Mainpiece Title: Ramah Droog

Performance Comment: As17990121, but Europeans-_Bologna Jun., King, _Gray, +Fairclough; Indians-Miss _Gray, Mrs _Wybrow.
Cast
Role: Europeans Actor:
Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Soldier-Trueman; Katharine-Mrs Crouch; Fatima-Miss Heard; Lilla-Miss DeCamp; Ghita-Miss Jackson. [No afterpiece performed this night.]No afterpiece performed this night.]
Cast
Role: The Seraskier Actor: Kelly

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performance Comment: Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House.
Event Comment: Benefit for Wild, prompter. 2nd piece [1st time: M. INT 1]. 3rd piece: As it was originally performed upwards of 50 nights in the Year 1789. Being a Selection of favorite Scenes form the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Druids, Friar Bacon, Harlequin Freemason, Omai, Magic Cavern, and Harlequin Rambler. The machinery of the Peacock by Sloper. With the original Scenery painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected from Dr Arne, Dr Arnold, Dr Fisher, M.? Arne, Vincent, Dibdin and Shield. Morning Chronicle, 4 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #399 19s. 6d. (205.18.0; 16.4.6; tickets: 177.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: An Egeirophadron

Performance Comment: Sally in our Alley-Incledon; A Bundle of Proverbs-Munden; The Wind blew fresh and fair-Townsend; A New Planxty-Johnstone, as17990430; Boxing the Compass=-Fawcett; Old Towler-Incledon.

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Bologna Jun.; Lover-Simmons; Pantaloon-Hawtin; Farmer (with a song in character)-Street; Shepherd and Shepherdess (with duet, Cast my Love thine eyes around)-Mrs Martyr, Mrs Atkins; Bricklayers-Thompson, Jones; Carpenter-Lee; Sportsmen-Klanert, Claremont; Gardner-Wilkins; Serjeant-Whitmore; Recruits-Abbot, Findlay; Woodcutter-Dyke; Mandarine-Wilde; Lover's Servant-Rees; Monkey-Rayner; Clown-Farley; Principal Witches-Linton, Street [i.e. doubled Farmer]; Miss Mitchell, Mrs Chapman; Columbine-Mrs Wybrow.

Dance: II: Negro Dance-Bologna Jun., Platt, King

Performance Comment: , Platt, King.

Song: End I: Black Ey'd Susan-Incledon

Event Comment: Benefit for Suett. [Faulkner's 1st appearance at this theatre was on 9 Feb. 1797.] Morning Chronicle, 20 Aug.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square

Performances

Mainpiece Title: The Iron Chest

Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: The Shipwreck

Cast
Role: Ellen Actor: Mrs Bland
Role: Landlord Actor: Palmer
Role: Sheepface Actor: Wathen
Role: Sir Rowland Actor: Clarke
Role: Father Frank Actor: Ledger
Role: the Baron Actor: Caulfield

Song: End: Jack and his Charming Fanny (composed by Suett)-Trueman

Event Comment: [Mainpiece in place of King Richard the Third, advertised on playbill of 28 Sept.] Receipts: #274 17s. (177.3; 97.6; 0.8)

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Maddocks; Amiens-Dignum; Jaques-Kemble; Le Beau-Surmont; Oliver-Clarke; Jaques de Boys-Holland; Orlando-Barrymore; Adam-Packer; Touchstone-Bannister Jun.; Corin-Hollingsworth; Sylvius-Trueman; Rosalind-Miss Biggs; Celia-Miss Mellon; Phebe-Miss Heard; Audrey-Miss Pope.
Cast
Role: Jaques de Boys Actor: Holland
Role: Orlando Actor: Barrymore

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Event Comment: The opening of the season was originally announced for 21 Dec. 1799, but on that day the Morning Chronicle carried the following notice: "The Nobility and Gentry, Subscribers to the Opera, and the Public, are most respectfully informed that the opening of this Theatre is unavoidably postponed to Saturday next, the 28th instant, on account of the indisposition of one of the principal Performers." But on the 28th the opening was again postponed to 4 Jan. On 6 Jan. a notice appeared in the Morning Herald, as follows: "King's Theatre, Saturday Evening, January 4, 1800. The Directors beg leave respectfully to inform the Nobility and Gentry (Subscribers) and the Public in general that the Theatre was advertised to be opened This Evening, with the concurrence and approbation of the Trustees, and it was not until this afternoon that they heard of an unforeseen difficulty having arisen with respect to issuing the License. It was then too late to advertise by means of the Public Newspapers the necessary postponement of the opening; but every effort was made on the part of the Direction to apprise the Subscribers, by sending to their respective houses, and by distributing a hand-bill in all the principal streets; notwithstanding which, they lament to find that many Ladies and Gentlemen were disappointed. The Directors humbly hope that on this statement of the fact they shall stand acquitted of all disrespect to the Subscribers and the Public, who shall have the earliest notice of the conclusion of all the arrangements for the immediate opening of the Theatre and performance of Operas for the season." See 11 Jan. A copy of the hand-bill referred to above, making mention of the "unforeseen circumstances," is attached to the Kemble playbill of dl, 4 Jan.

Performances

Mainpiece Title: None

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Pour forth no more-Sale; No more to Ammon's God- Chorus (Jephtha); Wise men flattering-Miss Capper (Judas Maccabaeus); Total Eclipse-Incledon; O first crexted beam-Chorus (Samson); He was eyes unto the blind-Mrs Second (Redemption); Immortal Lord-Chorus (Deborah).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March-; In sweetest harmony-Mrs Second; O fatal day-Chorus (Saul); Disdainful of danger-Incledon, Dignum, Denman, Chorus (Judas Maccabaeus); Sweet bird-Mrs Second; accompanied on the violin-G. Ashley (L'Allegro); Where'er you walk-Mrs Dussek (Semele); The trumpet's loud-Incledon, Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe concerto-; Awful pleasing being-Miss Tennant (Joshua); Gentle airs-Incledon; accompanied on the violoncello-Charles Ashley (Athalia); Jehovah crowned-Miss Crosby; He comes-Chorus (Esther); Lord remember David-Mrs Dussek (Redemption); God save the King-Chorus (Coronation Anthems).

Music: End II: concerto on the grand piano@forte-Master Neate

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Overture- (Esther); The Dettingen Te Deum-.
Cast
Role: The Dettingen Te Deum Actor: .

Afterpiece Title: Grand Selection 2

Performance Comment: Part II 5th Grand Concerto-; Return O God-Miss Crosby (Samson); The smiling dawn-Miss Capper (Jephtha); Softly rise-Incledon; with fagotto obligato-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Pious orgies-Mrs Dussek (Judas Maccabaeus); God preserve the Emperor-Chorus (Haydn); I feel the deity within, Arm arm ye brave-Denman; +We come we come-Chorus; From mighty Kings-Mrs Second (Judas Maccabaeus); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Overture and March- (Scipio); Tune your harps-Miss Tennant (Esther); Sin not O King-Dignum (Saul); Flush'd with conquest-Chorus (Alexander Balus); What passion cannot music-Mrs Second; accompanied on the violoncello-C. Ashley (Dryden's Ode); See the conquering hero-Chorus; March (Judas Maccabaeus)-; Vo sol cando-Mrs Dussek (Vinci); Together let us range-Incledon, Mrs Second (Solomon, by Boyce); Gloria Patri-Chorus (Jubilate).

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: Benefit for Incledon. 1st piece: Not acted these 4 years [acted 20 May 1797]. Receipts: #579 13s. (303.7.6; 3.6.0; tickets: 272.19.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Munden (1st appearance in that character); Captain O'Donnel-Johnstone; Fairlop-Townsend; Medley-Hill; Bob-Emery (Their 1st appearance in those characters); Ralph-Linton; Wilford-Incledon; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Davenport; Polly (1st time)-Miss Sims; Bridget-Mrs Watts; Emily-Mrs Atkins (1st appearance in that character).

Afterpiece Title: The Rendezvous

Performance Comment: Jack at the Windlass-Fawcett; The Death of Admiral Benbow-Incledon; Fat Dolly the Cook Maid-Munden; song-Johnstone; The Tight Little Island-Townsend; Our Laws, Constitution and King (composed by Shield)-Incledon, Linton; Great Britain still her Charter boasts (composed by Shield)- Incledon.

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performance Comment: A. Stevens=)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon].Incledon].