Event Comment: A Grand Concert. 6 p.m. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. Afterwards will be given Gratis...Daily Advertiser, 20 Jan.: Last Night the Musical Entertainment call'd The Queen of Spain, was receiv'd by a numerous Audience with great Approbation. The Artificial Scene hereafter will be omitted, it not being connected with the rest, not any way answering what was promised by the Projector who offered it. Music by J. F. Lampe; words by James Ayres

Event Comment: With the Ceremonial of her Coronation in the same Manner as it was Perform'd in the Play of King Henry the Eighth

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a Guinea. At 5:30 p.m. Notices as 23 Oct. It having been the Common Practice of several Persons to come into the Opera and stay a whole Act, and sometimes longer, without paying, to the great Prejudice of the Opera, therefore it is humbly desired for the future, that no Person will take it ill that tney are not admitted without Tickets. [The King present.

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Event Comment: [1st piece in place of THE FLITCH OF BACON, advertised on playbill of 25 July.] 3rd piece [1st time; CO 2, by Samuel James Arnold]: The new musick, with a Scottish Medley Overture, by Dr Arnold. New Scenery by Rooker. New Dresses and Decorations. Morning Chronicle, 28 Aug. 1794: This Day is published AULD ROBIN GRAY (1s)

Event Comment: 3rd piece [1st time: MF 2, by Samuel James Arnold. Larpent MS 1176; not published; synopsis of plot in Morning Herald, 27 June]: The Musick, with an Hibernian Medley Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Event Comment: Benefit for R. Palmer and Russell. Morning Chronicle, 16 Apr.: Tickets to be had of R. Palmer, No. 12, King's Row, Pimlico; of Russell, No. 8, Broad-court, Bow-street. Receipts: #507 15s. 6d. (111.13.0; 69.19.6; odd and after-money: 11.6.0; tickets: 314.17.0) (charge: #219 12s. 5d.)

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Event Comment: Benefit for Mr and Mrs Bernard. Afterpiece [1st time; CO 2, author unknown. Larpent MS 909; not published]: With proper Scenery, Dresses, and Decorations. The Music entirely new, composed by M. P. King. Morning Chronicle, 20 May: Tickets to be had of Bernard, No. 35, Bow-street. Receipts: #299 2s. 6d. (120.10.6; 11.8.0; tickets: 167.4.0)