SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King George"/1) | (@(roleclean,performerclean) "King George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5314 matches on Author, 3203 matches on Performance Comments, 2806 matches on Performance Title, 2133 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Peter Teazle Actor: King
Role: Prologue Actor: King

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing Or Florizel And Perdita

Performance Comment: Florizel-Holman; Polixines-Aickin; Antigonus-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad@singing Pedler)-King; Dorcas-Miss Rowson; Mopsa-Mrs Byrne; Perdita-Miss Brunton.
Cast
Role: Autolicus Actor: King
Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Afterpiece Title: Lovers Quarrels

Performance Comment: Principal Characters-King, Holman, Ryder, Farren, Rock, Thompson, Miss Chapman, Mrs Bernard, Mrs Mattocks, Mrs Pope. [Cast from playbills of 12 May and 15 Oct. 1790: Sancho-King; Don Carlos-Holman; Lopez-Ryder; Don Lorenzo-Farren; Don Alvarez-Rock; Don Felix-Thompson; Angelina-Miss Chapman; Isabella-Mrs Bernard; Jacintha-Mrs Mattocks; Leonora-Mrs Pope.]

Afterpiece Title: Bon Ton

Cast
Role: Sir John Trotley Actor: King

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Performance Comment: After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Performance Comment: Le Brush-King; Gulwell-Packer; Frankly-J. Palmer; Scotchman-Love; Frenchman-Baddeley; Trickit-Fox; Irishman-Moody; Harwood-Lee; Williams-Ackman; Brilliant-Castle; Maria-Miss Mills; Margery-Mrs Love; Original Prologue-King.
Cast
Role: Le Brush Actor: King
Role: Original Prologue Actor: King.

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Performance Comment: Principal Characters by King, Moody, Palmer, Parsons, Bannister, Baddeley, Wrighten, Carpenter, Griffiths, Wright, Burton, R. Palmer, Dodd, Mrs Bradshaw, Mrs Love, Miss Platt, Miss Stageldoir, Mrs Wrighten. [Cast from text (T. Becket. 1776): Sprightly-King; Phelim-Moody; Catcall-Palmer; Sir Dulcimer Dunder-Parsons; Sailor-Bannister; Mezzetin-Baddeley; Furrow-Wrighten; Dripping-Griffiths; Musician-Wright; Frank Furrow-Burton; Lad-R. Palmer; Crotchet-Dodd; Mrs Dripping-Mrs Bradshaw; Mrs Furrow-Mrs Love; Doxy-Miss Platt; Miss Dripping-Miss Stageldoir; Miss Quaver-Mrs Wrighten; unassigned-Carpenter; Prologue[, not listed on playbill,-King [; it was presumably, spoken at all subsequent performances].; it was presumably, spoken at all subsequent performances].
Cast
Role: Sprightly Actor: King
Role: not listed on playbill, Actor: King

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Farren; Horatio-Harley; Laertes-Middleton; King-Powel; Polonius-Munden; Ostrick-Bernard; Rosencraus-Macready; Guildenstern-Davies; Player King-Thompson; Marcellus-Evatt; Grave@Diggers-Quick, Rees; Ophelia-Miss Poole (1st appearance on any stage); Mad Bess-Miss Poole; Player Queen-Mrs Platt; Queen-Mrs Pope.
Cast
Role: King Actor: Powel
Role: Player King Actor: Thompson

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The ew

Afterpiece Title: BON TON

Performance Comment: Lord Minikin-Dodd; Sir John Trotley (with the Original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Burton; Davy-Parsons//Lady Minikin-Miss Pope; Miss Tittup-Miss Farren; Gymp-Miss Tidswell .
Cast
Role: Sir John Trotley Actor: King
Event Comment: The Tragedy of Hamlet having been greatly Altered by D. G. was perform'd for the first time Mr Garrick playd divinely & Merited the great Applause he receivd It is Alterd much for the better in regard to the part of Hamlet & I think the alterations very fine & proper (Hopkins Diary). [MacMillan's note from Kemble considerably briefer. See "Garrick's Long Lost Alteration of Hamlet," PMLA, Sept. 1934.] Paid Mr George Garrick on account #100; Mr Bulkley for Mr Weston, #2 8s. (Treasurer's Book). [Reviewer for Town and Country Magazine comments unfavorably on the Hamlet alteration: "How far the critics will approve these mutations we will not at present determine; but the admirers of Shakespeare must certainly be displeas'd, whenever they see his immortal works mutilated."] Receipts: #284 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Garrick; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-J. Aickin; Rosencraus-Davies; Guildenstern-Fawcett; Marcellus-Ackman; Player King-Keen; Queen-Mrs Hopkins; Player Queen-Mrs Johnston; Ophelia-Mrs Smith, first time; Bernardo-Wrighten; Francisco-Griffith-Hogan, from Bell edition 1773.
Cast
Role: King Actor: Jefferson
Role: Player King Actor: Keen

Afterpiece Title: Miss in Her Teens

Event Comment: [Lacy was from DL. Address by George Colman, the elder (Colman, Prose, in, 260).]

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Lacy (1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Wilson; Laertes-Davies; Player King-Usher; Marcellus-Riley; Ostrick-R. Palmer; Gravediggers-Parsons, Wewitzer; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Bates. Preceding the Play an Address spoken by Lacy .
Cast
Role: King Actor: Gardner
Role: Player King Actor: Usher

Afterpiece Title: Peeping Tom

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Paid Danby for Chorus #10 10s. Receipts: #174 5s. 6d. (146.12.0; 27.8.6; 0.5.0)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; William-Burton; Le Beu-Bates; Jaques-Wroughton; Caelia-Mrs Wilson; Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Siddons.
Cast
Role: Touchstone Actor: King

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley-King; (with the original) Prologue-King; Colonel Tivy-Barrymore; Davy-Suett; Jessamy-Lamash; Lord Minikin-R. Palmer; Lady Minikin-Miss Pope; Gymp-Miss Tidswell; Miss Tittup-Miss Farren.
Cast
Role: Sir John Trotley Actor: King
Role: Prologue Actor: King

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was entered in the Term Catalogues in February 1681@2 and advertised in The Loyal Protestant, 7 March 1681@2, suggests a premiere in December 1681. A certain performance on 14 Jan. 1681@2 may indicate, however, that the play did not have its first performance until that month. A song for this play, Retired from mortal's sight, set by Henry Purcell, is in Choice Ayres and Songs, 1683

Performances

Mainpiece Title: The Ingratitude Of A Common wealth Or The Fall Of Caius Martius Coriolanus

Performance Comment: Edition of 1682: Prologue by Sir George Raynsford-; Epilogue-Valeria.
Cast
Role: Sir George Raynsford Actor:
Event Comment: Not Acted these 50 Years. Written by Shakespear in the Reign of King James the First. N.B. There will be a Play acted upon every Tuesday and Friday during the Summer-Season

Performances

Mainpiece Title: The Puritan Or Widow Of Walting Street

Performance Comment: cnl, but in Daily Courant, 19 June, this cast was listed: George Pyeboard-Mills; Captain Idle-Keen; NicholasSt. Antlings-Bullock; Sir Godfrey Plus-Johnson; Skirmish-Bickerstaff; Frailty-Norris; Corporal Oath-Bowen; Edmond-Pack; Sir Oliver Muckhill-Leigh; Sir John Pennyclub-Bullock Jr; Sir Andrew Tipstaff-Ryan; Puttock-Cross; Widow Plus-Mrs Willis; Molly-Miss Younger; Frances-Miss Willis; With a New Prologue-; Epilogue-.
Cast
Role: George Pyeboard Actor: Mills
Event Comment: By His Majesty's Command. Mainpiece: Written by the late Mrs Centlivre. 'Tis humbly hop'd no Person will take it ill their being refused Admittance to the Music Room; the Dances depending greatly on the same being kept entirely clear. Receipts: #173 (Account Book); #200 (Rylands MS.). [King, Duke, and Princesses Amelia, Caroline, and Louisa present.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Cibber; Sir George-Ryan; Sir Francis-Hippisley; Miranda-Mrs Vincent; Sir Jealous-Mullart; Charles-Hallam; Whisper-James; Isabinda-Mrs Stevens; Patch-Mrs Mullart.
Cast
Role: Sir George Actor: Ryan

Dance: Desnoyer, Signora Barberini the first time of her appearing on the English stage, Glover, Mlle Roland

Event Comment: Benefit for Waldron and Dimond. Rec'd stopages #15 16s. Paid salary list #525 12s.; Mr King's extra salary #3; Mrs Canning in full of salary not on list (10 Guineas paid 20 Nov. last deducted)-#32 10s.; Mr G. Garrick on Acct in full for this season #50; Mr J. French ditto #5 5s. (Treasurer's Book). Receipts: #188 11s. 6d. Charges: #64 11s. Profits to Waldron & Dimond: #124 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Performance Comment: Wm Strongbow-Vernon; George-Dimond; Sealand-J. Bannister; Sir Thomas-Parsons; Brian-Moody; Dr Goodman-Packer; La Poudre-Baddeley; Metre-Waldron; Robert-Griffith; Patty-Miss Pope; Dame Quickset-Mrs Bradshaw; Emily-Miss Younge.
Cast
Role: George Actor: Dimond

Afterpiece Title: Florizel and Perdita

Cast
Role: Autolicus Actor: King

Dance: End: The Taylors, as17740428

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson; Chapeau-Lee Lewes; George Bevil-Whitfield; Consol-Jones; Robin-Wewitzer; H. Bevil-Booth; F. Bevil-Thompson; Emily-Mrs Lewis; Mrs Grub-Mrs Webb .
Cast
Role: George Bevil Actor: Whitfield
Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Felix-Smith; Col. Briton-Brereton; Don Lopez-Baddeley; Don Pedro-Parsons; Frederick-Packer; Gibby-Moody; Lissardo-King; Flora-Miss Pope; Isabella-Mrs Ward; Inis-Mrs Wells; Violante-Miss Farren .
Cast
Role: Lissardo Actor: King

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Brereton; Merlin-Aickin; Conon-Packer; Osmond-Phillimore; Aurelius-R. Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Miss Phillips. The rest of the Vocal Parts by Williames, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George . Miss Stageldoir, Miss Burnett, Miss Cranford, Mrs Love, Mrs Burnett, Mrs Booth, Miss George .
Event Comment: [Mainpiece in place of King Lear, advertised on playbill of 12 Dec.] Afterpiece: In three Acts, taken from Addison. Powell: Drummer rehearsed at 10; Cherokee (business) at 11; Cherokee (dialogue & music) at 12. Receipts: #247 0s. 6d. (165.4.6; 76.13.6; 5.2.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Drummer

Performance Comment: Sir George Trueman-Wroughton; Tinsel-R. Palmer; Fantome-Whitfield; Vellum-Dodd; Butler-Hollingsworth; Coachman-Moody; Gardener-Suett; Lady Trueman-Mrs Goodall; Abigail-Miss Pope.
Cast
Role: Sir George Trueman Actor: Wroughton
Event Comment: Benefit for Knight. Mainpiece: Not acted these 6 years [acted 3 Nov. 1795]. Afterpiece: To conclude with a Grand Sea Fightv. Morning Chronicle, 15 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #433 2s. (185.11.0; 6.14.6; tickets: 240.16.6)

Performances

Mainpiece Title: The Rage

Performance Comment: Gingham-Knight; Darnley-Holman; Flush-Munden; Savage-Fawcett; Sir Paul Perpetual-Emery; Signor Cygnet-Farley; Sir George Gauntlet-Claremont; Ready-Davenport; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Miss Murray; Mrs Darnley-Mrs Pope.

Afterpiece Title: The Critic or A Tragedy Rehearsd

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Event Comment: At Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church. Mainpiece: a celebrated Droll

Performances

Mainpiece Title: Jane Shore With The Comical Humours Of Sir Anthony Noodle And His Man Waspe

Performance Comment: Noodle-Egleton; King-Huddy; Shore-Oates; Blunderbuss-Orfeur; Sir Robert Brackenbury-Chapman; Jane Shore-Mrs Orfeur; Mrs Blake-Mrs Middleton; Mrs Airs-Mrs Egleton.
Cast
Role: King Actor: Huddy

Entertainment: Tumbling-. The Company which did so well at bf

Event Comment: At Mr Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church

Performances

Mainpiece Title: Valentine And Orson

Performance Comment: Orson-Bridgewater; King-Huddy; Alphonso-Williams; Valentine-Roberts; Athelia-Mrs Morgan; Cleora-Mrs Butcher; Countrywoman-Mrs Willis; Peter Pitiful-Butcher.
Cast
Role: King Actor: Huddy

Song: Mrs Willis

Dance: Mrs Willis

Entertainment: Tumbling-

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Performance Comment: As17500425 but Fine Gentleman-King; Mercury-Master Mattocks; Tattoo-_ .
Cast
Role: Fine Gentleman Actor: King

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Cast
Role: King Actor: Gibson

Afterpiece Title: The Rape of Proserpine

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches or Harlequin Cherokee

Song: IV: Miss Young

Event Comment: [Afterpiece: Prologue by George Colman elder.] The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #194 18s

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Performance Comment: As17761009, but the original Prologue-King.
Cast
Role: the original Prologue Actor: King.
Role: Touchstone Actor: King
Role: Sir John Trotley Actor: King

Dance: As17761107

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette Or The Mistakes Of The Heart

Afterpiece Title: The True Born Irishman or The English Sailors and Soldiers in America

Performance Comment: Characters-Jackson, Dowson, Davis, Evans, Alfred, Russell, Williams, Jones, Miss Essex, Miss Walton, [Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties