SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King George"/1) | (@(roleclean,performerclean) "King George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5314 matches on Author, 3203 matches on Performance Comments, 2806 matches on Performance Title, 2133 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.
Cast
Role: George Fervid Actor: Lewis

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Emery, Simmons, Gray, Rees, Mrs Martyr, Mrs Mills; [Cast adjusted from playbill of 2 Oct. 1797: Capt. Frederick-Johnstone; Thicket-Incledon; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Gray; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills.] With Dialogue to introduce the following favorite Songs: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the ancients its speaking-Johnstone; [Song, I went to Sea-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; The moment Aurora-Incledon; Dear Mary adieu-Incledon; The Midnight Watch-Incledon; [To conclude with a Rural Masquerade-; [in which a new song, by Mazzinghi; Poor Orra come from distant shore-Miss Waters; [Sea Song, A sailor's life's a life of woe-Mrs Mills; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: Wild Oats

Performance Comment: Rover-Lewis; Harry-Holman; Sir George Thunder-Davenport; Ephraim Smooth-Munden; John Dory-Fawcett; Sim-Knight; Banks-Murray; Midge-Clarke; Gammon-Thompson; Jane-Mrs Martyr; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Sir George Thunder Actor: Davenport

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew or Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.
Cast
Role: Kicking up a Row Actor: Johnstone

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Charles Gripe-Clarke; Whisper-Farley; Sir Jealous Traffic-Thompson; William-Abbot; Sir Francis Gripe-Munden; Isabinda-Mrs Litchfield; Patch-Mrs Mattocks; Miranda-Miss Betterton.
Cast
Role: Sir George Airy Actor: Holman

Afterpiece Title: The Highland Reel

Ballet: End: Lowland Festivity. Jamie-Bologna Jun.; Croudy-Bologna; Jenny-Miss Bologna; Moggy-Mrs Watts

Performances

Mainpiece Title: Lifes Vagaries

Performance Comment: Lord Arthur D'Aimurle-Lewis; Dickins (1st time)-Emery; Timolin-Johnstone; Sir Hans Burges-Munden; George Burges-Fawcett; Lord Torrendale (1st time)-Waddy; Robin-Townsend; Leillet-Farley; Augusta (1st time)-Mrs Chapman; Fanny Dickins (1st time)-Mrs Mills; Miss Clare-Mrs Follett; Poor Woman-Mrs Whitmore; Lady Torrendale (1st time)-Miss Chapman.
Cast
Role: George Burges Actor: Fawcett

Afterpiece Title: Saturday Night at Sea or Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Barrymore; Hardy-Hollingsworth; Sir George Touchwood-Powell; Flutter-Palmer; Saville-C. Kemble; Villers-Caulfield; Courtal-Holland; Silvertongue-Maddocks; Letitia Hardy-Miss Biggs; Mrs Racket-Miss Pope; Lady Touchwood-Miss Campbell; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.
Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: Blue Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Murray; Flutter-Fawcett; Saville-Betterton; Villers-Whitfield; Courtall-Claremont; French Valet-Klanert; Porter-Gardner; Dick-Farley; Silver Tongue-Simmons; Gibson-Atkins; Hardy-Munden; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Murray; Miss Ogle-Mrs Chapman; Kitty Willis-Miss Cox; Letitia Hardy-the LateMiss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Sir George Touchwood Actor: Murray

Afterpiece Title: Two Strings to Your Bow

Dance: In IV: a Grand Masquerade-; Minuet-the LateMiss Betterton, Platt

Performances

Mainpiece Title: Wild Oats

Performance Comment: Rover-Lewis; Harry-Holman; Sir George Thunder-Waddy; Ephraim Smooth (with A Bundle of Proverbs)-Munden; John Dory-Fawcett; Sim-Knight; Banks-Murray; Midge-Claremont; Gammon-Thompson; Lamp-Simmons; Landlord-Atkins; Trap-Whitmore; Twitch-Wilde; Waiter-Curties; Jane-Mrs Chapman; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Sir George Thunder Actor: Waddy

Afterpiece Title: The Deserter of Naples

Performance Comment: As18000429, but Henry-Farley (1st appearance in that character); added: Simpkin (2nd time)-Bologna Jun.; King-Bologna; Officers-Atkins, Curties, Lee; Country Lads-_Curties, _Lee, Howell, +Whitmore, +Klanert, +Webb; Lasses-Mrs +Dibdin.
Cast
Role: King Actor: Bologna

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Bronzely-Lewis; Sir George Evelyn-Pope; Sir William Dorillon-Munden; Lord Priory-Emery (1st appearance in that character); Mr Norberry-Waddy; Oliver-Simmons; Miss Dorillon-Mrs Johnson; Lady Mary Raffle-Mrs Dibdin (1st appearance in that character); Lady Priory-Miss Chapman.
Cast
Role: Sir George Evelyn Actor: Pope

Afterpiece Title: St

Afterpiece Title: The Hermione

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Charles Gripe-Whitfield; Whisper-Farley; Sir Jealous Traffic-Thompson; William-Abbot; Sir Francis Gripe-Munden; Isabinda-Mrs Litchfield; Patch-Mrs Mattocks; Scentwell-Miss Cox; Miranda-Mrs Glover.
Cast
Role: Sir George Airy Actor: Holman

Afterpiece Title: The Irish Mimic

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwells Conspiracy

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggars Bush

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: The Diary and Will of Elias Ashmole, ed. Gunter, pp. 70-71: 13 Dec. 1660: The King going to a Play at the new Theatre this afternoon, had his coach (the leathers whereby the coach hung broke and so the coach fell from the wheels) overturned over against the new Exchange, but (blessed be God) had no hurt. Sir Francis Floyd passing by took him in his arms and carried him to his coach. The Earl of Latherdale and my Lord of Ossory being with the King in his coach

Performances

Event Comment: The King's Company. See Herbert (Dramatic Records, p. 117), where are listed The Loyall Subject, Mad Louer, The Wildgoose Chase following this play but preceding April 1661. Pepys, Diary: I went by coach to the play-house at the Theatre, our coach in King Street breaking, and so took another. Here we saw Argalus and Parthenia, which I lately saw, but though pleasant for the dancing and singing, I do not find good for any wit or design therein

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Loves Mistress

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Event Comment: The Duke's Company. Pepys, Diary: To Sir William Davenant's Opera; this being the fourth day that it hath begun, and the first that I have seen it. To-day was acted the second part of The Siege of Rhodes. We staid a very great while for the King and the Queen of Bohemia. And by the breaking of a board over our heads, we had a great deal of dust fell into the ladies' necks and the men's hair, which made good sport. The King being come, the scene opened; which indeed is very fine and magnificent, and well acted, all but the Eunuch, who was so much out tha he was hissed off the stage

Performances

Mainpiece Title: The Siege Of Rhodes Part Ii

Event Comment: The King's Company. Pepys, Diary: To the Theatre, and saw Brenoralt, I never saw before. It seemed a good play, but ill acted; only I sat before Mrs Palmer, the King's mistress, and filled my eyes with her, which much pleased me

Performances

Mainpiece Title: Brenoralt or the Discontented Colonel

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Downes (Roscius Anglicanus, p. 21): Hamlet-Betterton; Horatio-Harris; King-Lilliston; Ghost-Richards; Polonius-Lovel; Rosencrans-Dixon; Guilderstern-Price; 1st Gravemaker-Underhill; 2d Gravemaker-Dacres; Queen-Mrs Davenport; Ophelia-Mrs Sanderson.
Cast
Role: King Actor: Lilliston
Event Comment: The King's Company. Pepys, Diary: Hence my wife and I to the Theatre, and there saw The Joviall Crew, where the King, Duke and Duchess, and Madame Palmer, were; and my wife, to her great content, had a full sight of them all the while. The play full of mirth

Performances

Mainpiece Title: The Jovial Crew

Event Comment: The King's Company. Pepys, Diary: My wife and I to the Theatre...where the King came to-day, and there was The Traytor most admirably acted; and a most excellent play it is

Performances

Mainpiece Title: The Traytor

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: This was probably acted by the King's Company, which acted the play several times in 1660-61. Pepys, Diary: At White Hall by appointment, Mr Creed carried my wife and I to the Cockpitt, and we had excellent places, and saw the King, Queen, Duke of Monmouth, his son, and my Lady Castlemaine, and all the fine ladies; and The Scornfull Lady, well performed. They had done by eleven o'clock

Performances

Mainpiece Title: The Scornful Lady