SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King George"/1) | (@(roleclean,performerclean) "King George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5314 matches on Author, 3203 matches on Performance Comments, 2806 matches on Performance Title, 2133 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Parts by Bellamy, Arrowsmith, Carter, Master Pring; Mrs Forster, Miss George .
Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Lear

Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.

Performances

Mainpiece Title: King Edward The Third

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell

Performances

Mainpiece Title: King Henry The Fourth Part I With The Humours Of sir John Falstaffe

Dance: Cherrier

Performances

Mainpiece Title: King Henry The Fourth Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: As17041123

Dance: As17041023

Performances

Mainpiece Title: King Henry The Fourth Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song:

Dance:

Performances

Mainpiece Title: King Henry The Eighth With The Fall Of Cardinal Wolsey

Performances

Mainpiece Title: King Henry The Ivth Part I With The Humours Of sir John Falstaff

Dance: As17051201

Song: Italian songs by Bononcini and best Masters, an English song by Purcell-Mrs del'Epine

Performances

Mainpiece Title: King Henry The Ivth Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: As17051016

Music: Flute Music,with The Echo-Gasperini, duRuel

Dance: duRuel, Cherrier, Mrs Moss, others

Performances

Mainpiece Title: King Arthur Or The British Worthy

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell
Related Work: Bonduca Author(s): George Colman, the elder

Music: With all the Original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, the Boy

Dance: As17060110

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell

Music: Composed by Henry Purcell

Dance: Proper dances-duRuel, Mrs duRuel, Cherrier

Performances

Mainpiece Title: King Henry The Eighth With The Fall Of Cardinal Wolsey

Performance Comment: Henry VIII-Betterton; Norfolk-Mills; Buckingham-Booth; Wolsey-Verbruggen; Suffolk-Boman; Surveyor-Keen; Surrey-Cibber; Guildford-Pack; Cromwell-Husbands; Katherine-Mrs Barry; Anna Bullen-Mrs Bradshaw; Sands-Bullock.
Cast
Role: Buckingham Actor: Booth

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Buckingham Actor: Booth

Performances

Mainpiece Title: King Lear

Dance:

Performances

Mainpiece Title: King Henry The Fourth Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Performances

Mainpiece Title: King Henry The Eighth With The Divorce Of Queen Katherine The Fall Of Cardinal Wolsey And The Birth Of Queen Elizabeth