SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King Charles"/1) | (@(roleclean,performerclean) "King Charles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3675 matches on Performance Comments, 3400 matches on Author, 2694 matches on Performance Title, 1832 matches on Event Comments, and 10 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted in 10 years. [See 20 Dec. 1764.] Mrs King and Mrs Greville Imperfect (Hopkins Diary). Receipts: #107 11s. (Treasurer's Book)

Performances

Mainpiece Title: She Would And She Would Not Or The Kind Imposter

Performance Comment: Don Phillip-Bensley; Don Octavio-Brereton; Diego-Parsons; Don Luis-Whitfield; Corrigidore-Wrighten; Alguazile-Griffiths; Trappanti-King; Don Manuel-Yates; Soto-Baddeley; Flora-Mrs Greville; Rosara-Miss Hopkins; Viletta-Mrs Davies; Hypolita-Mrs King.
Cast
Role: Trappanti Actor: King
Role: Hypolita Actor: Mrs King.

Afterpiece Title: Queen Mab

Dance: End: The Merry Peasants, as17751018

Event Comment: Benefit for King. Not acted in 10 years. [See 10 May 1762.] Considerable alterations to the mainpiece. Part of Pit laid into Boxes. Receipts: #143 17s.; Charges: #66 10s. 6d.; Profits to King: #77 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Woman Is A Riddle

Performance Comment: Sir Amorous Vainwit-King; Courtwell-Smith; Col. Manly-Reddish; Aspin-Yates; Vulture-Moody; Butler-Bransby; Lady Outside-Miss Younge; Clarinda-Miss Hopkins; Necessary-Mrs Davies; Betty-Mrs Whitfield; Miranda-Mrs Abington.
Cast
Role: Sir Amorous Vainwit Actor: King

Afterpiece Title: Bon Ton

Cast
Role: King Actor: J. Aickin
Role: Lady Minikin Actor: Mrs King, first time

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Prologue Actor: King

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: "Palmer and Bannister having withdrawn from the theatre, The School for Scandal and The Quaker, which were intended for the opening pieces, were changed" (Town and Country Magazine, Oct. 1787, p. 445). [These two actors thought themselves ill-used because of the refusal of the dl management to acknowledge their right to open the Royalty (see 20 June 1787). Oulton, 1796, II, 1-8, prints an exchange of letters between Palmer, Bannister, and King (the dl acting manager) relating to this situation.] "Some twenty of thirty bars of Handel, on the approach of the court to the play [in III. ii of mainpiece]...made a fine preparation for the scene which followed" (World, 19 Sept.). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. Receipts: #186 5s. 6d. (151.0.0; 35.4.6; 0.1.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Kemble; King-Packer; Horatio-Staunton; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Marcellus-Benson; Bernardo-Wilson; Player King-Chaplin; Lucianus-Waldron; Gentleman-Fawcett; Francisco-Spencer; Messenger-Alfred; Sailor-Jones; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Mrs Forster; Player Queen-Miss Tidswell; Queen-Mrs Hopkins.
Cast
Role: King Actor: Packer
Role: Player King Actor: Chaplin

Afterpiece Title: The First Floor

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: Benefit for Jones. Tickets to be had of Jones at the White Horse, Parson's Green; at the King's Arms, Fulham; Ship, Fulham; and the George, Walham Green. Afterpiece: It is hoped that the greatest Attention will be paid, as it is impossible for the Company to cogitate throughtout the Cogibundity of Cogitations, unless the most profound Profundity of Thought is observed. Pit 2s. Gallery 1s. Good Fires in the Pit

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos-Tunstall; Bombardinian-Blandford; Aldiborontiphoscophornio-Jones; Rigdumfunnidos-Frimbley; Captain of the Guards-Randall; Cupid-Brooke; Herald-Banks; Cook-Harris; Doctor-Hatton; King of the Antipodes-Wilson; Amoamassedicianstotowramulantic, King of the Fidlers-George; Fadladinida, Queen of Queerumania-Mrs Tunstall; Lady-Mrs Banks; Venus-Mrs Taylor; Tatlanthe-Miss Brooke.

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

Event Comment: [Mainpiece in place of King Lear, advertised on playbill of 14 Oct.] Receipts: #217 6s. 6d. (215.16.0; 1.10.6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; King-Hull; Ghost-Aickin; Horatio-Farren; Laertes (1st time)-Harley; Polonius-Wilson; Ostrick-Marshall; Player King-Thompson; Marcellus-Powel; Bernardo-Evatt; Lucianus-Cubitt; Rosencraus-Macready; Guildenstern-Davies; Grave@Diggers-Quick, Milburne; Queen-Mrs Fawcett; Player Queen-Mrs Platt; Ophelia-Mrs Esten.
Cast
Role: King Actor: Hull
Role: Player King Actor: Thompson

Afterpiece Title: The Crusade

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. In mainpiece the playbill retains King, but "Mr King being ill I acted his Part to-night" (Kemble Mem.).]. Account-Book, 12 May: Author's Charge 3rd night of Fugitive enter'd short by error #12 16s. Receipts: #408 5s. (365.1; 41.0; 2.4; tickets: none listed) (charge: #147)

Performances

Mainpiece Title: The Fugitive

Performance Comment: As17920420, but Admiral Cleveland-Kemble in place of King; O'Donnal-Alfred of Phillimore.

Afterpiece Title: High Life below Stairs

Cast
Role: Kingston Actor: Lyons
Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The ew

Afterpiece Title: BON TON

Performance Comment: Lord Minikin-Dodd; Sir John Trotley (with the Original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Burton; Davy-Parsons//Lady Minikin-Miss Pope; Miss Tittup-Miss Farren; Gymp-Miss Tidswell .
Cast
Role: Sir John Trotley Actor: King
Event Comment: Benefit for King. [Mrs Siddons's 1st appearance as Gertrude was at Liverpool, 23 July 1777; Mrs Jordan's as Ophelia at Richmond, 19 Aug. 1795.] Morning Herald, 28 Apr.: Tackets to be had of King, No. 56, Store-street, Bedford-square; 30 Apr.: The dresses [in Hamlet] were all modern. Receipts: #498 17s. 6d. (284.11.6; 55.9.0; 2.5.0; tickets: 156.12.0) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: Hamlet

Performance Comment: Claudius-Packer; Hamlet-Wroughton; Polonius-Dodd (1st appearance in that character); Horatio-Whitfield; Laertes-C. Kemble; Rosencrantz-Caulfield; Guildenstern-Trueman; Osrick (for that night only)-Bannister Jun.; Marcellus-Benson; Bernardo-Phillimore; Ghost of Hamlet's father-Bensley; Players-Maddocks, Hollingsworth; 1st Grave@digger-King (1st appearance in that character); 2nd Grave@digger-Burton; Gertrude-Mrs Siddons (1st appearance in that character [in London]); Ophelia-Mrs Jordan (1st appearance in that character in London]); [in which she will introduce an additional Air by Linley-Mrs Jordan; Actress-Miss Tidswell.
Cast
Role: 1st Grave@digger Actor: King

Afterpiece Title: The Wedding Day

Cast
Role: Sir Adam Contest Actor: King

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

Performance Comment: End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King.
Event Comment: By Command of Their Majesties. [On this night an unsuccessful attempt was made to assassinate the King. As he entered his box he was shot at by James Hadfield, who was in the pit. The royal family remained in the theatre throughout the performance, during which God save the King was sung on four different occasions. Hadfield was subsequently adjudged insane. See Gentleman's Magazine, May 1800, pp. 478-80.] Receipts: #438 13s. 6d. (345.15.6; 87.9.0; 5.9.0)

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As18000428, but Don Manuel-King.
Cast
Role: Don Manuel Actor: King.

Afterpiece Title: The Humourist

Performances

Mainpiece Title: Pompey

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Related Work: Pompey Author(s): Sir Charles Sedley Charles Sackville

Performances

Mainpiece Title: Pompey

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Related Work: Pompey Author(s): Sir Charles Sedley Charles Sackville

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: The Roman Brides Revenge

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Related Works
Related Work: Phaeton; or, The Fatal Divorce Author(s): Charles Gildon

Performances

Mainpiece Title: Friendship Improved Or The Female Warriour

Related Works
Related Work: Friendship Improved; or, The Female Warriour Author(s): Charles Hopkins

Performances

Mainpiece Title: Measure For Measure Or Beauty The Best Advocate

Related Works
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): Charles Gildon

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Music: [From the opera]The Mad Lover-; Particularly The Wedding-; the dialogue-Dogget, Boman

Dance: Labbe

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Afterpiece Title: Acis and Galatea

Music: Bacchanalian Music from The Mad Lover-; A new piece of instrumental music-; with a solo-Dean

Dance: Between the Acts: Comical dances-

Performances

Mainpiece Title: The Coquet

Related Works
Related Work: The Coquet: or, The English Chevalier Author(s): Charles Molloy

Afterpiece Title: The Country House

Song: Henry Purcell's Frost Music from King Arthur-Leveridge, the new Boy, others; Singing in English and Italian-Mrs Tofts

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Afterpiece Title: Acis and Galatea

Dance: As17051106