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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King sent a letter to "/1) | (@(roleclean,performerclean) "King sent a letter to ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6481 results for: Keyword - King</i> sent a letter to $<span class=
We found 2642 matches on Performance Title, 2627 matches on Performance Comments, 2285 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

3226
20 August 1733 @ Covent Garden

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty Or Tarquins Overthrow

Afterpiece Title: The Stage Mutineers

Dance: As17330814

3227
03 November 1733 @ King's Theatre

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

3228
26 April 1734 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Cooper. At the Desire of several Persons of Quality. [For a puff, see Mrs Cooper's letter in Grub St. Journal, 25 April.]

Performances

Mainpiece Title: The Careless Husband

Music: IV: Preamble on the Kettle-Drums by Poitier, Together with Handel's Water Musick

Dance:

3229
23 October 1734 @ Covent Garden

Event Comment: For a discussion of Stephens as Othello, see letter by Aaron Hill, 23 Oct., in Hill, Works, I, 272-76

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Mock Doctor

Dance: Tambourine by Glover and Miss Rogers. Scot's Dance, as17340920 Richmond Maggot by Le Sac and Miss Rogers

3230
01 November 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Moliere. [Princess of Orange and Princesses Amelia and Caroline present. For a letter on this night's performance, see Grub St. Journal, 7 Nov.]

Performances

Mainpiece Title: Lavare

Afterpiece Title: La Reun1on des Amours

3231
08 March 1735 @ Drury Lane Theatre

Event Comment: For a letter on The Man of Taste, see Daily Advertiser, 8 March

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

3232
13 March 1735 @ Haymarket Theatre

Event Comment: See Grub St. Journal, 13 March, for a letter on foreign comedians

Performances

Mainpiece Title: Les Foll1es Amoureuses

Afterpiece Title: Les Intrigues DArlequin

Dance:

3233
26 February 1736 @ Covent Garden

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

3234
09 June 1736 @ Covent Garden

Event Comment: See a letter by Thomas Gray to Horace Walpole, 11 June, for a description of scenes in this opera.

Performances

Mainpiece Title: Atalanta

3235
06 November 1736 @ Covent Garden

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Pit and Boxes put together at half a guinea each. First Gallery 5s. Upper Gallery 2s. 6d. London Daily Post and General Advertiser, 8 Nov.: The Box in which their Royal Highnesses sat, was of white Sattin, beautifully Ornamented With Festons of flowers, in their proper Colours, and in Front was a flaming Heart, between two Hymeneal Torches, whose different Flames terminated in one Point, and were surmounted with a Label, on which were wrote, in Letters of Gold, these Words, Mutuus Ardor

Performances

Mainpiece Title: Alcina

3236
19 November 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-

3237
31 December 1736 @ Lincoln's Inn Fields

Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggars Pantomime With New Scenes and several Alterations and Additions particularly a Sequel to the Contention calld Pistol in Mourning

3238
03 March 1737 @ Haymarket Theatre

Event Comment: Benefit Snow. Boxes and Pit 5s. Gallery 2s. 6d. To begin between Six and Seven o'Clock. [For a puff (a letter by Shakespear, Johnson, Dryden, Rowe) attacking Harlequin and praising Common Sense, see Grub St Journal, 3 March.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

3239
07 March 1737 @ Drury Lane Theatre

Event Comment: Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. Daily Advertiser, 8 March: As the late tumultuous and riotous Behaviour of the Footmen at [dl] is become a Topick of Publick Discourse, a true and exact Account of the Disturbances they have made will be publish'd in this Paper: In the mean time we have the Pleasure to inform the Town, all proper Care being taken, every thing was very quiet last Night, and 'tis believ'd will continue so. The Director of the aforesaid Theatre having receiv'd a threatening Letter last Saturday in the Afternoon from the Footmen, a true Copy of it will be published in Tomorrow's Paper, with a Reward to those who shall discover the Author or Authors, so that he or they may be brought to Justice

Performances

Mainpiece Title: The Universal Passion

Dance: Denoyer, Mlle Roland, Muilment, Philips, Villeneuve, Mrs Walter

3240
21 May 1737 @ Haymarket Theatre

Event Comment: CCommon Sense, 21 May, prints a letter from Pasquin to the Author of the Gazetteer of 7 May

Performances

3241
26 July 1737 @ Lincoln's Inn Fields

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Performances

Mainpiece Title: The Woman Captain

Afterpiece Title: Damon and Phillida

Song: TThe Ladies' Lamentation, as17370414 A Dialogue set by Henry Purcell-the Masters Hamilton

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates

3242
19 January 1739 @ Covent Garden

Event Comment: Benefit the Author of The Parracide. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [A letter to the Daily Post, 19 Jan., by the author of The Parracide states that after his play was damned on 17 Jan. he was offered a benefit; at first he chose his own play, then decided to offer The Way of the World.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The What Dye Call It

Song: Roberts

Dance: As17390115

3243
13 April 1739 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

3244
19 April 1739 @ King's Theatre

Event Comment: See Daily Advertiser, 19 April, for a letter on Handel. Deutsch, Handel, pp. 481-83, reprints it but states that it appeared in the London Daily Post and General Advertiser

Performances

Mainpiece Title: Saul

3245
12 February 1740 @ Covent Garden

Event Comment: By His Majesty's Command. Afterpiece: a New Dramatick Entertainment of Musick and Grotesque Dancing. Edition of 1740: Set to Musick by Mr John-Frederick Lampe. [For further letters concerning John Hill and Rich, see London Daily Post and General Advertiser, 11 and 12 Feb.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice With The Metamorphoses of Harlequin

3246
07 November 1740 @ Covent Garden

Event Comment: At the Desire of several Ladies. Benefit Henry Plowman. Receipts: Money #34 14s. 6d.; Tickets #85 7s. (Account Book); #150 (Rylands MS.). [Account Book states that Plowman was charged #80 for his benefit. See a letter by Plowman in Daily Advertiser, 7 Nov., on his acting in this play.

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The Tanner of York

Dance: PPeasants-Mechel, Mlle Mechel; Comic Ballet-Villeneuve, Miss Oates; Drunken Peasant-Phillips

3247
07 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Lallegro Il Penseroso Ed Il Moderato

Performance Comment: Music, As17410131 [For a letter concerning Handel's operas, see Deutsch, Handel, p. 511.]

3248
04 April 1741 @ Lincoln's Inn Fields

Event Comment: For a long letter on musical performances, including Handel's, see London Daily Post and General Advertiser, 4 April, reprinted in Deutsch, Handel, pp. 515-17

Performances

3249
08 April 1741 @ Drury Lane Theatre

Event Comment: By partiuclar Desire. Benefit Chapman. Tickets at Chapman's House, Corner of Bow Street. [in the London Daily Post and General Advertiser, 7 April, Chapman published a letter regretting that this benefit will be on the night Handel has a performance at lif. Chapman states that he owes much to Handel and wishes him success. Because, he states, some 20,000 will want to attend lif, which cannot hold above twenty hundred, Chapman remarks that, if those who cannot get into lif will go to dl, he will be happy.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Song: In II: Lowe; III: Was Ever Nymph Like Rosamond-Lowe

Dance: III: Maltere, Mlle Maltere; V: Peasants-Muilment

3250
24 April 1741 @ Drury Lane Theatre

Event Comment: Benefit Harper and Raftor. [Tickets at Harper's House in Bridges Street. A letter to the Daily Advertiser, 24 April, concerning this benefit, states that Harper is incapacitated with 'a Paralytick Disorder.'

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: The Devil to Pay

Song: II: Was Ever Nymph Like Rosamond-Lowe; IV: Miss Edwards

Dance: III: Grand Ballet-Maltere, Mlle Maltere; V: La Tambourine-Mlle Chateauneuf