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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King and Queen"/1) | (@(roleclean,performerclean) "King and Queen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7150 results for: Keyword - King</i> and $Queen
We found 3386 matches on Performance Title, 3185 matches on Performance Comments, 1888 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

6176
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

6177
24 April 1795 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [Mainpiece: Epilogue by Richard Brinsley Sheridan.]Afterpiece: Not acted these 2 years. Morning Chronicle, 17 Apr.: Tickets to be had of Miss Pope, No. 9, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #402 2s. (144.16.0; 76.3.6; 1.12.6; tickets: 179.10.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: The Rivals

Cast
Role: Sir Anthony Absolute Actor: King
Role: Faulkland Actor: Kemble

Afterpiece Title: The Spoil'd Child

6178
05 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Cast
Role: Sir Miles Mowbray Actor: King
Related Works
Related Work: First Love Author(s): Richard Cumberland

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Cast
Role: a Serio Actor: Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King.
Role: Prosaic Paraphrase on Shakespeare's Seven Ages Actor: King.

6179
28 December 1796 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Mary Queen of Scots, advertised on playbill of 27 Dec.] Receipts: #210 16s. (163.12; 44.13; 2.11)

Performances

Mainpiece Title: Macbeth

Cast
Role: King of Scotland Actor: Aickin

Afterpiece Title: Robinson Crusoe

Cast
Role: on Friday's return to his Island Actor: Gentili, Wells, Butler, Thompson, Nicolini, Ms Brooker, Ms Brigg, Ms Barrett, Ms Byrne, Ms Bourk, Ms Haskey.

6180
12 May 1797 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece: With a Sea Fightv. True Briton, 28 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #386 8s. 6d. (125.17.6; 76.1.6; 7.16.6; tickets: 176.13.0) (charge: #224 9s. 6d.)

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke [Senior]-Aickin; Frederick-Caulfield; Amiens-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Boys-Holland; Orlando-Barrymore; Adam-Packer; Touchstone-Bannister Jun.; Corin-Hollingsworth; Sylvius-Trueman; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Miss Mellon; Phebe-Miss Heard; Audrey-Miss Pope.
Cast
Role: Jaques de Boys Actor: Holland
Role: Orlando Actor: Barrymore

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-R. Palmer; Sneery-Barrymore; Sir Fretful Plagiary (1st time)-Dowton; Signor Ritornello-Maddocks; Interpreter-Wewitzer; Puff-Palmer; Mrs Dangle-Miss Tidswell; Italian Girls-Miss Leak, Mrs Bland, Miss DeCamp; Tragedians Lord Burleigh-Caulfield; Governor of Tilbury Fort-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Russell; Sir Christopher Hatton-Wathen; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Mellon; Tilburina-Miss Pope.
Cast
Role: Italian Girls Actor: Miss Leak, Mrs Bland, Miss DeCamp
Role: Don Ferolo Whiskerandos Actor: Bannister Jun.

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

6181
19 May 1797 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Antonio-Caulfield; Don Ferdinand-Dignum; Don Juan-Palmer; Scaramouch (1st time)-Gentili; Boatswain (with a song)-Sedgwick; Donna Anna-Miss Heard; Isabella-Miss Stuart; Inis-Mrs Jones; Katharina-Miss D'Evelyn; Viletta-Mrs Roffey.
Cast
Role: Don Ferdinand Actor: Dignum

6182
11 April 1798 @ Covent Garden

Event Comment: Benefit for Quick. [MS of Exordium: Larpent MS 1204.] Times, 6 Apr.: Tickets to be had of Quick, Little Queen-street, Lincoln's Inn Fields. Receipts: #297 5s. (120.5.0; 8.11.6; tickets: 168.8.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performance Comment: End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.], descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.]

6183
08 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Cast
Role: Henry Morland Actor: Toms

Afterpiece Title: The Quarter Deck; or, Half an Hour's Festivity

Performance Comment: In which The New Mariners-; The Mid Watch-Incledon; Queen Bess; or, The Spanish Armada-Johnstone; Great Britain still her Charter boasts-Incledon, Fawcett, Johnstone, Linton, Street, Gray.

Afterpiece Title: Botheration; or, A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone

Performance Comment: James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone.

6184
11 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-R. Palmer; Bygrove-Aickin; Captain Bygrove-C. Kemble; Sir John Millamour-Packer; Sir Harry Lovewit-Holland; Charles-Wewitzer; Lady Bell (with a song)-Mrs Jordan (2nd appearance in that character); Lady Jane-Mrs Powell; Mrs Bromley-Miss Pope; Miss Neville-Miss Miller; Madame La Rouge-Miss Tidswell.
Cast
Role: Sir Harry Lovewit Actor: Holland

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Antonio-Caulfield; Don Ferdinand-Dignum; Don Juan-Palmer; Scaramouch (1st time)-Grimaldi; Boatswain (with a song)-Sedgwick; Donna Anna-Miss Heard; Isabella-Mrs Coates; Inis-Mrs Jones; Katharina-Miss Arne; Viletta-Mrs Roffey.
Cast
Role: Don Ferdinand Actor: Dignum

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

6185
28 May 1798 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.
Cast
Role: Ye Gentlemen of England Actor: Incledon, Townsend, Linton, Gray
Role: Brave Betty was a maiden Queen Actor: Johnstone
Role: Farewell to Old England dear Mary adieu Actor: Incledon

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.
Cast
Role: Landscape and Water Actor: Mill
Role: Colombine Actor: Mlle St.Amand
Role: Philidel Actor: Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performance Comment: In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith.

6186
06 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Performance Comment: Characters by Palmer, Russell, Holland, Wewitzer, Wathen, Dignum, Hollingsworth, Dowton, R. Palmer, Maddocks, Mrs Walcot, Miss Tidswell, Mrs Bland.Cast from text (George Cawthorn, 1798): Tonnage-Palmer; Diaphanous-Russell; Spondee-Holland; Hugh Goblin-Wewitzer; Crank-Wathen; Limp-Dignum; Crasis-Hollingsworth; Shin-Dowton; Gibbous-R. Palmer; Landlork-Maddocks; Nell Trot-Mrs Walcot; Luce-Miss Tidswell; Miss Mary-Mrs Bland.
Cast
Role: Spondee Actor: Holland
Role: Landlork Actor: Maddocks
Role: Miss Mary Actor: Mrs Bland.

Afterpiece Title: The Castle-Spectre

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Performance Comment: Sadboy-Palmer; Signor Arionelli-Miss DeCamp; Motley-Hollingsworth; Tully-R. Palmer; Lingo-Dowton; Ephraim Smooth-Wewitzer; Nipperkin-Wathen; Jemmy Jumps-Russell; Bowkitt-Bannister Jun.; Mrs Casey-Mrs Sparks; Betty Blackberry-Miss Mellon; Cowslip-Mrs Bland.
Cast
Role: Cowslip Actor: Mrs Bland.

6187
14 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Performance Comment: A new comic song (never performed), The United Englishmen-Munden; A new comic song (never performed in London), A Dish of all Sorts-Munden; The Town Crier, in character,-Suett; Brave Betty was a Virgin Queen-Johnstone; Boxing the Compass-Fawcett; Imitations-Caulfield.
Cast
Role: Brave Betty was a Virgin Queen Actor: Johnstone

Afterpiece Title: The Honest Thieves

6188
05 March 1799 @ Covent Garden

Event Comment: Benefit for Mrs H. Johnston, Morning Chronicle, 21 Feb.: Tickets to be had of Mrs H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #401 15s. (255.14.6; 15.7.0; tickets: 130.13.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude

Afterpiece Title: Oscar and Malvina

Cast
Role: Standard Bearers Actor: Lee, Abbot

Dance: II: Negro Dance-Blurton, Platt, Jackson

Song: In 3rd piece: As17990304but O ever in my bosom live-Mrs Chapman, Mrs Iliff

6189
06 April 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Performance Comment: Vocal Parts-Johnstone, Munden, Fawcett, Incledon, Townsend, Linton, Street; With a jolly full bottle- [see17990528]; Boxing the Compass-Fawcett; Young William-, the melody by Incledon [and see17990606; Four and Twenty Fidlers-Munden; Brave Betty was a maiden Queen-Johnstone; Song-Townsend; The New Mariners-Chorus.
Cast
Role: Four and Twenty Fidlers Actor: Munden
Role: Brave Betty was a maiden Queen Actor: Johnstone

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

6190
17 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1777]. Morning Chronicle, 3 Apr.: Tickets to be had of Miss Pope, No. 62, Great Queen-street, Lincoln's Inn Fields. Receipts: #318 (89.7.6; 50.1.6; 0.16.6; odd money: 0.18.6; tickets: 176.16.6) (charge: #234 7s. 6d.)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

Cast
Role: Characters Actor: Cory, Archer, Kelly, Middleton, Surmont, Wathen, Caulfield, Suett, Sedgwick, Fisher, Evans, Trueman, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks

6191
03 May 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Vanguard; or, British Tars Regaling after Battle

Performance Comment: The following Songs, written and composed by Dibdin: All Hands to the Anchor-Fawcett; Yo Heave Ho-Townsend; The Sailor's Journal-Incledon; True Courage-Townsend; Queen Bess [i.e. Brave Betty]-Johnstone; Fat Dolly the Cook-Munden; With a jolly full Bottle-[, as17990406; Rule Britannia-[see17990601.see17990601.
Cast
Role: All Hands to the Anchor Actor: Fawcett
Role: Four and Twenty Fidlers Actor: Munden
Role: Brave Betty was a maiden Queen Actor: Johnstone

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle (1st time)-Emery; Ghost-Street; Noodle-Simmons; Doodle-Clarke; Merlin-Thompson; Arthur-Munden; Huncamunca (1st time)-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.
Cast
Role: Tom Thumb Actor: Master Standen

Song: In course Evening: Lovely Nan (By permission of Dibdin), Black Ey'd Susan-Incledon; A Bundle of Proverbs-Munden; In the Dead of the Night-Miss Poole; Together let us range-Incledon, Miss Poole

6192
03 June 1799 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and housekeeper. Receipts: #505 9s. 6d. (102.1.0; 2.3.0; tickets: 401.5.6)

Performances

Mainpiece Title: A Cure For The Heart Ache

Cast
Role: Frank Oatland Actor: Fawcett
Role: Farmer Oatland Actor: Thompson
Role: Landlord Actor: Whitmore
Role: Jessy Oatland Actor: Mrs Gibbs

Afterpiece Title: The Tars of Old England Regaling after a Victory [i

Performance Comment: e. The Vanguard (see17990503)]. Boxing the Compass-Fawcett; The Sailor's Journal-Incledon; Queen Bess i.e. Brave Betty]-Johnstone; [A new comic song-Munden; Yo Heave Ho-Townsend; The Mid Watch-Incledon; Rule Britannia-Incledon, Johnstone, Townsend, Linton, Street [as17990601.as17990601.
Cast
Role: The Tight Little Island Actor: Townsend

Afterpiece Title: The Honest Thieves

Song: End III: The Tight Little Island-Townsend; End IV: Black Ey'd Susan-Incledon

6193
07 December 1799 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Prize

6194
05 April 1800 @ Covent Garden

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

6195
16 May 1800 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [In afterpiece the playbill assigns Floreski to Kelly, but "Trueman..acted as Kelly's substitute in the Entertainment, in the part of Count Floreski" (Dramatic Censor, II, 194). Morning Chronicle, 30 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #330 14s. (87.4; 60.9; 3.5; tickets: 179.16) (charge: #230 18s. 3d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Sir Peter Teazle Actor: King
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: Lodoiska

Cast
Role: Polanders Prince Lupauski Actor: Archer

Song: In III: song-Dignum

6196
29 May 1660 @ no theater listed

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

6197
07 August 1660 @ no theater listed

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

6198
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

6199
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

6200
06 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Traitor