SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Theatre in Paris"/1) | (@(roleclean,performerclean) "Kings Theatre in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3836 matches on Event Comments, 3153 matches on Performance Title, 3135 matches on Performance Comments, 23 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Queen Mab

Dance: II: A New Tambourine Dance-Atkins, Mrs King; IV: The English Gardeners, as17691206

Performances

Mainpiece Title: King Henry The Ivth: With The Humours Of Sir John Falstaff

Event Comment: Benefit for Kennedy. Afterpiece: Never performed in this theatre. [No mention of permission.] Mr Kennedy intended having this performance before the Benefits commenced at Drury Lane and Covent Garden Theatres, but having been detained at Bristol, could not pay his respects to his friends sooner

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: HHallam from the Theatre-Royal in Covent-Garden, Over-against the Hospital Gate. Afterpiece: A new Ballad Opera. 1 p.m. to 11 p.m

Performances

Mainpiece Title: The True And Ancient History Of Fair Rosamond, Representing Her Amours With King Henry, And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Afterpiece Title: The Modern Pimp; or, The Doctor Deceiv'd

Dance: TThe Miller and his Wife, The Jealous Savoyard-two Masters Granier, Miss Granier

Ballet: TThe Triumph of Britannia Over the Four Parts of the World. Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson

Event Comment: At the New Theatre. [This phrasing now used for the rest of the season.] Benefit Goodfellow. At the Particular Desire of several Persons of Distinction. Note, It will be Moonlight. Prices 3s., 2s., 1s

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The King and the Miller of Mansfield

Dance: III: Scotch Dance-Mr Miles, Mrs Miles; IV: Master Morgan, Miss Baker; V: Comic Dance-Mr Miles, Mrs Miles

Song: II: Brett

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage Door of the Theatre. No persons to be admitted behind the scenes, nor any money to be returned after the Curtain is drawn up. [Notice repeated throughout the season.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Song: III: The School of Anacreon-Beard

Event Comment: [Longley is identified in European Magazine, Dec. 1797, p. 410, but Monthly Visitor, Jan. 1798, p. 64, says that he was Clarke, "from the Shakesperian Theatre at Tottenham Court Road." Afterpiece in place of The Shipwreck, advertised on playbill of 24 Nov.] "[Longley] is not inferior to some Falstaffs we have seen upon the London stage, and he possesses all the traditionary shrugs, winks and bye-play usual in the representation of the part" (True Briton, 27 Nov.). Receipts: #140 18s. (101.15; 38.3; 1.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Performance Comment: Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg.

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Comerford; Duke of Buckingham-Russell; Lord Stanley-Lewis; Oxford-Thomas; Ractliff-Johnson; Catesby-Smith; Tressel-The Gentleman who performed King Lear [at this theatre, 16 Sept. 1776; unidentified]; Lord Mayor-Massey; Prince of Wales-Mrs Wilks; Duke of York-Master Russell; Lieutenant of the Tower-Smith; Tyrell-Dancer; Earl of Richmond-West; Queen-Mrs Massey; Duchess of York-Mrs Ross; Lady Ann-Miss Taylor; Prologue-Morgan (in character of a Jew).

Afterpiece Title: The Honest Yorkshireman

Song: As17760925

Entertainment: Imitations.As17760930

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Harley (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Aickin; Buckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Master Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Queen-Mrs Pope. [Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Event Comment: Theatre opens at 5 o'clock. Play to begin at 6 o'clock. Paid half year's River Water to Mids. Last #3 2s.; Tallow Chandler's bill #36 19s. 10d. (Treasurer's Book). Receipts: #263 6s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Irish Widow

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

Performances

Mainpiece Title: King Richard The Third

Dance: Lally, Boval, Rainton, Mrs Booth, Mrs Mills, Mrs Walter; particularly Myrtillo-

Performances

Mainpiece Title: King John

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: King Richard The Third

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Song: Singing in Italian and English-Mrs Barbier