SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Scholars at Westminster"/1) | (@(roleclean,performerclean) "King\'s Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: A Jovial Crew

Performances

Mainpiece Title: King Edward The Third

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Henry The Fourth Part I With The Humours Of sir John Falstaffe

Dance: Cherrier

Performances

Mainpiece Title: King Henry The Fourth Part I

Song: As17041123

Dance: As17041023

Performances

Mainpiece Title: King Henry The Fourth Part I

Song:

Dance:

Performances

Mainpiece Title: King Henry The Eighth With The Fall Of Cardinal Wolsey

Performances

Mainpiece Title: King Henry The Ivth Part I With The Humours Of sir John Falstaff

Dance: As17051201

Song: Italian songs by Bononcini and best Masters, an English song by Purcell-Mrs del'Epine

Performances

Mainpiece Title: King Henry The Ivth Part I

Song: As17051016

Music: Flute Music,with The Echo-Gasperini, duRuel

Dance: duRuel, Cherrier, Mrs Moss, others

Performances

Mainpiece Title: King Arthur Or The British Worthy

Music: With all the Original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, the Boy

Dance: As17060110

Performances

Mainpiece Title: King Arthur

Music: Composed by Henry Purcell

Dance: Proper dances-duRuel, Mrs duRuel, Cherrier

Performances

Mainpiece Title: King Henry The Eighth With The Fall Of Cardinal Wolsey

Performances

Mainpiece Title: King Henry The Eighth

Performances

Mainpiece Title: King Lear

Dance:

Performances

Mainpiece Title: King Henry The Fourth Part I

Performances

Mainpiece Title: King Henry The Eighth With The Divorce Of Queen Katherine The Fall Of Cardinal Wolsey And The Birth Of Queen Elizabeth