SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Scholars at Westminster"/1) | (@(roleclean,performerclean) "King\'s Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990213

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel boyce And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990306

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequins Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Shipwreck

Song: End: Jack and his Charming Fanny (composed by Suett)-Trueman

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Event Comment: The opening of the season was originally announced for 21 Dec. 1799, but on that day the Morning Chronicle carried the following notice: "The Nobility and Gentry, Subscribers to the Opera, and the Public, are most respectfully informed that the opening of this Theatre is unavoidably postponed to Saturday next, the 28th instant, on account of the indisposition of one of the principal Performers." But on the 28th the opening was again postponed to 4 Jan. On 6 Jan. a notice appeared in the Morning Herald, as follows: "King's Theatre, Saturday Evening, January 4, 1800. The Directors beg leave respectfully to inform the Nobility and Gentry (Subscribers) and the Public in general that the Theatre was advertised to be opened This Evening, with the concurrence and approbation of the Trustees, and it was not until this afternoon that they heard of an unforeseen difficulty having arisen with respect to issuing the License. It was then too late to advertise by means of the Public Newspapers the necessary postponement of the opening; but every effort was made on the part of the Direction to apprise the Subscribers, by sending to their respective houses, and by distributing a hand-bill in all the principal streets; notwithstanding which, they lament to find that many Ladies and Gentlemen were disappointed. The Directors humbly hope that on this statement of the fact they shall stand acquitted of all disrespect to the Subscribers and the Public, who shall have the earliest notice of the conclusion of all the arrangements for the immediate opening of the Theatre and performance of Operas for the season." See 11 Jan. A copy of the hand-bill referred to above, making mention of the "unforeseen circumstances," is attached to the Kemble playbill of dl, 4 Jan.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Alexanders Feast 0 The Messiah Grand Selection 0

Afterpiece Title: Alexanders Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

Performances

Mainpiece Title: The Rage

Afterpiece Title: The Critic or A Tragedy Rehearsd

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Performances

Mainpiece Title: Pizarro

Afterpiece Title: Of Age To morrow

Song: As17991228