SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Scholars at Westminster"/1) | (@(roleclean,performerclean) "King\'s Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Musical Interlude call'd The Election was Written by Mr Andrews & Set by Mr Barthelemon it is a Local piece & met wth great Applause (Hopkins Diary). What nauseous potions will not music wash down the throat of the public (Biographia Dramatica). [Interlude reviewed in the Westminster Magazine, Oct.: We shall dismiss this musical trifle by observing, that if the writer was serious, he has been ridiciulous: if he meant to be jocose, he should have it upon some expedient to discover his intention.--The Member chanting his patriotic promises was highly laughable. It was preceded by a lively overture of Mr Barthelemon's, who composed the rest of the music; in which, however, we observed no peculiar novelty.'] Receipts: #137 15s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Election

Afterpiece Title: The Genii

Dance: Giorgi's Scholars

Event Comment: Benefit Mrs Wrighten. This Farce wrote by Mr Vaughan pretty well receiv'd (Hopkins Diary). [The Westminster Magazine for April damned the afterpiece as to plot and characters. Allowed it passible only as a beneift piece.] Paid 2 extra flutes 10s. Receipts: #90 5s. Charges: #66 9s. Profits to Mr and Mrs Wrighten: #23 16s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Genii

Dance: End I: Hornpipe-Master Butler (scholar of Miller); In afterpiece: Henry

Song: End II: Tally ho!, as17800411

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Mother Shipton

Dance: III: The Corsican Sailor's Punch House, as17710412 IV: A Minuet-King, a Young Lady, his scholar

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Elopement

Dance: II: A Minuet, Allemande-Master Burn, Miss Burn (Scholars of Giorgi); IV: A New Hornpipe-Master Burn

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Cheats of Scapin

Dance: II: A new Serious Dance by a Scholar of Nivelon. IV: A new Comic Dance by another Scholar of Nivelon. V: Tambourine by Miss Rogers

Song: I: By Roberts. III: Chancon a Boire, as17360504

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: A Rehearsal Of Kings Or The Projecting Gingerbread Baker With The Unheard Of Catastrophe Of Macplunderkan King Of Roguomania And The Ignoble Fall Of Baron Tromperland King Of Clouts

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Minor

Entertainment: I: King (for this night only) will present the Public with a Serio-Comic, Satiric, Prophetic, Poetic Oration, call'd The Brass Prophecy or News Ten Years Hence-King; End Farce, By Particular Desire: The Picture of the Playhouse or Bucks Have at ye All-King

Dance: IV: A New Hornpipe-Miss Baker. *uöfidl After: The Farmer's Return from London. As17620329

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215: King and Queene. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: Will And No Will Or Wits Last Stake

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: A King And No King

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius King Of Persia

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: The Medley, as17641120

Entertainment: For that Night Only, a short Epilogic Lecture on Conjurors-King; By Particular Desire, a Picture of the Playhouse; or, Bucks Have at Ye All-King

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Hermit or Harlequin at Rhodes

Dance: I: The Wake, as17680929

Entertainment: End of Opera: King (for that night only) will present the Audience with a Comic Paraphrase-King on Shakespeare's The Seven Ages