SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Scholars at Westminster"/1) | (@(roleclean,performerclean) "Kings Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Performances

Mainpiece Title: At Kings The Heir At Law

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Revenge

Afterpiece Title: No Song No Supper

Song: End: the official news of Nelson's victory at the Nile, on 1 August 1798, was given out; the audience called for Rule Britannia-Kelly, Dignum, Sedgwick, Miss Leak, Mrs Bland; God save the King- [(London Chronicle, 4 Oct.)]

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Poor Soldier

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Ms Waters, Ms Davenport, Ms Chapman, Ms Atkins, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

Performances

Mainpiece Title: Cymbeline King Of Britain

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldiers Festival

Song: In II 1st piece: Hark! the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Wake, as17680929, but Sga Giorgi, Mrs _King

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: Wits Last Stake

Entertainment: End: Singing and Dancing-

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wits Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Triumph of Mirth or Harlequins Wedding

Song: In afterpiece the vocal Parts by Chapman, Barrymore, Williames, Phillimore; Miss Field, Miss Stageldoir, Mrs Wrighten

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: Wits Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The New Peerage

Afterpiece Title: Hurly Burly or The Fairy of the Well

Dance: In afterpiece: Ferrere, the Miss Stageldoirs

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: Wits Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

Performances

Mainpiece Title: The Orphan

Performance Comment: Cordelia-Lord Duplin; Scholars of the Westminster School; Prologue by Prior-Lord Duplin.

Performances

Mainpiece Title: Amphitryo

Performance Comment: the Westminster Scholars.

Performances

Mainpiece Title: Ignoramus

Performance Comment: The Westminster Scholars.

Performances

Mainpiece Title: Eunuch

Performance Comment: The Westminster Scholars in their Dormitory.
Event Comment: New Dormitory in Dean's Yard, Westminster. Mainpiece: of Terence...acted with great applause by the Scholars to a crowded audience.--Daily Advertiser, 28 Nov

Performances

Mainpiece Title: Phormio

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Performances

Mainpiece Title: Love Makes A Man

Dance: I: A new Grotesque Pantomime Dance by Nivelon, Lalauze, Mlle De L'Isle. II: A new Serious Dance by a Scholar of Nivelon's, who never appeared on any Stage. III: A new Comic Dance by Nivelon and another of his Scholars who never appeared on any Stage before. IV: Glover's Scot's Dance. V: Flag Dance by Nivelon, accompanied by another of his Scholars who never appeared on any Stage before

Performance Comment: II: A new Serious Dance by a Scholar of Nivelon's, who never appeared on any Stage. III: A new Comic Dance by Nivelon and another of his Scholars who never appeared on any Stage before. IV: Glover's Scot's Dance. V: Flag Dance by Nivelon, accompanied by another of his Scholars who never appeared on any Stage before .

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Event Comment: Wednesday the Eunuch of Terence was acted by the scholars at the Charter House, to a very polite Audience with Great Applause (General Advertiser). [The London Daily Advertiser and Literary Gazette for 30 May noted: "Publish'd, Epilogue to the Eunuchus of Terence, acted lately by the Charter House Scholars, with great applause, spoken in his own cloaths, by the scholar who acted the part of Thais."

Performances

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Pilgrim