SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Scholars"/1) | (@(roleclean,performerclean) "King\'s Scholars")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2904 matches on Performance Title, 2741 matches on Performance Comments, 1615 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit for Winstone and King. Tickets at Stage Door. Rec'd Cash #62 18s. 6d., plus #71 17s. from tickets. Total #134 15s. 6d. Paid King's Tax (Land) Windsor's House #10; Paid Mrs Swift for a suit of women's cloaths #12 14s. 6d.; Paid Knight (Lampman) month bill #7 8s. 6d.; Mrs Hobson a bill 16s. 6d. (Treasurer's Book). Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Love at First Sight

Dance: IV: The Provancalle, as17631014

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Author

Performances

Mainpiece Title: The Duel

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequins Jacket

Dance: I: The Irish Fair, as17751003

Performances

Mainpiece Title: She Would And She Would Not Or The Kind Imposter

Afterpiece Title: Queen Mab

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: A Woman Is A Riddle

Afterpiece Title: Bon Ton

Dance: End: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The First Floor

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: Benefit for Jones. Tickets to be had of Jones at the White Horse, Parson's Green; at the King's Arms, Fulham; Ship, Fulham; and the George, Walham Green. Afterpiece: It is hoped that the greatest Attention will be paid, as it is impossible for the Company to cogitate throughtout the Cogibundity of Cogitations, unless the most profound Profundity of Thought is observed. Pit 2s. Gallery 1s. Good Fires in the Pit

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Chrononhotonthologos

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Crusade

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Performances

Mainpiece Title: The ew

Afterpiece Title: BON TON

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Wedding Day

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Humourist

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. An edition of this play, published in 1661, lists no cast, no prologue, no epilogue

Performances

Mainpiece Title: The Maids Tragedy