SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Patent"/1) | (@(roleclean,performerclean) "King\'s Patent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2615 matches on Performance Comments, 1626 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Peep behind the Curtain

Entertainment: I: (for the last time) A Comic Paraphrase or Shakespeare's Seven Ages-King

Monologue: End: By Particular Desire, Linco's Travels. with his particular remarks on London (a favourite Interlude not performed these 2 years) Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The King and the Miller of Mansfield

Song: As17760925

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: Comus

Dance: End II: As17780919

Song: As17780917

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Padlock

Dance: End IV: The Irish Fair-the Miss Stageldoirs

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Afterpiece Title: The Minor

Dance: As17790216

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: Midas

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: Comus

Dance: End II: The Sportsman Deceiv'd, as17791210

Performances

Mainpiece Title: The Election

Afterpiece Title: The First Part of King Henry IV

Afterpiece Title: Fortunatus

Dance: End II 2nd piece: a Comic Dance-Henry, Miss Armstrong

Performances

Mainpiece Title: True Blue

Afterpiece Title: The First Part of King Henry the Fourth With the Humours of Sir John Falstaff

Afterpiece Title: The Norwood Gypsies

Dance: 1st piece: Dance of Sailors, as17800918; End II 2nd piece: The Humours of Leixlip, as17800927; 3rd piece: Dancing, as17800927

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: The Son in Law

Dance: End of Act II of mainpiece, as17811101

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: The Deserter

Dance: End of mainpiece St. David's Day, as17820427

Song: End of Act II of mainpiece Cease, gay Seducers; End of Act III Tally Ho, both by Mrs Martyr

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Lord Mayors Day

Dance: End of Act II of mainpiece, as17821009

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Bar at aria or Sancho Turnd Governor

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Enchanted Castle

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)