SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Patent"/1) | (@(roleclean,performerclean) "Kings Patent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2615 matches on Performance Comments, 1626 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller of Mansfield

Dance: JJovial Coopers, as17571107

Event Comment: MMr Fleetwood first appear'd--he did Romeo & was receiv'd with great & deserv'd Applause--he is son to our Late Patentee (Cross). Receipts: #200 (Cross); #210 19s. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and The Miller

Dance: DDutch Dance, as17600619

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The King and Miller of Mansfield

Dance: II: The Garland, as17651003

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The King and Miller of Mansfield

Dance: End: The Wake, as17680929

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The King and the Miller

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The King and the Miller of Mansfield

Entertainment: Monologues.End II: A Dissertation on Macaronies-Murray; End: Abel Drugger's Description of a Fete Champetre-Murray

Song: End 2nd monologue: a celebrated song written by Garrick, on Pantomimical and Operatical Entertainments-

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Aerostation

Performances

Mainpiece Title: The Life And Death Of King Richard The Third

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: At Hay King Lear

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: At Hay King Henry The Eighth

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield

Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Written by the Author of the Toy Shop. [For a letter on the disputes between the footmen and the gentlemen, see Grub St. Journal, 17 March.] [There is in the Bennett Collection, I, 93, in the Birmingham Library, an exceptionally curious advance notice for a performance to be given at Drury Lane soon after Easter of The Conscious Lovers and The Devil to Pay, with no cast for either play in the bill. The announcement appears to refer to the spring of 1737 and presumably appeared around the middle of March. It is intended for the benefit of a Widow under Misfortunes and the bill bears the heading: Gift and Pleasure. According to the announcement, the widow has been left Italian pictures, antiqees, jewels, and precious stones; and she intends, for the encouragement of her benefactors, to make a gift of all the objects, which will be placed in three hundred parcels. Tickets for the performance are advertised at five shillings, and no one is to be admitted without a ticket. The pit and boxes are to be put together at two tickets for each person, and the first and second galleries are placed together at one ticket for each spectator. The tickets are not to be left with the door-keepers as usual, but only shewn and kept. On the day following the benefit a raffle will be held, by Mr Foubert's Patent Mathematical Machine, at Hickford's Great Room in Brewers Street, Golden Square, and only holders of tickets will be admitted to the raffle, After this entry was set, an advertisement was found in the Daily Advertiser, 18 April 1738, announcing this performance for 13 May 1738. The Daily Advertiser on 5 May 1738, however, announced that the proposed performance had been cancelled.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Musical Lady