SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Patent"/1) | (@(roleclean,performerclean) "Kings Patent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2615 matches on Performance Comments, 1626 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Claricilla

Performances

Mainpiece Title: The Coxcomb

Performances

Mainpiece Title: The Coxcomb

Performances

Mainpiece Title: The Alchymist

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performances

Mainpiece Title: The Spanish Curate

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Performances

Mainpiece Title: Every Man In His Humour

Event Comment: Sir Ralph Verney, 11 May 1670: The King & Duke are at dover...all the Towne is gonn, & the Kings Musicke, & Duke's players, & all the Bravery that could be got on such a sudden (Memoirs of the Verney Family [London, 1899], IV, 201). See also a newsletter, 17 May 1670 (HMC, Fleming MSS. 12th Report, VII, 70)

Performances

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The King's Company. This performance is on the L. C. list 5@141, p. 215. the Kings Mate. See also Nicoll. Restoration Drama, p. 345

Performances

Mainpiece Title: Catiline

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: Rare En Tout

Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge

Event Comment: John Dryden to Lord Latimer, July 1677: But the Kings Comedy [probably Mr Limberham] lyes in the Sudds till you please to send me into Northamptonshyre: it will be almost such another piece of business as the fond Husband, for such the King will have it, who is parcell poet with me in the plott; one of the designes being a story he was pleas'd formerly to tell me; and therefore I hope he will keep the jeast in countenance by laughing at it...I have a farther honour to beg, that my Tragedy [All for Love], which will be acted at Michaelmasse, & is already written, may have the honour to be addressed to my Lord Treasurer; & that your Lordship and My Lord Mulgrave wil I hope beg together for me (The Letters of John Dryden, ed. Ward, pp. 11-12)

Performances

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great