SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Patent"/1) | (@(roleclean,performerclean) "Kings Patent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2615 matches on Performance Comments, 1626 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Dance: II: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Register Office

Dance: TThe Wake, as17680929

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Ghost

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Vintner Trick'd

Dance: TThe Cowkeeper, as17700521

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Jubilee

Dance: IV: Comic Dance, as17701025

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Padlock

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Miss in Her Teens

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Meeting of the Company

Cast
Role: Patent Actor: Aickin

Afterpiece Title: The Elopement

Cast
Role: Patent Actor: Aickin

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Hob in the Well