SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Katherine Philips"/1) | (@(roleclean,performerclean) "Katherine Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1005 matches on Author, 505 matches on Performance Comments, 98 matches on Event Comments, 88 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Waterman

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Trick upon Trick

Dance: As17891204

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Prize

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: Benefit Berry. Mainpiece: Containing the Death of the Duke of Buckingham; The Fall of Cardinal Wolsey; The Divorce and Death of Queen Katherine; The Coronation of Anna Bullen, with the Military Ceremony of The Champion in Westminster Hallv; the Christening of Queen Elizabeth, and many other Historical Passages. Tickets to be had at Mr Berry's, the Corner of Crown-Court in Russel St., Covent Garden, and of Mr Bradshaw. Tickets deliver'd out by Woodburn, Mrs Roberts, and Speer will be taken. Receipts: #130

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Berry; Wolsey-Mills; Buckingham-Winstone; Gardiner-Johnson; Cranmer-Turbutt; Norfolk-Havard; Suffolk-Ridout; Lord Chamberlain-Woodburn; Campeius-Shepard; Abergavenny-Raftor; Cromwell-Cross; Lord Sands-Neale; Surveyor-Taswell; Lovel-Ray; Old Lady-Mrs Egerton; Anna Bullen-Mrs Ridout; Queen Katherine-Mrs Roberts.
Cast
Role: Queen Katherine Actor: Mrs Roberts.

Afterpiece Title: The Virgin Unmasked

Dance: I: A Concerto, as17420105; II: The Drunken Peasant, as17411029; III: Le Boufon, as17420325

Song: IV: A Ballad-Lowe; V: Bumper Squire Jones-Beard

Event Comment: Written by Shakespear Containing the Death of the Duke of Buckingham; the Divorce of Queen Katherine; the Fall of Cardinal Wolsey; the Christening of Queen Elizabeth; with many other Historical Passages. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry VIII-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Katherine-Mrs Pritchard A Representation of the Coronation of Anne Bullenv, the Military Ceremony of the Champion in Westminster Hallv; all other decorations to the play. all other decorations to the play.

Performances

Mainpiece Title: New Spain

Afterpiece Title: Katherine and Petruchio

Dance: As17900723

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Katherine and Petruchio

Song: In course of Evening: Sigh no more Ladies, Mistress Mine (both composed by Stevens)-Davies, Bannister, Waterhouse, Mrs Iliff, Mrs Bannister

Entertainment: Monologue. As17900816

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Minor

Afterpiece Title: Katherine and Petruchio

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Event Comment: Benefit for Burton and Philips. Tickets of Philips at Martlet Court in Bow St., Covent Garden, and at the stage door (Playbill). [Advertised as not acted in 10 years, but see 29 Oct. 1748.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Man Of Mode

Cast
Role: Old Bellair Actor: Philips

Afterpiece Title: The Tragedy of Tragedies; or, Life and Death of Tom Thumb, the Great

Performance Comment: Tom-Mas. Simson; King Arthur-Philips; Lord Grizzle-Burton; Noodle-Mozeen; Doodle-Walker; Bailif-Simson; Follower-Clough; Queen Dollallola-Mrs Bennet; Cleora-Mrs Hippisley; Mustacha-Mrs Simson; Huncamunca-Miss Bradshaw.
Cast
Role: King Arthur Actor: Philips

Song: I: By Particular Desire, Hooly and Fairly-Beard

Dance: HHornpipe-Harrison

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: Grandchamps, Mlle Auretti

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Song: Between the acts: Miss Norris