The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Joseph Pittard"/1) | (@(roleclean,performerclean) "Joseph Pittard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 950 matches on Author, 211 matches on Performance Comments, 77 matches on Event Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Fawcett. 3rd piece [1st time; F 1, by George Colman, ynger, based on L'Anglais; ou, Le Fou Raisonnable, by Joseph Patrat]. Times, 6 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho, and at Brook-Green, Hammersmith. Receipts: #501 18s. (226.13.0; 3.0.6; tickets: 272.4.6)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Sailor's Prize

Afterpiece Title: Blue Devils

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

Event Comment: By Command of Their Majesties. "George? Dance, @R. A., was at Covent Garden on Wednesday evening when his musical Composition of One and All [for a band] was performed before his Majesty, with much applause" (Joseph Farington,@Diary [26 Cct.], 1922, I, 243). Receipts: #628 8s. 6d. (620.17.6; 7.11.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Farewell you limpid springs-; Deeper and deeper still-; Waft her angels-Mme Mara (Jephtha); From harmony-Chorus (Dryden's Ode); Softly sweet in Lydian measure-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He layeth-Bartleman [Ezio]; O God who in-Chorus [Joseph]; O magnify the Lord-Mrs Atkins (Chandos Anthems); The Horse and his rider-Chorus (Israel in Egypt).
Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: [By Franz Joseph Haydn; 1st time in London. 1st performed privately in Vienna, 29 Apr. 1798, and in public at the Vienna National Theatre, 19 Mar. 1799.] "Although not equal in grandeur to the divine compositions of the immortal Handel, [it] is, nevertheless, on the whole, a very charming production" (Morning Herald, 29 Mar.). [And see Ashley's note on 2 Apr.

Performances

Mainpiece Title: The Creation; The Messiah; Grand Selection 0

Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Deaf Lover