SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Joseph Jekyll"/1) | (@(roleclean,performerclean) "Joseph Jekyll")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 961 matches on Author, 201 matches on Performance Comments, 74 matches on Event Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: St Davids Day

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: Britains Sons or Success to our Heroes

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): Joseph Mazzinghi

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: Ramah Droog

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): Joseph Mazzinghi

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): Joseph Mazzinghi

Dance: End: New Hornpipe-a Young Lady (1st appearance in public [Miss Rogers]); End I afterpiece: A Scotch Pas Deux-Jackson, Miss Bologna

Song: After 1st dance: The Little Farthing Rushlight-Master Standen

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): Joseph Mazzinghi

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Guardian

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Obi

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Obi

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Liar

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton Or Follies Of Fashion

Afterpiece Title: Hob in the Well

Event Comment: [The playbill assigns Joseph Surface to Palmer, but "Palmer at a late hour sent word that he was unable to attend to his Business this Evening, in consequence of which a messenger was dispatch'd after Mr Barrymore to play Joseph Surface, but he could not be found, Mr Benson was therefore sent for, who, after having an apology made for him, play'd the Part. Banks play'd Surface's Servant " (Powell: Trip to Scarborough rehearsed at 10; Measure at 12. Receipts: #252 16s. (172.13.0; 77.9.6; 2.13.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17941112, but Joseph Surface-Benson; Careless-Barrymore; Moses-Waldron; Trip-R. Palmer; Maid-_.
Cast
Role: Joseph Surface Actor: Benson

Afterpiece Title: No Song No Supper

Song: As17941112