SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John and Chr Rich"/1) | (@(roleclean,performerclean) "John and Chr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 9825 matches on Author, 1735 matches on Performance Comments, 1508 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham
Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Davies; Balthasar (with a proper song)-Atkins; Beatrice-Miss Pritchard; Don Pedro-Havard; Claudio-Palmer; Dogberry-Yates; Frair-Burton; Don John-Bransby; Verges-Philips; Borachio-Blakes; Hero-Mrs Davies; In Act II a Masquerade Dance-; in which will be introduc'd a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.
Cast
Role: Don John Actor: Bransby
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Fortunatus

Event Comment: By His Majesty's Command. Afterpiece: a New Dramatick Entertainment of Musick and Grotesque Dancing. Edition of 1740: Set to Musick by Mr John-Frederick Lampe. [For further letters concerning John Hill and Rich, see London Daily Post and General Advertiser, 11 and 12 Feb.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice: With The Metamorphoses of Harlequin

Performance Comment: Orpheus-Salway; Rhodope-Mrs Lampe; Eurydice-Miss Young; Followers of Eurydice-Mlle Roland, Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; Pluto-Leveridge; Ascalax-Laguerre; Daemons-Villeneuve, Delagarde, Richardson; Harlequin-Lun; Colombine-Mrs Kilby; Pantaloon-Grimaldi; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Thompson; Drudge-Hippisley; Woman Dwarf-French Boy; Country Lads-Desse, Villeneuve, Richardson, Dupre; Lasses-Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mlle Ozanne; Rural Swain and Nymph-Glover, Mlle Roland; Arcadian Shepherdess-French Girl; Swains-Desse, Villeneuve, Richardson, Delegarde, Fromont, Dupre; Villagers-Waltz, Berry, Lad, Thompson, Roberts, Smith, Davies, Mrs Wright, Mrs Chambers, Miss Davies.
Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Fleetwood1st time; Myrtle-Palmer; Sir John-Burton; Sealand-Havard; Cimberton-Philips; Humphrey-Blakes; Daniel-Vaughan; Tom-King (from Dublin); Phyllis-Mrs Abington; Lucinda-Mrs Baker (from cg); Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Indiana-Mrs Cibber; In Act II Singing-Miss Young.
Cast
Role: Sir John Actor: Burton
Role: Sealand Actor: Havard
Role: Mrs Sealand Actor: Mrs Cross
Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: The Englishman in Paris

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Lewis; Malvil-Wroughton; Bygrove-Aickin; Sir Harry Lizard-Whitfield; Sir John-Fearon; Capt. Bygrove-Booth; Dashwou'd-Lee Lewes; Miss Neville-Miss Leeson; Mrs Bromley-Mrs Jackson; Lady Jane-Mrs Morton; La Rouge-Miss Ambrose; Lady Bell-Mrs Mattocks.
Cast
Role: Sir John Actor: Fearon

Afterpiece Title: The Medley; or, Harlequin At-All

Performance Comment: Principal Characters-Garland, Rayner, Delpini, Messink, Cushing, Thompson, Stevens, Ledger, Brunsdon, Wewitzer, Jones, Mahon, Baker, Painter, R.? Smith, Miss Matthews, Miss Ross, Mrs White, Sga Tinte.
Related Works
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John ThurmondRichard Jones
Related Work: Harlequin Turn'd Judge Author(s): John Weaver
Related Work: Harlequin Executed Author(s): John Rich
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Richard Charke
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): John O'Keeffe
Related Work: Harlequin Junior; or, The Magic Cestus Author(s): Carl Friedrich Baumgarten
Related Work: The Medley; or, Hippisley's Drunken Man Author(s): John Hippisley

Dance: Afterpiece: The dances-Aldridge, Dagueville, Miss Valois. [These were danced, as here assigned, in all subsequent Performances.

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance:

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Performance Comment: Advertised, but Colman's Opera Register states that intense heat between 15 and 25 June postponed the operas.
Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: By His Royal Highness's Command. By Subscription, as 25 May

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: By His Royal Highness's Command. By Subscription, as 25 May

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance:

Event Comment: With all the New Scenes, Machines, and Cloaths belonging to the Opera. Admission as 1 Feb

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: As 16 Feb., but admission as 4 Feb. At 6 p.m. No Person whatever to stand upon the Stage, by reason of the great many Scenes and Machines which are to be moved in this Opera

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit Mrs Robinson. By Command. The Pit and Boxes at half a guinea. Stage Boxes 15s. Gallery 4s. The King and a great Number of the Nobility present

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit the Instrumental Musick. By Command. With all the Scenes and Cloaths belonging to this Opera, particularly the Fountain Scenev

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Music: Two New Symphonies-

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Music: A New Symphony by the Famous Signor Atilio Ariosti-; in which he performs upon a New Instrument, call'd Viola D'Amour-Signor Atilio Ariosti

Event Comment: By His Majesty's Command. Admission as 15 Dec. 1716

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: By His Majesty's Command. N.B. This Opera will be performed without Scenes, The Stage being in the same Magnificent Form as it was in the Ball [on 21 Feb.]. Admission as 15 Dec

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance: deMirail's Scholar, Mlle Cerail

Event Comment: Benefit Cavaliero Nicolini Grimaldi. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance: Glover, Mlle Cerail; particularly a Spanish Dance-

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

Performances

Mainpiece Title: The Artful Husband

Afterpiece Title: The Butcher Turned Gentleman

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson

Dance: As17170321

Performances

Mainpiece Title: The Fortune Hunters

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: As17161027

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Jealous Doctor

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: As17161027