SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John and Chr Rich"/1) | (@(roleclean,performerclean) "John and Chr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1735 matches on Performance Comments, 1508 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Evelyn, Diary: Saw a fine Mask at court perform'd by 6 Gent: & 6 Ladys surprizing his Majestie, it being Candlemas day. Pepys, Diary, 3 Feb.: Then Mrs Pickering...did, at my Lady's command, tell me the manner of a masquerade before the King and Court the other day. Where six women (my Lady Castlemayne and Duchesse of Monmouth being two of them) and six men (the Duke of Monmouth and Lord Arran and Monsieur Blanfort, being three of them) in vizards, but most rich and antique dresses, did dance admirably and most gloriously. God give us cause to continue the mirthe!

Performances

Mainpiece Title: A Masque

Related Works
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: The Comickal Masque of Pyramus and Thisbe Author(s): Richard Leveridge
Related Work: Pyramus and Thisbe Author(s): Richard Leveridge
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Sir Arthur Oldlove Actor: Sandford
Role: Flaile Actor: Richards
Event Comment: The United Company. The date of the first performance is not known. This is the second of three plays which have been assigned to December 1690 (see Alphonso and The Mistakes). It was entered in the Term Catalogues, Feb. 1690@1, and advertised in the London Gazette, No. 2638, 19-23 Feb. 1690@1

Performances

Mainpiece Title: The Scowrers

Performance Comment: Edition of 1691: Mr Rant-Kynaston; Sir Will. Rant-Mountfort; Wildfire-Williams; Tope-Leigh; Whachum-Bowman; Bluster-Freeman; Dingboy-Cudworth; Sir Rich. Maggot-Bright; Ralph-Bowen; Jasper-Will Peer; Lady Maggot-Mrs Leigh; Eugenia-Mrs Barry; Clara-Mrs Bracegirdle; Priscilla-Mrs Cory; Lettice-Mrs Richeson; Abigal-Mrs Osborn; Prologue-; Epilogue-.
Cast
Role: Lettice Actor: Mrs Richeson
Event Comment: See Cibber, Apology, I, 201-2, for his account of the mistake Betterton's Company made in not retaining Williams and Mrs Mountfort-Verbruggen, and of the problems of Rich's Company. In this passage Cibber implies that Hamlet, Othello, and Julius Caesar were acted at Drury Lane soon after the division of the companies

Performances

Event Comment: Luttrell, A Brief Relation, III, 488: On Tuesday Night last the play house in Dorset Garden was broke open and their rich garments, to the value of 300#, taken away

Performances

Event Comment: In spite of decrees concerning the transfer of a player from one house to another, Dogget entered into an agreement with Rich's Company. See Nicoll, Restoration Drama, pp. 338-39. Cibber, Apology, I, 229: And the late Reputation which Dogget had acquired from acting his Ben in Love for Love, made him a more declared Male-content on such Occasions; he over-valued Comedy for its being nearer to Nature than Tragedy, which is allow'd to say many fine things that Nature never spoke in the same Words; and supposing his Opinion were just, yet he should have consider'd that the Publick had a Taste as well as himself, which in Policy he ought to have complied with. Dogget, however, could not with Patience look upon the costly Trains and Plumes of Tragedy, in which knowing himself to be useless, he thought were all a vain Extravagance: And when he found his Singularity could no longer oppose that Expence, he so obstinately adhered to his own Opinion, that he left the Society of his old Friends, and came over to us at the Theatre-Royal: This happened in the Winter following the first Division of the (only) Company

Performances

Event Comment: Although the reports do not fully agree upon the date, apparently it was on this night that Hildebrand Horden, of Rich's Company, was killed in a duel. See Protestant Mercury, 18-20 May 1696, and Luttrell, A Brief Relation, IV, 81

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: James Brydges, Diary: About 5 my Coz: Roberts & I went to ye Playhouse in Covent Garden, but not liking ye play, wee went to that in Lincolns inn fields, & staid till 'twas done. I saw Ld Normanby, Ld Willouby, Sir Rich. Samford &c. here (Huntington MS St 26)

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Performances

Mainpiece Title: Entertainments

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Edition of 1702 lists: Lord Brumpton-Thomas; Lord Hardy-Cibber; Campley-Wilks; Trusty-Mills; Cabinet-Toms; Sable-Johnson; Puzzle-Bowen; Trim-Pinkethman; Tom-Fairbank; Lady Brumpton-Mrs Verbruggen; Lady Sharlot-Mrs Oldfield; Lady Harriot-Mrs Rogers; Mademoiselle-Mrs Lucas; Tattleaid-Mrs Kent; Mrs Fardingale-Norris; Kate Matchlock-Bullock; Prologue-Wilks; Epilogue-Lord Hardy.
Cast
Role: Sable Actor: Johnson
Related Works
Related Work: The Funeral, or, Grief a la Mode Author(s): Richard Steele

Performances

Mainpiece Title: The Basset Table

Performance Comment: Edition of 1706 lists: Lord Worthy-Mills; Sir James Courtly-Wilks; Lovely-Biggerstaff; Sir Rich. Plainman-Bullock; Captain Hearty-Estcourt; Sago-Johnson; Buckle-Penkethman; Lady Reveller-Mrs Oldfield; Lady Lucy-Mrs Rogers; Valeria-Mrs Mountford; Mrs Sago-Mrs Cross; Alpiew-Mrs Lucas; Prologue-Penkethman; Epilogue-Estcourt.
Cast
Role: Sago Actor: Johnson
Event Comment: Benefit the Author. [In the Preface to the 1709 edition D'Urfey thanks Rich for allowing him to be the first to raise the admission prices for his benefit.

Performances

Mainpiece Title: The Modern Prophets

Cast
Role: Zekiel Magus Actor: Johnson

Song: With a New Song by the Author, on the ensuing Campaign, for the Entertainment of his Friends-

Related Works
Related Work: The False Friend Author(s): John Vanbrugh
Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Ladies of Quality. Tickets for the New Medley will be taken. Receipts: #124 1s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The City Ramble

Dance: delaGarde, Mrs Bullock; Scaramouch-a Gentleman for his Diversion

Event Comment: [By Lewis Theobald.] Never Acted before. Receipts: #25 8s. 6d. Preface: I am only sorry, it did not answer so well to Mr Rich, as I hop'd it would have done....The Play was got up with indefatigable Application, in Twelve Days time from the first Reading, which is less than ever any Tragedy was known to be got ready in

Performances

Mainpiece Title: The Perfidious Brother

Performances

Mainpiece Title: hamlet

Performance Comment: Advertised as a benefit for Thurmond, but Rich's Register states: No Play by reason Mr Thurmond did not lay down 20 Guineas in the office for his Benefit.
Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Persons of Quality. Receipts: money #24 14s. and tickets #55 13s

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Dance:

Event Comment: In Daily Courant, 9 Feb., The Rehearsal is announced, but Rich's Register has it marked out and Othello superimposed

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit Henry Rich, Pit Officekeeper. Receipts: money #15 4s. 6d.; tickets #43 2s

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Moreau, Thurmond Jr, Mrs Schoolding, Miss Smith; particularly Moreau's last new dance-Moreau, Miss Schoolding

Event Comment: At the Desire of several Persons of Quality. At 6 p.m. Post Boy, 28 Sept.: We hear that last Week Mr Rich made an Assignment of the New Theatre in Lincoln's-Inn-Fields, and his Patent granted by King Charles II to Mr Keene and Mr Bullock jun. and that they open on Saturday next, with a celebrated Play of Shakespear's call'd, Cimbiline, which will be entirely new dress'd

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Wilks; Ghost-Booth; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Mrs Santlow.
Cast
Role: Gravedigger Actor: Johnson
Event Comment: Benefit J. and Ch. Rich. Afterpiece: A New Dramatic Entertainment of Dancing in Grotesque Characters. Receipts: #45 6s. 6d. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Royal Merchant; Or, Beggar's Bush

Related Works
Related Work: The Beggar's Bush Author(s): John Fletcher
Related Work: The Royal Merchant Author(s): John Fletcher

Afterpiece Title: Mars and Venus; or, The Mouse Trap

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver