Event Comment: Incledon continuing Hoarse, the new Comic Opera of The Turnpike Gate [advertised on playbill of 6 Nov.] is necessarily obliged to be postponed [see 14 Nov.]. "[Mrs Pope's] whole soul seems to be engrossed with the study of attitudes and postures; how to display to the best advantage a genteel shape...Her very looks are artificial, and betray an excess of female vanity" (Dramatic Censor I, 11). Receipts: #337 13s. (333.11.6; 4.1.6)

Event Comment: In I a Grand Masquerade. The Doors to be opened at 5:15. To begin at 6:15 [see 29 Apr. 1800]. Receipts: #180 11s. 6d. (175.8.0; 5.3.6)

Event Comment: [Mainpiece in place of The Secret, advertised on playbill of 31 Dec. 1799.] In IV a Masquerade Scenev. Afterpiece: Not acted these 3 years. The Scenery, Dresses and Decorations entirely New. The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by the late Mr Storace. [In mainpiece the playbill retains Barrymore as Doricourt, but "On account of the illness of Barrymore, the part of Doricourt was sustained, at a short notice, by Archer." In afterpiece Barrymore is assigned to Kera Khan, but "C. Kemble, in consequence of Barrymore's indisposition, undertook the part of Kera Khan, at a few hours' notice. Suett displayed his wonted humour in his old character of Varbel, His drollery forms a pleasing contrast to the apathy of Kelly" (Dramatic Censor, I, 32).] Receipts: #205 11s. 6d. (105.12.6; 98.15.0; 1.4.0)

Event Comment: The School for Scandal [advertised on playbill of 1 Jan.] is obliged to be deferred on account of the sudden indisposition of a principal performer. Receipts: #176 15s. 6d. (96.0.0; 78.6.6; 2.9.0)

Event Comment: The Rivals [advertised on playbill of 4 Jan.] is obliged to be deferred on account of the indisposition of a principal performer. "There seems to be a perverse and impolitic system introduced of late years in the management of this theatre, in virtue of which certain plays are suffered to remain in a state of slovenly representation, to serve as a kind of stage lumber, on which the manager can immediately lay his hand (confident of a good half-price, from the popularity of his after-piece); he wants something, no matter what, to fill up the intermediate space of time. This is a system, however, which in the event cannot fail to prove equally injurious to the interest of the proprietors, and the gratification of that part of the audience who pay the full amount of admission" (Dramatic Censor, I, 45). Receipts: #188 5s. (102.16; 83.17; 1.12)