Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John and Chr Rich"/1) | (@(roleclean,performerclean) "John and Chr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
13043 results for: Keyword - John and Chr. Rich
We found 11035 matches on Author, 1735 matches on Performance Comments, 1508 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.

3901
17 December 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Related Works
Related Work: The Island Princess Author(s): John Fletcher

3902
21 January 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Feignd Innocence Or Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

3903
22 January 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Feignd Innocence

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

3904
19 April 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Rollo Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher

3905
23 April 1675 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215: King and Queene. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: A King And No King

Related Works
Related Work: A King and No King Author(s): John Fletcher

3906
07 June 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess Author(s): John Fletcher

3907
19 June 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

Related Works
Related Work: Marriage A La Mode Author(s): John Dryden
Related Work: Marriage à la Mode Author(s): John Dryden

3908
11 October 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Mad Lover

Related Works
Related Work: The Mad Lover Author(s): John Fletcher
Related Work: The Blazing Comet: The Mad Lovers; or, The Beauties of the Poets Author(s): Samuel Johnson

3909
01 November 1675 @ Inner Temple

Performances

Mainpiece Title: The Scornful Lady

Related Works
Related Work: The Scornful Lady Author(s): John Fletcher

3910
17 November 1675 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this performance is the premiere, but an additional performance on 20 Nov. 1675 and the entry of the play into the Stationers' Register, 29 Nov. 1675, suggest that the first production probably occurred in early or mid-November 1675. Downes (Roscius Anglicanus, pp. 10-11), gives a cast which is identical except for omissions. For Kynaston's acting of Morat (especially in the later years of the century), see Cibber, Apology, ed. Lowe, I, 124-26

Performances

Mainpiece Title: Aureng zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden

3911
20 November 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Aureng zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden

3912
21 December 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada Part I

Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden

3913
10 January 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Performances

Mainpiece Title: The Country Wit

Performance Comment: Edition of 1675: Prologue-; Sir Thomas Rash-Sandford; Ramble-Batterton; Merry-Harris; Sir Mannerly Shallow-Nooks [Nokes]; Booby-Underhil; Lord Drybone-Medbourn; Rash-Leigh; Lady Faddle-Mrs Batterton; Christina-Mrs Leigh [Mrs Mary Lee]; Betty Frisque-Mrs Currer; Goody Rash-Mrs Norris; Isabella-Mrs Elinor? Leigh; Epilogue-.
Cast
Role: Sir Thomas Rash Actor: Sandford
Role: Christina Actor: Mrs Leigh
Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne

3914
02 February 1676 @ Inner Temple

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): John Fletcher

3915
18 May 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Tyrannic Love Or The Royal Martyr

Related Works
Related Work: Tyrannic Love; or, The Royal Martyr Author(s): John Dryden
Related Work: Tyrannic Love Author(s): John Dryden

3916
23 May 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Related Works
Related Work: Philaster Author(s): John Fletcher

3917
29 May 1676 @ Whitehall or St. James's

Performances

Mainpiece Title: Aureng zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden

3918
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Ferdinand Actor: Harris
Role: Castruchio Actor: Richards
Related Works
Related Work: The Duchess of Malfi Author(s): John Webster

3919
21 September 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Country Wit

Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne

3920
30 October 1676 @ The City, London

Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: Londons Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham

3921
05 December 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

3922
18 January 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no indication that this performance is the premiere, but see 12 Jan. 1676@7 and 19 Jan. 1676@7

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian Part Ii

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne

3923
March 1677 @ Drury Lane Theatre

Event Comment: The King's Company. There is no indication of the date of the first performance, but a licensing date of 6 April 1677 and the large number of minor actors in the cast suggest a Lenten performance. Preface to edition of 1677: I think (without Ostentation) never was House more throng'd;...The first, second, and other times it was Acted, I think lost me no Credit, but...Fortune...Jaded me, robbing me of the Honour of my Plays continuance for that time; by a Mischance which hapned to one, whose Part was too considerable to be quickly studied

Performances

Mainpiece Title: The Country Innocence Or The Chamber maid Turnd Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd

3924
June 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known, but see the discussion of Wits Led by the Nose, mid-June 1677, for the relationship of the two plays. The Rival Kings was entered, and deleted, in the Stationers' Register, 26 July 1678; but because the play was entered in the Term Catalogues, November 1677, it seems likely that its premiere occurred in 1677

Performances

Mainpiece Title: The Rival Kings Or The Loves Of Oroondates And Statira

Related Works
Related Work: The Rival Kings; or, The Loves of Oroondates and Statira Author(s): John Banks

3925
29 October 1677 @ The City, London

Performances

Mainpiece Title: Londons Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham