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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John and Chr Rich"/1) | (@(roleclean,performerclean) "John and Chr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12055 results for: Keyword - John and Chr. Rich
We found 9825 matches on Author, 1735 matches on Performance Comments, 1508 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.

2501
21 December 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

2502
10 January 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Performances

Mainpiece Title: The Country Wit

Performance Comment: Edition of 1675: Prologue-; Sir Thomas Rash-Sandford; Ramble-Batterton; Merry-Harris; Sir Mannerly Shallow-Nooks [Nokes]; Booby-Underhil; Lord Drybone-Medbourn; Rash-Leigh; Lady Faddle-Mrs Batterton; Christina-Mrs Leigh [Mrs Mary Lee]; Betty Frisque-Mrs Currer; Goody Rash-Mrs Norris; Isabella-Mrs Elinor? Leigh; Epilogue-.
Cast
Role: Sir Thomas Rash Actor: Sandford
Role: Christina Actor: Mrs Leigh
Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne

2503
02 February 1676 @ Inner Temple

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): John Fletcher

2504
18 May 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Related Works
Related Work: Tyrannic Love; or, The Royal Martyr Author(s): John Dryden
Related Work: Tyrannic Love Author(s): John Dryden

2505
23 May 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Restoration; or, Right Will Take Place Author(s): John Fletcher

2506
29 May 1676 @ Whitehall or St. James's

Performances

Mainpiece Title: Aureng-zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden
Related Work: Aureng-Zebe Author(s): John Dryden
Related Work: The Prince of Agra Author(s): John Dryden

2507
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Ferdinand Actor: Harris
Role: Castruchio Actor: Richards
Related Works
Related Work: The Duchess of Malfi Author(s): John Webster

2508
21 September 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Country Wit

Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne

2509
30 October 1676 @ The City, London

Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: London's Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham

2510
05 December 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

2511
18 January 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no indication that this performance is the premiere, but see 12 Jan. 1676@7 and 19 Jan. 1676@7

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

2512
March 1677 @ Drury Lane Theatre

Event Comment: The King's Company. There is no indication of the date of the first performance, but a licensing date of 6 April 1677 and the large number of minor actors in the cast suggest a Lenten performance. Preface to edition of 1677: I think (without Ostentation) never was House more throng'd;...The first, second, and other times it was Acted, I think lost me no Credit, but...Fortune...Jaded me, robbing me of the Honour of my Plays continuance for that time; by a Mischance which hapned to one, whose Part was too considerable to be quickly studied

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd

2513
June 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known, but see the discussion of Wits Led by the Nose, mid-June 1677, for the relationship of the two plays. The Rival Kings was entered, and deleted, in the Stationers' Register, 26 July 1678; but because the play was entered in the Term Catalogues, November 1677, it seems likely that its premiere occurred in 1677

Performances

Mainpiece Title: The Rival Kings; Or, The Loves Of Oroondates And Statira

Related Works
Related Work: The Rival Kings; or, The Loves of Oroondates and Statira Author(s): John Banks

2514
29 October 1677 @ The City, London

Performances

Mainpiece Title: London's Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.
Related Works
Related Work: London's Triumphs Author(s): John Tatham
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham

2515
11 March 1678 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Kind Keeper; Or, Mr Limberham

Related Works
Related Work: The Kind Keeper; or, Mr Limberham Author(s): John Dryden

2516
28 May 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162; on a similar list (L. C. 5@145, p. 120) the date is given as 25 May, but the second list may have been compiled from the first one and subject to error. See also Nicoll, Restoration Drama, p. 349. There is no indication that this is the first production, but the Epilogue refers to the shortly expected "long Vacation," a suggestion that the premiere came in May. The play was not licensed until 29 Aug. 1678

Performances

Mainpiece Title: The Counterfeits

Performance Comment: Edition of 1679: Prologue-; Don Gomez-Anthony Lee; Don Luis-Gilloe; Vitelli-Betterton; Antonio-Harris; Carles-Medburne; Peralta-Smith; Dormilon-Persivall; Fabio-Underhill; Crispin-Williams; Tonto-Richards; Boy-Young Mumford [Mountfort]; Elvira-Mrs Lee; Violante-Mrs Price; Clara-Mrs Barrer; Flora-Mrs Gibbs; Epilogue-Mrs Barry.
Cast
Role: Tonto Actor: Richards
Related Works
Related Work: The Counterfeits Author(s): John Learnerd

2517
September 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Performance Comment: Edition of 1679: Prologue-; Oedipus-Betterton; Adrastus-Smith; Creon-Samford; Tiresias-Harris; Haemon-Crosby; Alcander-Williams; Diocles-Norris; Pyracmon-Boman; Phorbas-Gillo; Ghost of Lajus-Williams; Jocasta-Mrs Betterton; Eurydice-Mrs Lee; Manto-Mrs Evans; Epilogue-.
Cast
Role: Alcander Actor: Williams
Related Works
Related Work: Oedipus Author(s): John Dryden
Related Work: Oedipus, King of Thebes Author(s): John Dryden

2518
November 1678 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Destruction Of Troy

Performance Comment: Edition of 1679: Prologue-; Priamus-Sandford; Hector-Harris; Paris-Crosby; Troilus-J. Williams; Agamemnon-Medbourn; Achilles-Betterton; Ulysses-Smith; Diomedes-Gillow; Patroclus-Bowman; Menelaus-Norris; Ajax-Underhill; Helena-Mrs Price; Andromache-Mrs Betterton; Polyxena-Mrs Barry; Cassandra-Mrs Lee; Epilogue-Mrs Quynn.
Cast
Role: Priamus Actor: Sandford
Role: Andromache Actor: Mrs Betterton
Role: Cassandra Actor: Mrs Lee
Related Works
Related Work: The Destruction of Troy Author(s): John Banks

2519
March 1679 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tragedy Of Sertorius

Related Works
Related Work: The Tragedy of Sertorius Author(s): John Bancroft

2520
March 1679 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the premiere is not known. As the play was entered in the Term Catalogues, June 1679, it probably was acted first sometime in the preceding two or three months. Gildon's revision of Langbaine, English Dramatick Poets: This Play met not with the Applause the Author and his Friends expected (p. 28)

Performances

Mainpiece Title: The Ambitious Statesman; Or, The Loyal Favourite

Related Works
Related Work: The Ambitious Statesman; or, The Loyal Favourite Author(s): John Crowne
Related Work: The Ambitious Statesman Author(s): John Crowne

2521
April 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that the play was entered in the Stationers' Register on 14 April 1679 suggests a premiere not later than April 1679. A song, Can life be a blessing, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Performance Comment: Edition of 1679: The Prologue-Mr Betterton Representing the Ghost of Shakespear; Hector-Smith; Troilus-Betterton; Priam-Percivall; Aeneas-Joseph Williams; Pandarus-Leigh; Calchas-Percivall; Agamemnon-Gillo; Ulysses-Harris; Achilles-David Williams; Ajax-Bright; Nestor-Norris; Diomedes-Crosby; Patroclus-Bowman; Anthenor-Richards; Thersites-Underhill; Cressida-Mrs Mary Lee; Andromache-Mrs Betterton; The Epilogue-Thersites.
Cast
Role: Pandarus Actor: Leigh
Role: Anthenor Actor: Richards
Role: Andromache Actor: Mrs Betterton
Related Works
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden

2522
February 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Richard Plantagenet Actor: David Williams
Role: Richard Actor: Gillow
Related Works
Related Work: The Misery of Civil War Author(s): John Crowne

2523
March 1680 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Related Works
Related Work: Thyestes Author(s): John Wright

2524
01 November 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

2525
08 March 1681 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden