SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John and Chr Rich"/1) | (@(roleclean,performerclean) "John and Chr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1735 matches on Performance Comments, 1508 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Related Works
Related Work: The History of Charles the Eighth of France Author(s): John Crowne
Related Work: The History of Charles the Eighth of France; or, The Invasion of Naples by the French Author(s): John Crowne
Event Comment: The King's Company. The date of the premiere is not known, but the play followed The Citizen Turned Gentleman (4 July 1672) and refers to it in the Prologue. Edward Ravenscroft replied in the Preface and Prologue to The Careless Lovers, which appeared in February or March 1672@3. A song, Long betwixt Love and fear Phillis tormented, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Preface to The Assignation: It succeeded ill in the representation, against the opinion of many of the best Judges of our Age. Langbaine, English Dramatick Poets, p. 154: This Play was Damn'd on the Stage

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Related Works
Related Work: The Assignation; or, Love in a Nunnery Author(s): John Dryden

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Restoration; or, Right Will Take Place Author(s): John Fletcher
Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Related Works
Related Work: Amboyna Author(s): John Dryden
Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216, and a copy of the list at Harvard: Sr Martin Marall. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: The Mall; Or, The Modish Lovers

Related Works
Related Work: The Mall; or, The Modish Lovers Author(s): John Dover

Performances

Mainpiece Title: Marriage A La Mode

Related Works
Related Work: Marriage A La Mode Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Related Work: The Tempest Author(s): John Dryden

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Mexico By The Spaniards

Related Works
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Restoration; or, Right Will Take Place Author(s): John Fletcher

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Granada By The Spaniards

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Performances

Mainpiece Title: Aglaura

Related Works
Related Work: Aglaura Author(s): John Suckling

Performances

Mainpiece Title: The Tamer Tamed

Related Works
Related Work: The Tamer Tamed Author(s): John Fletcher
Related Work: The Tamer Tam'd Author(s): John Fletcher

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: The Feign'd Innocence

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215: King and Queene. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: A King And No King

Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Performances

Mainpiece Title: Marriage A La Mode

Related Works
Related Work: Marriage A La Mode Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden

Performances

Mainpiece Title: The Mad Lover

Related Works
Related Work: The Mad Lover Author(s): John Fletcher
Related Work: The Blazing Comet: The Mad Lovers; or, The Beauties of the Poets Author(s): Samuel Johnson

Performances

Mainpiece Title: The Scornful Lady

Related Works
Related Work: The Scornful Lady Author(s): John Fletcher
Related Work: The Capricious Lady Author(s): John Fletcher
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this performance is the premiere, but an additional performance on 20 Nov. 1675 and the entry of the play into the Stationers' Register, 29 Nov. 1675, suggest that the first production probably occurred in early or mid-November 1675. Downes (Roscius Anglicanus, pp. 10-11), gives a cast which is identical except for omissions. For Kynaston's acting of Morat (especially in the later years of the century), see Cibber, Apology, ed. Lowe, I, 124-26

Performances

Mainpiece Title: Aureng-zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden
Related Work: Aureng-Zebe Author(s): John Dryden
Related Work: The Prince of Agra Author(s): John Dryden

Performances

Mainpiece Title: Aureng-zebe

Related Works
Related Work: Aureng Zebe; or, The Great Mogul Author(s): John Dryden
Related Work: Aureng-Zebe Author(s): John Dryden
Related Work: The Prince of Agra Author(s): John Dryden