SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Wilson"/1) | (@(roleclean,performerclean) "John Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11041 matches on Author, 2744 matches on Performance Comments, 1274 matches on Event Comments, 351 matches on Performance Title, and 15 matches on Roles/Actors.
Event Comment: The King's Company. This play was acted at Oxford on 19 March 1680@1 before Charles II (see True Protestant Mercury, 19-23 March 1680@1; Wilson, Theatre Notes from the Newdigate Newsletters, p. 80; and Smith's Protestant Intelligence, 24-28 March 1681). The play may have been given first in London; if not, it probably was not acted there until after Easter, 3 April 1681. The company also performed The Plain Dealer in Oxford on 21 March 1680@1 (Smith's Protestant Intelligence, 24-28 March 1681)

Performances

Mainpiece Title: Tamerlane The Great

Event Comment: The King's Company. Newdigate newsletters (Folger Shakespeare Library), 15 Nov. 1681: This being ye Q.s birthday ye K.s players acted Alexdr ye great after wch was a ball & entertainment given to ye Ct. (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). Luttrell, 15 Nov. 1681: The 15th, being the birth day of her majestie, was kept with ringing of bells, bonefires, &c.; and at night there was a play acted at Whitehall before the king and queen, where the court appeared in great splendor (A Brief Relation, I, 144). The Earl of Arran to Ormond, 15 Nov. 1681: I am going to a play at court (HMC, Ormonde MSS., New Series, VI, 230). L. C. 5@144, p. 246, 22 Nov. 1681: Whereas Jeoffrey Ayleworth, Thomas ffarmer, Thomas ffinall & Richard Tomlinson foure of his Mates Musitians have neglected their dury in attending at ye play acted before his Mate at Whitehall on Tuesday night last for which I have suspended them (L. C. to the Treasurer of the Chamber, in Boswell, Restoration Court Stage, p. 100)

Performances

Mainpiece Title: The Rival Queens Or Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston
Related Work: Alexander the Great Author(s): John Philip Kemble
Event Comment: Newdigate newsletters: On Tuesday night late there happened a difference between the Senior and Young men belonging to the King's play house which grew to such a height that they all drew their swords which occasioned the wounding of severall. But in the end the Seniors shut up the dores and sent word to his Matie in regard they were the builders of the house who received answer yesterday that the Law was open. Where upon they are to have a tryall this Weeke before the Lord Chancellor (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). See also Hotson, Commonwealth and Restoration Stage, pp. 268-70

Performances

Event Comment: Impartial Protestant Mercury, 2 May 1682: Mr Charles? Deering? son to Sr Edward D., and Mr Vaughan?, quarrelled in the Duke's Playhouse, and presently mounted the stage and fought, and Mr D. was dangerously wounded, and Mr V. secured lest it should prove mortal. [See also, Wilson, Theatre Notes from the Newdigate Newsletters, p. 80.

Performances

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Event Comment: The Duke's Company. True Protestant Mercury, 17-20 May 1682: On Thursday the Ambassador from the King of Bantam was entertained with a play called the Libertine Destroyed at the Duke's Theatre. [See also Luttrell, A Brief Relation, I, 187, and Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59

Performances

Mainpiece Title: The Libertine Destroyed

Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble
Event Comment: The Duke's Company. Newdigate newsletters, 17 June 1682: And the Mor. Embr...this day...took his leave of ye Playhouse having seen Epsom Wells (Wilson, Theatre Notes from the Newdigate Newsletters, pp. 80-81)

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. Newdigate newsletters, 8 July 1682: The Bantam Embrs...this afternoon took yr leave of ye playhouse the Empresse of Morocco being acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia Or The Sabine War

Event Comment: Newdigate newsletters, 14 Aug. 1683: The Manager of ye Kings Theatre intend wth in short time to pforme an Opera in like manner of yt of ffrance. Mr Betterton wth other Actrs are gone over to fetch Ye designe [Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also a letter from Lord Preston to the Earl of Sunderland, Paris, 25 Aug. 1683 N.S. concerning Betterton's visit to Paris (HMC, 7th Report, Appendix, p. 288)

Performances

Event Comment: The United Company. Newdigate newsletters, 4 March 1685@6: This day a new play called The Devil of a Wife was Acted with great Applause at that formerly called the Ds Playhouse (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also 6 March 1685@6

Performances

Mainpiece Title: The Devil Of A Wife Or A Comical Transformation

Event Comment: Newdigate newsletters, 5 Oct. 1691: On thursday night last a quarrell hapned in ye Play house where ye Ld N. had his head broke (Wilson, Theater Notes from the Newdigate Newsletters, p. 82)

Performances

Event Comment: Luttrell, A Brief Relation, II, 313, 17 Dec. 1691: Last Tewsday [i.e., Wednesday] a great disorder at the playhouse, where the lord Grey of Ruthin and viscount Longueville were knockt downe, and 2 other lords puncht with the butt ends of muskets; they complained of the affront to his majestie, who referred them to the house of lords, where they made their application yesterday; and the lords thereon desired his majestie would be pleased to command the suspending acting of playes till further order. Newdigate newsletters, 17 Dec. 1691: Last night the Kings play House was shut up upon complaints given in to the King by the Lord Grey Viscount Longville and other Lords that they had received severall Affronts from and were badly used by ye door keepers, and 'tis said the future Acting is suspended till further order (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also HMC, 13th Report, Appendix Five, pp. 464-65

Performances

Event Comment: Luttrell, A Brief Relation, II, 316: The players have begg'd pardon of the lords abused there, and have leave to act again on Monday. [The order for reopening is in L. C. 5@150, p. 345 (Nicoll, Restoration Drama, p. 361).] Newdigate Newsletters, 19 Dec. 1691: We heare that the Play house will be againe opened this Night or on Monday & will Continue to Act as formerly and tis S. the Sentinell who discharged his Musquet was tryed by a Court Martial and acquitted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82)

Performances

Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Fairy Queen

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

Event Comment: Newdigate newsletters, 26 March 1696: Mr Dryden ye famous Poet is writing a play wch will bee Intituled Englands deliverance from Popish Conspirators (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82)

Performances

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Cast
Role: Forrest Actor: Wilson
Event Comment: Benefit Lawrence and Wilson, Boxkeepers. Receipts: money #5 7s.; tickets #143 9s. [The identity of these receipts and those for 23 May suggests that the treasurers' records may be in error for one of these nights.

Performances

Mainpiece Title: Julius Caesar

Dance: As17201214

Event Comment: Benefit Miss Ward, Wilson

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Performance Comment: King Arthur-Johnson; Merlin-Rosco; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Philadel-Mrs Hamilton; Matilda-Miss Tollett; Emmeline-Mrs Giffard. In it music by Purcell, sung by Kelly, Touchbury, Nichols, Kellner, Mrs Chambers, Miss Jones, Miss Gerrard; Venus sung by Miss Wilson, her first on any stage; Cupid-Miss Thornowets, her first on any stage. Dances by Haughton, Mrs Bullock, Le Sac, Vallois, Delagarde, Topham, Mrs Woodward, Mrs Vallois, Miss Gerrard, Mrs Dove. With a New Prologue and Epilogue, spoken by Giffard and Mrs Giffard .
Cast
Role: King Arthur Actor: Johnson
Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): John Philip Kemble
Event Comment: Benefit Mrs Littlejohn. As 27 Nov. 1738. Tickets of Mrs Littlejohn, at Mr Wilson's, David Street, near Grosvenor Square

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17390319 but Antonio-Shepard; Angelina-Mrs Littlejohn.
Cast
Role: Angelina Actor: Mrs Littlejohn.

Afterpiece Title: Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver
Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Afterpiece Title: Polly Honeycomb

Event Comment: Benefit for W. Palmer, Clough, Wright, Mrs Millidge. Tickets deliver'd by Wilson and Mr Costin will be admitted

Performances

Mainpiece Title: The Hypocrite

Cast
Role: Sir John Lambert Actor: Packer

Afterpiece Title: Harlequins Invasion

Cast
Role: Mrs Trumbel Actor: Johnston
Role: Mrs Harslet Actor: Mrs Johnston

Dance: II: A Hornpipe-Wright